She plays almost the entire concerto "sul tasto". But then she has an astonishing sul tasto that produces an incredible sound. It is an original performance, and in some interviews she has said that there are enough very good more traditional performances, that she should not be expected to produce yet another copy of that. She's a true artist.

It's the most rare version I have ever heard: different sounds, different tempo and a very special soloist! Really amazing!

Thank you for living Patricia Kopatchinskaja. You jumped, you danced, you cried, you sang, you laughed and you loved - that is what music and life calls us to do and you did this for us and not for you. To give your heart and touch the hearts and souls of others is true artistry and true humanity. Many knowledgeable listeners and musicians will have found this performance challenging. I know this piece very well and have played this piece many times (not so well!) and have had the privilege to see many live performances played by among others Perleman, Zukerman, Menuhin, Hahn, Vengerov, Mutter, Repin, Rachlin, Schumsky, Mintz, Rosand, Ricci and I have studied many recordings of Heifetz, Neveu, Oistrakh, Kreisler, Rabin, Milstein to name only a well known small proportion of a much larger number. Many of these true virtuoso giants ascended the music and touched our hearts but few reached into the soul - perhaps Menuhin's recording with Furtwangler in 1947 achieved this feat. However, this girl is a wonder - she made herself, her heart and soul, available and made Beethoven available to us and to our hearts and souls through a deep appreciation of the score(s) and a willingness to abandon certain traditional conventions. This is the very essence of artistry. The fact is that each musician brings their own personality into their playing and therefore is unique but to bring the personality of the composer to the audience this is a rare experience. This incredible artist has a deep understanding gifted to a very few that enables her to really understand and she is gifted also with an extraordinary technique that enables her to unlock the personal expression of the musician together with the interpretation of the composer. It is a unique performance and I am truly grateful.

The more I listen to this, the more I love it. That cadenza is thoroughly original. She starts a duel with a chello who is quickly supported by two more chellos. Then a discussion with the timpani until a single violin challenges her, strong discussion until it slowly brings her back to reason and Beethoven's incredible melody. Brilliant!

I think Patricia gave us an opportunity to enjoy Beethoven's marvelous work as if we were the contemporary audience with him. It's fresh like a new composition. Though whether it is based on historical record or Beethoven's intention seems controversial I appreciate her challenge. I'm very happy to have found her :)

The first movement cadenza is quite possibly my favourite of all time - this is such a great performance!

She is beautifully mad. In another place. I think her folk music background tempers the classical May God bless you Patricia 🙏🙏

I am very happy to enjoy Patricia Kopatchinskaja playing the Beetvoven concerto in Munich tonight! For me, her new appoach of interpretation is so fascinating! Above all, I love her brilliant idea to arrange the cadenza of Beethovens piano concerto version of this opus as a violin duo.

Unsagbar, unglaublich, als ob man dieses Violinkonzert zum ersten Mal gehört hätte!

She does her own ornaments. Very original performance. The participation of orchestra musicians in the cadenza is not without precedent. In the Gidon Kramer performance (with Harnoncourt) a piano suddenly breaks in unexpectedly. She also reminds me what Glenn Gould who said about playing the "Emperor". Why play it like 25 other performers?

The Frankfurt is one of the handful of really great orchestras in the world.

Patricia Kopatchinskaja is a bundle of creative energy with a beautiful sound and technical prowess to match. She has a vitality to her which I am sure affects those around her. She is a poet with words and music. Beethoven was a big proponent of change and progress in Music . I think he would have loved this performance. This concerto is a very tender piece and Patricia understands its emotional core. I have listened to many performances of this concerto and this one ranks as special, unique and up at the top.

Extraordinaire violoniste. Comme le dit Philippe Herreweghe elle est décapante… Grâce à elle j’ai redécouvert le concerto de Beethoven que je pratique pourtant depuis 70 ans. Admirable cadence!!! Merci Patricia.

Es war eine große Freude, Patricia Kopatchinskaja am 14. Jan 2015 mit diesem Werk in der Münchner Philharmonie zu hören, begleitet vom SWR-Symphonieorchester unter Sir Roger Norrington. Sie faszinierte mit einer lyrischen, im weiten Passagen geradezu engelszarten Interpretation, die es erlaubte, das Werk ganz neu in seinem Wesenskern zu erfahren. Dabei gab sie nicht die im Vordergrund stehende Virtuosin, sondern wandte sich oft den Instrumentengruppen des Orchesters zu, wodurch sie den Geist gemenisamen Musizierens beschwor. Die zu Beethovens Zeit übliche Freiheit des Solisten, Kadenzen und Übergänge selbst zu gestalten, nutzte die studierte Komponistin in legitimer Weise. Besonders beindruckte mich ihre Fassung der Kadenz des ersten Satzes, in die sie den Solocellisten, dann die ganze Cellogruppe, die Pauke und schließlich die Konzertmeisterin einbezog. Mit diesem kammermusikalischen Ansatz, der auf Skizzen für die Kadenz der Klavierkonzertfassung des Werks beruht, ist ihr m.E. etwas ganz Außergewöhnliches gelungen. Patricia Kopatchinskaja, die ich in diesem Konzert zum fünften Male live erlebte, kann sich meiner ganz großen Hochachtung gewiss sein!

oh my God... the candenzaaaaa is mind-blowingly awesome!!! incredible techniques and harmony

Ça c'est de la musique à l'état pure, sincère, créative, généreuse, simple, spontanée, originale, chaude, bouillonnante, douce, et à la Patricia Kopatchinskaya. Bravo, mille fois!!!!

OML that cadenza.. O.O The LingLing is strong in this one. She has fire. It's been a while since I've heard fire. Kudos on the natural brass too, my earholes are really happy!

I want to tip my hat to the administrators of this channel for including the audience ovation at the conclusion of the piece. When a performance thrills me as much as this one I feel so helpless for not being able to convey my appreciation to the artists involved. Being able to watch them get that reward from the lucky people in the concert hall provides some compensation. 😊

Unglaublich !! Was soll man da noch sagen - ich bin zu tiefst berührt. Mir laufen echt die Tränen. Endlich mal eine Geigerin, die Musik transportiert und nicht Noten - mit einer solchen Tiefen. Ausserdem spielt sie mit dem Orchester, und dreht dabei dem Publikum auch gerne mal den Rücken zu. Einfach grossartig. Beethoven lebt in seiner Musik weiter - vielen, vielen Dank Patricia !!

What an amazing cadenza. Never heard something like this. It is a revolution. Another diferent Beethoven´s concerto .

Amazing! I love so many things about this concert. Including the smelling of the flowers at the end. That is Beethoven spirit

Gänsehaut-Gefühl pur ... ich kenne dieses Konzert von anderen Interpreten und Orchestern gespielt ... aber keines mit soviel Emotion und Leidenschaft. Danke schön ... ... ...

In the last four decades, I have tried dozens of recordings of Op. 61 by various players. But never before has any players attracted so much attention from me as Kopatchinskaja has done, not even the Oistrach’s 1950 Moscow recording with Gauk. It opens up another dimension of Beethoven. Her interpretation as well as her stage style is the exact opposite of Oistrach: one is Stoic and self-centered, the other is passionate and interacting; one is pure joy, the other is delirious excitement. They will form the core of my collection of Op. 61; the rest are secondary. Her courage to challenge the tradition should be encouraged, since this is where our liberal value rests upon. Hat off to Kopatchinskaja!

Ich bin ein LvB-Fan und habe seit meinem 16.Lebensjahr dieses Konzert am Klavier bzw. Violine zig Mal von verschiedensten Interpreten gehört und finde es immer wieder faszinierend, wie Kopatschinskaya die Kadenz mit sehr viel Gefühl und Virtuosität hinüber transformiert. Als ich Sie zum ersten Mal LvB Violinkonzert spielen hörte, habe ich das Gefühl gehabt, ich höre diese Konzert zum ersten Mal in meinem Leben. Ich bin von Ihr begeistert, auch wenn leichte Unsicherheitenimmer wieder passieren. Ich möchte Sie auch mal "Live" erleben. Das ist für mich ein Traum!

I haven't cried in a long time, much less to music, but that made me cry tears of joy right now. Well-deserved ovations in the end. And what a pleasure to watch as well.

Five minutes in and I was absolutely HATING it! I was throwing rotten tomatoes at my Apple synched large screen tv. Then I poured myself a sneaky vodka, calmed down, and ABSOLUTELY LOVED IT!!! Fresh interpretation Ms Kopatchinskaja!!! Magnificent!!!

Die schönste Wiedergabe, die ich je gehört. DIE Leute haben die Botschaften der Musik wirklich inne, und sie drücken sie aus. Herrlich. @ Ralph Du bist süss. Dich stören nackte Füsse? hahaha, selten so gelacht. Schreib doch bitte der Patricia, du möchtest lieber Haihiils. Wirklich, Ralph, du rettest meinen Tag. Ist da göttliche Musik in göttlicher Wiedergabe, und dich beschäftigt durch Kleid bedeckte Nacktheit? ....:-) :-) Ach, wir Menschen, seufz.

A pleasure for our ears and soul...hacía tiempo que no veía una interpretación tan plena. Pura creatividad, color y fantasía. Un ejemplo en contraposición a las versiones de muchos "grandes" violinistas modernos en la actualidad. Bravísima Patricia...Beethoven en estado puro.

This is clearly a great German orchestra: fabulous to listen to. I hope the residents of Frankfurt fully appreciate the treasure they have in their midst.

Madame, Kopatchinskaja vous êtes un véritable don du ciel.

Bravo et un Grand Merci, c'est la énième fois que je réécoute cette interprétation !

So brilliant. This tops both excellent recordings of Isabella Faust and even Kopatchinskaja's own studio recording. As with most HIP performances (even though this orchestra doesn't play on old instruments) this Beethoven is so much more exciting than a traditional (romantic) interpretation: leaner, meaner, more rhythmic and Kopatchinskaja fits in just perfect. She is so varied: delicate and sweet, but also really ugly and agressive when needed. Love it!

Viva la vida!!!! Such a great pleasure, living the music with her during the performance. Thank you Patricia Kopatchinskaja and thank you hr-Sinfonieorchester ...iyi ki varsınız🧿🧿🧿

Lovely...lovely. The best cadenza (first mvt) I've ever heard for this concerto.

An extraordinary performance. The way she communicates with both the audience and the orchestra reveals what this music is all about. Never before has a rendition of this piece made more sense to me. Just as Beethoven would have liked it, passionate and determined. Great camera work, too. Kudos to everyone involved in this production.

Best performance. Wonderful duet of soloist and conductor with orchestra. An interesting, bold interpretation of Beethoven. The soloist gradually carries the whole orchestra along with her. And this is one of the best orchestras in Europe. An excellent conductor. See how the rather conservative audience perceives this performance. Great success!

What a fantastic cadenza. Love her interpretation

many bravos! Her playing is so magic, yet always in the orchestra, taking the orchestra with her. What a nice idea the cadenza

An intriguing performance. Kopatchinskaja brings extra drama to everything she plays. The cadenza is an adaptation of the cadenza Beethoven wrote for his piano arrangement of the violin concerto (as are the extra cadenzas she plays later on). The timpani is in the original but Kopatchinskaja wisely shares the extra notes with other instruments of the orchestra, which makes more sense to me than Gidon Kramer's offstage piano which comes out of nowhere. Wolfgang Schneiderhan performs it without any additional help, as close to the original as possible for a violin. Very impressive but it doesn't suit the violin the way it does the piano. Kopatchinskaja get it right, I think, if she's going to go with the piano cadenza.

I feel like this performance really evoked the spirit of Beethoven. I feel like I was stuck in a loop, almost frozen in time, reinvigorated, and then that cadenza! I'm really under the impression the cadenza was showing Patricia's humbleness, as though she and all the others participating were all one person, sharing the same body, as though they had all lived each others roles in this performance. This feeling of eternity ! I wish I could forget and re-enjoy this performance. To be there live would have for sure been death by astonishment for me! I'm not going to lie, I saw other videos of her and I kind of grinned at her performance style, for this artist we should look past it for once and listen. The more I watch of her, the more appreciation and respect for her I have. I totally dig the energy she's putting into her work. More so, the less I laugh.

This performance is absolutely revolutionary exactly like Beethoven and his music, please don't criticise Patricia, she's not beatiful, she's also shocking the clasical music with her virtuoso performances . Bravo, bravissimi.

Quite unexpected and still incredibly amazing. Wonderful artists.

Great violinist, conductor and orchestra give us totally different feeling with same music. It's one of magic in musics and this young violinist's vigorous vitality and great challenge look success for this Great music!

I must say the more I listen to her the more I fall in love with her style

Amazing performance...bravo Patricia

The search of the violin she plays gives deep emotions and comfort to my heart. Her talent has enough power to melt suffering and sorrow. She is a exquisite fiddler. Greetings from Japan. Sayonara❗

In this special interpretation by P. Kopatchinskaja, it is the player that makes Beethoven's melody resonate with majestic tenderness and power. Beethoven presents the violin as its outspoken majestic sound of clarity, ripe sonority, the lucid definition of sublime music to the spirit! Beethoven Violin Concerto is so deliciously beautiful added with the reinforcement of an extraordinary hr-Sinfonieorchester - Frankfurt Radio Symphony & conductor P. Herreweghe!

que de l'innovation !!!!!!!dans cette oeuvre du répertoire .....MAGISTRAL !!! GENIAL !!!! MERCI MERCI ET ENCORE on en veut encore et encore.....

bravissima tutti, well done to the orchestral members, Patricia and mastro Philippe, and everyone who was involved in this video ❤

What a fantastic performance! 1st movement's cadenza was a pleasant surprise!

Ciò è impressionante, il livello artistico tecnico sono un tutt'uno. Mai sentito in vita mia una interpretazione così MERAVIGLIOSA E STIMOLANTE.

Amazing music from beethoven and amazing interpretation ❤️❤️❤️

This is enjoyment of art at its finest level....words can not tell....thank you

Patricia K is just an absolutely superb genius violin virtuoso - superb performance ,, cant believe no standing ovation! She got one from me in front of my PC!! 😄

I love her work and admire her so much Also, I love this concerto. Thanks!!

I love it. How fun it would be to go to concerts not entirely knowing what to expect.

An amazing performance. It is not your standard version but it works. What stand out is here pure joy in making music.

The most amazing interpretation of this concerto that I ever heard! Finaly something fresh and for shure closer to the original intention of Beethoven. Patricia Kopatchinskaja, brillant and original as usual and I love it! Everytime a fresh wind thru the concert hall, everytime she's overwhelming us with her presence!

World best violin composer excellent best music great symphony orchestra

Il piacere di fare musica e l'immenso piacere di ascoltarla, BRAVA Patricia e BRAVA l'orchestra!!

When I saw the soloist bring a score, I thought this will be different! And it is....stupendously different!

Such enthusiasm, and so different. I really enjoyed this interpretation and the performance, wonderful. The whole of the orchestra also shared the excitement of the occasion, well done everyone.

She is definitely one to take risks and, in my opinion, they pay off in a big way. No fear.... absolutely brilliant interpretation. I love to hear musicians go all out and not play it safe. I absolutely loved this performance.

This is truly awesome! I am literally amazed! She is one fabulous violinist! I have never seen anyone like it! 👍

In this concert Beethoven is opening your eyes.

Having just listened to some of an interesting compilation of soloists playing this concerto (Beethoven 250th anniversary). I was intrigued to hear more of Kopatchinskaja's Beethoven. However, beautiful was the playing of so many of the soloists involved, her short contribution intrigued me! It somehow has hints of a severity which more beautiful playing doesn't have!

Un solo termine mi viene in mente per commentare questo concerto di Beethoven: SUBLIME ìììììì

Es gibt keine andere Violinistin, die dieses Stück so speziell schön spielt. Ich kriege Gänsehaut.

Interprétation époustouflante ! ... et quelle flûtiste.

cadenza is special！

It couldn't be better played. This is perfection

Stupendous...what a fantastic interpretation. Just amazing!

Omg. Thank you, universe, for Patricia Kopatchinskaja!!!

Beautifully awesome...thank you

This is a truly unique and original performance. Could we be hearing something closer to the original spirit of this concerto than anything we've heard before ? I'll need to listen a few more times to be 100% convinced but it sure is a real adventure and for that we should all be well excited.

Quite brilliant, such energy and emotional involvement in the music

Qué bella interpretación, un dominio maravilloso del violín....!!!

Que extraordinaria y sorprendente version, se ampli'a el mundo beethoveniano.

Intriguing, brave girl to challenge accepted practice, I love the 1st mov. cadenza and the freedom in her playing. It may sound different in the hall, but on the recording her sotto voce playing in the slow movement sounds lifeless, drained of blood so to speak. On the whole, though, a big bravo!

Extraordinary! Strange but so beautiful and interesting!

What a different Cadenza. Unbelievably innovative and marvelous.

very interesting indeed!.Bloody special cadenza!fantastic

Wow.!,Can you hear people happily shouted? I already shouted in my place too. Sure. the cadenza with the timpani (kettledrums) plays together with the soloist, and then, many things else that I have never heart before. Congratulation the orchestra, soloist with thanks.

Finalmente un Beethoven "fresco" e originale!

Caramba!!!, Cuánta energía tiene Patricia!!!, woow, Electrizante!!

World best music symphony my favorite music symphony orchestra world best Beethoven

Lovin' me some 'thoven. Amazing performance by Patricia, a virtuoso.

J’ai cru voir les colères de LVB, quelles fulgurances dans la cadence. Cette artiste joue de la musique avec son coeur et ses tripes et quelle maîtrise de l’instrument...chapeau , Madame.

bestial, sublime, sumamente delicada a veces y enérgica cuando a ludwig le habría gustado. Salud y Amor

Viva la Libertà! clamait déjà Don Giovanni. Et merci pour les références et analyses académiques. Cette interprétation est surtout le fruit d'une liberté saine et généreuse.

Interesting! Loved it! Never seen a performance like this!!!!!! LOOOVE IT!!!!!!!!

She changes the way I approach playing, seeking another equally valid way to execute passages. It's important we have players that explore this way, it's stunning.

Very special and impressive cadenza.

Excelente concierto. Patricia Kopatchinskaja me ha dejado maravillado con su destreza en el violin. Felicitaciones a toda la orquesta y a su director Philippe Herreweghe. Me han dado un domingo muy placentero. Muchas Gracias.

This sets a new standard of interpretation for the Beethoven concerto. There are some truly revealing moments in this performance! I like it very much.

Finalmente una interpretazione......brava brava.

I think one of the things that separates the Classical world from music that is listened to by the masses is the level of conformity, Especially when there is a revered composer involved. But I feel as though we owe it not only to the music, but to ourselves to be more involved in ways that go beyond the score. I feel as though we are paying tribute to a composer whenever we play their piece. But I also believe that we must show who we are as well while doing so. And one thing that I really appreciate about Kopatchinskaja is that she does exactly that.

Pretty addicting to watch and of course listen to Patricia living this music.

She has a very high-risk way of doing things, and it doesn't always come off. This works brilliantly, however. The accuracy of her intonation is stunning, the variant phrases are beguiling, and her latest thoughts on the cadenza material from Beethoven's piano version of the concerto work surprisingly well. Seriously good.

Wonderful and excellent...