De-dusted the System 100 and used its full extend to make a melody / beat impro with it.
There are three oscillators in the mix, one is played by keyboard, the second one is just droning (both from the 112 module), the third one is the synth voice (110) which is sequenced by the 182 sequencer. First and seconds one go through one of the 121 filters and use one envelope, the other envelope is triggerd by the sequencer and fed into the synth voice. I used the second of the 121 filters to create a bass drum (full resonance and a short cv pulse), which is triggered by the second sequence of the 182 sequencer. Since I was out of envelopes, the cv runs through a VCA (130) first, before it goes into the filter cv input. The VCA cv is the gate output of the 182 sequencer, set to a short pulse, which gives a snappy envelope like cv for the bass drum (due to the AC-coupling of the VCA). Finally, a short white noise "hi-hat" is made from the white noise source through the second VCA of the 130 and, again, the gate output of the sequencer. The mix goes through Strymon Volante to make it sound nicer.
I cut in some video sequences from a recent trip to Paris.