Thanks! We are trying hard :-)

I thought the same thing hahaha

hahahah!

I’ve heard some sketchy things about BSSM. I heard they get into witchcraft. I’d reconsider that.

Maybe we will make a video on just that!

Yeah i would love to see a quick video too but no rush 😉

@@BethelProduction Yes! Would love to see a video on this. Seeing how you integrate it with Arena would be awesome too.

@@BethelProduction YES! That would be dope!

Would love to see and understand how the stream deck talks to arena, pro presenter and the light console :)

IntrepidGaming you can see the whole rack and setup in Chris Greely’s class! octane.thinkific.com/ - Also on Production Online.

The one shown here is our main follow. It's a BMD Ursa Broadcast with a Canon HJ40 ENG lens. It's mounted on a Vinten Hawk Studio Pedestal.

We use Pro6. All Backgrounds are done in resolume. Pro6 only does lyrics and plays back promo videos.

Bunty Zion Star - Video content on the stage LED is fired by our Media Server Op (usually the lighting op as well on sundays) IMAG screens videos are played from our pro presenter computer. All of our designs we think about how it will respond on camera. We want it to look good in the room and on camera. Key Light and a good color stage wash is very key and you have to nail before you start adding more.

@@DrakeKelch First of all i really thank for answering my question and you use a three point Lighting or just a single source of light to look look good on the camera and also in the live audience? And how to you judge the percentages of light which will balance the camera in terms of the color temperature etc.,

Bunty Zion Star for meh light it’s just 2 point. Front and hair light. We usually make it so lighting is where we want it in the house and balance cameras to that. Part of it is having all your lighting (key, stage, and house) all the same relative brightness for camera.

@@DrakeKelch Thank you drake and I'm really thankful for be responding me first. I have another question that is what kind of lights Do you use for the key ( is it a conventional fixture or a intelligent and at what color temperature do you use it where the objects ( artists) looks so vibrant clear in live as well as in camera at evry view?

kzfaq.info/sun/PLS6LC-hzNAZHKWH1CD-1w7BDzLvGodgvi

Isaac Hdz not all the time but sometimes. And no, only stereo instruments come in stereo. Keys, electrics, tracks .

It depends on what the LD has the wash set to. Most of the time we’re in 3600k

Thomas Kelly we do. Keys or drums triggers it.

Matt Whitacre between 88-90

Andre de Jager 92 peeks.

@@DrakeKelch Ok thanks (y) And do you just keep an eye on that and manually adjust masters, or do you have limiters or anything automated in place?

Andre de Jager no limiters.

Tito V ranges from 2” - 4”. We actually have an acoustics video coming out!

Bethel Production Legends! 🙌🏻

Travis Winchester Mega Lite XS Strobe.

M1n1_Cooper check out Chris Greely’s class! He shows how to tune! octane.thinkific.com/

I second this! Would love to see how it’s done.

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Hey kodykyle1297! So it’s a bit confusing, but I’ll explain how I set it up: We’re using OSX and using Apple scripts to do the actual commands. I found some of these scripts off of reddit and modified to our needs. A link to the scripts we’re using is here: pastebin.com/MuGYz6Qu Those scripts are then packaged as an app, but to prevent an annoying bouncing icon on the dock, if you show package contents of the app, open up Info.plist in a text editor, and add the following right after the opening : NSUIElement Now if you run the app, it’ll do what you need it to do without showing the app in the dock! Now to get companion (the stream deck’s software) to open the app were using VICREO Listener to listen to commands from companion, and do things. VICREO listener is available here: jeffreydavidsz.github.io/VICREO-Listener/ Let me know if you have any other questions, we might do a video explaining all of this/more in the future!

Clear Com Freespeak II

It would but this was meant to be a little more raw.

A12t from 64 Audio.

It’s a custom one that we fabricated.

I mainly play guitar for church and our poor sound man is the only other guy who gives it a shot.

All of our sound techs are staff due to the demand we have on a weekly basis for different things that are happening on all of our different campuses. The only department with some volunteers are our Video Production department, even then it’s 90% staff and 10% Volunteers. For us finding volunteers is not a problem because of our church and how well we’re known. That said. I would start by making an open call to anyone that would be interested in volunteering and holding an informal connect time to chat and to see who has experience and who doesn’t. You’ll need to invest your time into them and teach them how you want things ran and why you want them ran that way. Hope that makes sense?

Pro Presenter

Bethel Production Pro Presenter 7?

Daniel F Myers yes we do.

Jonathan Rogers yes our main space is also a gym. The hoops raise up. Nothing else gym related is stored in the room.

@@DrakeKelch Thanks Drake! How do you keep all the production equipment safe when the space is being used as a gym? Are you able to close off the production space so that balls don't damage the consoles, rack equipment etc?

@@jonathanrogers3012 Nothing tech wise is covered from balls. In the last few years the only thing that has broke is our lighting computer.

David Jones we try to keep everyone refreshed and don’t want to over use the teams.

Trash Bag judging by your name you just go around talking trash about people? Haha

@@DrakeKelch No I just take out the trash