Thanks for listening.

I know. 😂😂 I hardly spend any time in C major. In fact I think the ending feels kind of out of place because it's so diatonic. And I'm so glad that you mentioned Poulenc. He's like my favorite woodwind sonata writer. I don't know how he does it, but his sonatas just work for woodwinds. I'm definitely going to try and go back and work on making variation in the recapitulation thing that I did. I feel like with the amount of themes that I should have tried a bit harder to incorporate them together. Good news is that I've gotten most of the second movement done. It's just not quite how I want it. And I started the third movement, but it's just a bit more virtuosic and fast so it's taking a minute to write. Thanks so much for listening and commenting.

Very inspiring to find your music here! I also love Poulenc, and you will find some influense in my works as well. Like in my wood-wind sonatas, which I have composed many of ...kzfaq.info/get/bejne/aLJmm9aZlZeofqM.html @@etc.-1912

I would repeat the criticism of Flilip, but the first movement ist veer lovely@@etc.-1912

I know. I don't understand why it does it, but like musescore's bassoon is super quiet most the time. If you turn it up in the mixer panel and turn the piano down it kind of helps, but it sounds kind of funny. I've had similar problems with the clarinet soundfont too. I wish the woodwinds were a bit better balanced. Thanks for listening.