Ars Antiqua Austria - Aufschnaiter - Festival Oude Muziek Utrecht 31 augustus 2014, deel I

Рет қаралды 35,874

9 жыл бұрын

Benedikt Anton Aufschnaiter - Menon sacer ab Oriente Op. 5
Ars Antiqua Austria:
Fritz Krircher, Barbara Konrad, viool/violin
Peter Aigner, Wolfram Fortin, altviool/tenor violin
Claire Pottinger, cello
Jan Krigovsky, Roberto Sensi, violone
Erich Traxler, Sergej Tscherepanov, orgel/organ
Hubert Hoffmann, theorbe/theorbo
Andreas Lackner, Herbert Walser, clarino
Thomas Steinbrucker, Martin Sillaber, Gerd Bachmann, Georg Pranger, trompet/trumpet
Georg Tausch, pauken/timpani
Norbert Salvenmoser, Gerhard Schneider, Johannes Giesinger, trombone
Frithjof Smith, Gebhard David, cornetto/cornett
Solisten van de St. Florianer Sängerknaben / solists:
Josef Pascal Aur, Simon Paul Bernhard, Daniel Mandel, sopraan/soprano
Alois Mühlbacher, alt/alto
Franz Farnberger, koorleider/choral conductor
Markus Forster, alt/alto
Bernd Lambauer, tenor
Gerhard Kenda, bas/bass
Ulfried Staber, bas/bass
Gunar Letzborg, conductor
Live vanaf Festival Oude Muziek Utrecht, TivoliVredenburg.
Live from Utrecht Early Music Festival, TivoliVredenburg.
Kijk voor meer concerten op / for more information:
avrotros.nl/klassiek
/ avrotros.klassiek
/ klassiekonline

Пікірлер: 20

@robertvandervelde60 Жыл бұрын

Music for the gods, bravo, excellent performance, my heart cries in extacy.

@maryvonnearzul5109 8 жыл бұрын

Deux mille ans de culture et de civilisation chrétienne. Une merveille.

@lamangouste_ 4 жыл бұрын

Benedikt Aufschnaiter est un musicien du début du XVIIIe siècle : 300 ans auraient suffi.

@carloscampossalmo1177 8 жыл бұрын

... desde Chile, un humilde comentario ... vuestra Música es sencillamente Maravillosa ... gracias ....

@moniquereed3294 5 жыл бұрын

The teenage soprano is amazing. They're all good, but he and the deep, deep bass are outstanding.

@LeoCloma 2 жыл бұрын

Are you referring to the one in the dark uniform? I believe that he is supposed to be an alto, not a soprano. I agree that he is very good.

@notaire2 9 жыл бұрын

Beste Kombination der himmlischen Stimmen und der historischen Instrumente. Danke!

@tritonusgesang 9 жыл бұрын

So wunderschön!

@tritonusgesang 7 жыл бұрын

Eine großartige Leistung! - Eine Bereicherung für den Zuhörer. - Vielen Dank!

@rolandtruc5700 5 жыл бұрын

merci de nous faire parvenir le prochain Festival..

@Clivejvaughan 9 жыл бұрын

Excellent, thank you !

@benjaminmarien3484 5 жыл бұрын

Dank u voor deze muziek .

@Hilcoscher 9 жыл бұрын

Excellent!!

@neelsdp1 6 жыл бұрын

Magnificent!

@FoliesEspagne 9 жыл бұрын

Religious music in Salzburg and Vienna carried on in the Venetian polychoral tradition, inspired by the unique architecture and acousticsof St. Mark's cathedral, but t he church music featured in today's programme easily surpasses that o f Venice. The quality of the Austrian court chapels, which employed an impressive numberof musicians, must have been formidable indeed. Biber'sthirty-six voice Missa Alleluia was written for t he Salzburg Cathedral but was also performed at t he far smaller Kremsmünster church, where vocal scores to the work were discovered. Foilowing the Venetian model, Biber split t he thirty-six voices into various groups. But unlike the Venetian polychoral practice, where the instruments simply doublé the vocal parts, here the instruments also have virtuosic solos. Large-scale religious music accounts for t he lion's share of the otherwise little-known Benedikt Anton Aufschnaiter's approximately 300 works. His style is comparable to Biber's: Aufschnaiter combined t he virtuosity of the Baroque with the polyphony of the Renaissance. Carissimi's vocal style and Lassus' intelligent polyphony (he names both as key models) come together in Aufschnaiter's Vesper psalms, which were pubiished in Augsburg in 1709 under the title Memnon Sacer ab Oriente. Source: the program in the booklet of het Festival Oude Muziek Utrecht pages 170/171 (type errors by my scan program)

@Ennah08 9 жыл бұрын

Thank you!