The wings are similar to the older Infinity and Genesis designs. A difference is that they are swept back creating a kind of reverse facing horn.

I met him at RMOF years ago. Back then I also had the NM24 dac.

I've noticed the same thing.

And yet I have read in so many places to avoid such ceilings. Left bare there can be some odd focusing issues. The trick is simply to treat that peak properly as you would any other surface. The visual impact of such height and space I believes adds to the overall illusion of acoustic space.

That's a good test track that many use. I'll have to use it in future videos. I've had it for many years.

I find that it does, but I am sure that it may not be up to the best point source designs. But, they can have issues with the extended sound field as well.

It was hard to come by. She had decided to stop making them literally days before I had called to order one. Fortunately I had a friend willing to let his go and for a price I gladly paid.

I believe that was his previous server

@@AudiophileJunkie thank you looking for ideas for mine

It can be very confusing when trying to control bass issues. The videos put out by Acoustic Fields are very informative on the differences between velocity and pressure trapping. Basically, velocity traps are often made of a rigid fiberglass type material and designed to have the bass waves pass through them to become attenuated. This is why it is recommended for them to be spaced away from the walls when mounting. This allows sound waves to pass through to a wall, be reflected back and pass through once again. Because of the physical size of these wavelengths these generally only work well with upper bass and higher frequencies. Pressure based bass traps are true bass traps in that they can work much lower in frequency. They can be complex to build and expensive to buy. They are also wall mounted, but do not let the bass waves back out into the room once they enter. Their internal structure is designed to dissipate them. Had I known more about these differences when I had built my room, I would have used a mix of both where appropriate.

You would think that's common knowledge, but just look at audio shows where only great gear is brought into the room... No room treatments or anything like DSP to address problems. Then, look at KZfaq channels that exclusively focus on gear and never the room. It's one of the biggest issues and dumbest things in our hobby.

That's only temporary... Once people sit down and listen, then the person with the room treatment is easily more impressive than the one with a fancy chassis.

"Is a Honda on the road better than a Ferrari in a lake?"

@@mikepawntee2425 When listening in an untreated room you are hearing the room influence on the system. But, in a properly treated room it is the system you are listening to.