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Kanda Shashti Kavacham or Skanda Sashti Kavasam (கந்த சஷ்டி கவசம்) is a Hindu devotional song composed in Tamil by Devaraya Swamigal, a student of Meenakshi Sundaram Pillai, on Lord Muruga, the son of Lord Shiva, in Chennimalai near Erode.
Lines 1-16 Author invites the Lord to the devotee
Lines 17-27 Mantras are used to invite the Lord presented to the devotee
Lines 28-32 Upon using mantras, the divine light and the presence of the Lord is felt
Lines 33-45 Author describes the way the Lord looks at the devotee
Lines 46-54 Author strings the sounds of the Lord's footsteps and anklets into mantras
Lines 55-56 Depicts the swiftness of the Lord in coming to the rescue of His devotee
Lines 57-58 Surrendering of the devotee to the Lord and the devotee's prayers unto Him
Lines 59-95 Praising the Lord, these lines concern with the protection of individual parts of the body
Lines 96-102 Concerns with the Lord's saving of His devotee in all times of the day
Lines 103-129 Concerns with eradication of vicious effects of demons and devils
Lines 130-140 Concerns with prayer to the God's Messenger to release the devotee from the vicious cycle of birth and death
Lines 141-148 Concerns with the protection from wild and venomous animals
Lines 149-157 Concerns with freedom from diseases
Lines 158-159 Prayer to maintain a cordial relationship with others
Lines 160-175 Praises the Lord by His various names and His divine deeds
Lines 176-177 Worshiping Goddess Saraswathi, the goddess of knowledge
Lines 178-186 Describes the divine power of the Sacred Ash (Vibuthi) and its effects
Lines 187-192 Praises the Lord
Lines 193-199 Seeks asylum in the Lord
Lines 200-208 Describes the procedures for reciting the song
Lines 209-214 Describes the divine effects of the song
Lines 215-219 Describes the effects of the song on evil elements
Lines 220-234 Praises the divine deeds of the Lord
Lines 235-238 Salutation and complete surrender of the self unto the Lord
- Athma Gnana Maiyam
kandha sasti kavasam
kandha sashti kavasam