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ABOUT THIS VIDEO
It's my pleasure to show you the custom modifications I had installed on my ARP 2600 back in around 1979. In this video I'll discuss why I believed it was necessary to drill holes into the synthesizer for what I considered to be essential features and/or improvements to the design. I say essential because I was using the instrument to perform on live feature film recording sessions and live concert events. I needed to have preset octaves, preset intervals, longer release times, separate keyboard gates and more patching capability to be more effective in those mediums. Quick sound changes we required! Remember this was at a time when synthesizers did not have the ability to recall sounds via some sort of internal memory. I had to remember all the patches myself and use the modifications to immediately morph my sound changes in real time. I also had to get pretty good at creating patches without hearing the synth and hoping that I was close when I needed to start playing. Those were some golden years to be performing electronic instruments. It was easy to mess up but it definitely taught us some skills. I hope you enjoy seeing the mods in actions and hearing some of the accompanying stories!
00:00 Introduction
01:29 Octave Switches
02:50 Preset Voltages Up and Down
04:27 ADSR Envelope Generator 10x Length
06:15 AR Envelope Generator Separate Gate
08:13 Multiples
10:16 Recap
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ABOUT ANTHONY
Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .
His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.
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