How quickly I clicked on this video shows that I may never get over the gear curiosity

This is GREAT! Your sound comes through on anything you play. This is one of the most "scientific" play tests I've seen... thank you.

I just opened this but think this may be the most important mouthpiece video ever made.

Objectively speaking, you sound so fantastic on all of them- with that said, after listening to your recordings for so many years, personally, as soon as I heard the Ambika it stood out to me as “Bob”.

Your sound is most like your sound (and the way play) on the first Tone Edge. The others are *great* no doubt, but it feels like they shift you into playing a different way. Such a game of fine nuances.

Lakshmi and Ambika the best sounds by far (to my taste). The D´Daddario also sounds amazing.

Bob I have loved and admired your sound for years. I know this is a decision you must make based on what feels the best for you and what you enjoy. But the Ambika is the only one you played today that I heard what I know as “Bob’s sound.” I hope you felt good playing it. But this could be a time for you to go a completely different direction from what you have always done. I will listen and support you regardless! Thanks for being great!

Hard Rubber changes over time. You mentioned your rails are uneven and the table is probably warped. There is John Reilly, not far from us in Lake Forest, you could sit there with him as he works on it and will come back to life. All the mouthpieces you played sounded really good, it just comes down to how it feels to you and reed compatibility and does it meet your needs for response, low register popping and the response of the alltisimo . Good luck, I don't envy you AT ALL!!! Been there, done that.... don't want the T-shirt!!!!

Sounds great. I think I’d have a hernia if I played a 4 Reed on your set up. Wow.

I love the original Otto Link with your Royal 3.5. That´s all you need.

I wasn't expecting this result, but I'm listening to you in a professional studio/ Audiophile system with $60K studio monitors, and you sounded most amazing on the D'Addario Jazz DM9 mouthpiece. Fat and creamy with tons of power, DeLuxe. I also liked you on the GS Slant SP 9 #2. Finally, your power, delivery and cut with the Lakshmi 9* was amazing. I have the sonic advantage of saying that those three would serve you well in a live setting, and the others would not unless you're only recording with them. The D'Addario DM9 was king though, coming through a professional system.

Man, talk about a master class in "it's not the gear, it's the player."

“Sell it! Sell it I say!” 🤣🤣🤣

Hi Bob. Wow, that's quite the collection. Your characteristic sound was the same on all of them, but I preferred the ones that had more clarity. GS Slant 9, D'Addario, and Theo Slant were my picks

Otto link Tone Edge for the win. Warm, expressive, and full.

Vincent Toner he has a professional and very kind attitude . I think he would be amazed to get a feedback from you Bob and eventually work with you on a custom piece. For all the other viewers i suggest them to contact him as well . Also Bob you sound great with any piece thanks to your personal sound and approach

This is a lot of fun. And everyone is right - Ambika is a clear winner. Lawd have mercy.

SO, more important is what you feel with the diffent mpc, for me the Getasax and D'addario sound the best but I think the players feel of it makes up for a great mpc for the player

The special facings by Brian, the Cabernet 120 and the Ambika sound the most like you to me!!

OK for what it’s worth. My favorite for you was definitely the Ambika. You seem to be more free with it. Of course one of the most important things about a mouthpiece is the ability to do what you want. Hopefully the Ambika does that for you. But your tone on it also seemed to have more sweetness Than all the others. It was close.

Man you make them all sound wonderful. Get the one that makes you smile!

wow so many different sounds and also so many different votes from the listeners.....very interesting! i like the GS Reso 9* and the vincent toner most but you sound the best! Thanks a lot for sharing you process

You played well, Bob! Greetings from a fan in China. The tones produced by these mouthpieces are great! I've also played with most of the mouthpieces you have here. The feeling I get is that Otto is truly unique... even though many brands have tried to imitate, Otto's own sound is incredibly hard to replicate. Perhaps it's due to the special characteristics of the materials. Especially the warm texture in the mid-to-low frequencies, particularly noticeable during recordings. No matter when, I will always choose Otto Link. While it may not possess the glamorous, trendy sound of some of the current fashionable brands, it holds a unique character within.

This was a pleasure to listen to and wonderful to see your kid commenting. Whenever I'm torn on gear decisions, my 4-year-old's opinions are the most honest I can find. From a resistance comfort standpoint, it sounded to me like you had the least adaptation to do on the Link, the GS Reso, and the Arnold Montgomery. Several others sounded fantastic but seemed to have a kind of immediacy you had to adjust to. I hope you get a chance to try the Reso in an even facing and this made me want to try an Arnold Montgomery since I've never had the chance to. Thanks for being so open and informative with your process!

For me, he sounds great on all of them, but if I were to close my eyes, the one that sounds the most like “Bob” is the GS Slant 9 SP2. The Ambika is a close 2nd but to me, the SP2 is the closest to his OG sound

Sounding incredible as always! I now have 16 choruses of Chi-Chi to transcribe... Not to get too nerdy, but I think that amber looking one is made out of a plastic called Ultem.

Hello Bob. My favourites of the "mouthpiece circus" were how you sounded on the Ambika, the Lakshmi 9* and the 10M fan pentagon "Cabernet". Definitely don't throw away the last Vincent Toner piece. Bossa nova wise, I love playing Chega de Saudade, Manha de Carvnaval and Cherry Blossom Pink Apple Blossom White far more than Girl From Ipanema. Happy experimenting!

WOW. All mouthpieces sounded great but by the ambika is really in a league of its own. I’ve been playing on Otto link on tenor and a vintage Phil Barone(Meyer) on alto and what a Theo wanne mouth piece has done to my sound is something I can’t even put into words. For players like you who have had their sound solidified for years it’s hard to make a switch but from all of them it seems like the ambika shines upon whats so great about your sound and tone. Awesome video!!!

Thanks for doing this Bob! This inspired me to try out some new pieces since the last shop about 8 years ago, and I am blown away by how good those D'Addarios are for the price.

The Rorschach was pretty cool honestly. It shimmered a bit more than the others I think.

Man you sound really good on all of these. To me, the Ambika sounds the most like your sound. This was a really great trip. Im excited to see you do the next batch.

Thanks really invaluable demo. I like the Getasax pieces in you the best. Good luck.

To me GS Slant 9 SP3 was a clear winner:))

the theo wanne slants, and ambika were by far the clearest and deepest sounding with your style of playing, too bad I hit my gear quota for the year hah

Thanks for pointing me here! Speaking JUST from esthetics (the least useful POV), all of those white mouthpieces looked like they were made out of white chocolate. The resin one is *gorgeous*! Dang, thought the Theo Wanne Slant Signature 9* was it until the high end didn't pop. Lovely tone, low subtones were amazing... then weak up top. Oh man, I just joined the legions of Ambika lovers! "Darkest tone." Ok, I came up playing classical on a Ronald Caravan mouthpiece (bari and alto) and those are the Vanta-Black of dark mouthpieces. LOL! Ambika isn't even *close* in terms of darkness (like a conservatively gray-painted Lamborghini Countach!) But it was ridiculously lovely! Oooh, I liked that custom one at the end... but it breaks my #1 rule of gear: nothing irreplaceable (which also makes me feel better about not having a Mk VI for any of my horns, but makes me worried about my 1927 Conn bari and mid-50s Martin Committee II tenor. But my BetterSax alto can be replaced in days from Sweetwater, playable out of the box!) :D

For Arnold’s piece, the material is called “Ultem” or something similar but it’d also depend on the style of mouthpiece it is too he makes a handful of variants.

Theo Wanne Slant Signature was my F U mouthpiece to the professor that claimed my issues were of my own fault. I had been struggling with keeping consistent tone control and volume up and down my horn on an Otto Link STM 6. I always felt stuffed up and like the mouthpiece wouldn't take my air, so one day I showed up to rehearsal with it playing easier than ever with a heavy thicker tone and he instantly was snarky and said it sounded too bright. I've never been happier with my tone and it's the piece that completed my setup. I no longer have a gear craving(at least on tenor) and it's entirely cause I bought a 7* tip opening piece and found my comfort. Whether or not the brand mattered, the bigger tip experience was on the Slant Sig and I'm very happy with how insanely consistent I've been with it ever since. I can play with total control and in tune better than ever. Makes me wanna share my playing, and I did and you liked one of my posts on Instagram playing a portion of your solo on Days of Wine and Roses. The lesson here kids is that if your professor says to play on a size 6 Otto Link STM, don't be afraid to try a bigger(or smaller for some people) tip opening. Whatever gets you closer to your comfort and consistency needed to sound the way you want to sound. And yes having the right tip opening fixes most reed problems. I used to go through a box and find one or two free blowing reeds. Now the entire box is usually perfectly fine since the tip opening freed up my air.

Writing this as of getting into the Theo Wanne pieces. I thought it was interesting how you started deviating more and more with the SP models and the “120” 10MFan. Not sure if that was feeling more comfy with those particular mouthpieces at that point of the tryouts.

All the mouthpieces sound like you are the one playing them. Which one do you like? All of that was cool, but not as cool as hearing you talk with your child. Hearing the warmth in your tone with him is wonderful

Your most significant change was choosing the Jazz Select unfiled reed. All the mouthpieces would feel and play differently with a Jazz Select filed reed. This simple switch may elicit a different set of favorite mouthpieces and would be an interesting video to compare the sound of the darker mouthpieces with a filed reed to the brighter mouthpieces with an unfiled reed. While some of the mouthpieces were more like your old mouthpiece and seemed more intuitive for you to play, all of them had their merits. Finding the “right one” is a different matter, though. Through vocal coaching, I learned to conceptualize my voice as coming out through my forehead and not my throat. My favorite mouthpiece is the one that feels like I’m singing and not blowing air into a saxophone while moving my fingers. Thanks for taking us on your “singer” mouthpiece journey.

Great vid, but as a top pro you would make a Rico Graftonite sound amazing. I have a GS Reso 7* for my 1959 MkVI but it is not bright enough for me. I was thinking about the GS Slant (but was impressed with the Theo Wanne slant sig). However, to my ears the most free blowing (but not the most refined) over the range of the horn was the cheapest mpc you tested, so I might end up getting the D’Addario instead. It will certainly save me quite a bit of money.

A lot of the MP's tended to play a little bright. I went back and forth to compare with the first Otto Link you played. I thought the Otto Link had the best core to the sound that I associate with your original sound. The next closest I think would be the Ambika.

Personally i dig the Theo slant sig 9's the most - but the Ambika stood out as (others have pointed out) the most Bob-sounding of them all - tho a tad brighter

Always loved Bob's playing -and a big fan of his band and music.. I'm never been a big fan of low-no baffle hard rubber mouthpieces as I felt they tend to play dark.. also feel they lack a lot of core dynamics and most tend to sound stuffy.. .Personally I prefer medium to high baffles--Metal-Granadilla Wood-3D .. - But Bob no matter what he plays or will play will always sound great. Maybe some day will honor me by play testing my works. G Sugal

That was enjoyable. Takeaways are a) same player same sound (bloody great in this case), b) the metal was an outlier in sound... bit of classic stm link / coltrane vibe, c) reed clearly a factor with soft nice for the ballard, d) the D'Addario JS is probably a good option in terms of having access to a replacement. Ted Klum are super. Def recommend trying.

After just having watched the entire video, and listening carefully, I was extremely surprised to discover that my favourite was the metal Rorschach. To me it kept all of the Bob Reynolds inflection while even accentuating parts of his tone, and it gave him the most full lower register without the seeming resistance, while still providing a beautiful subtone. He sounded phenomenal on them all!

The D’addario is my first choice, followed by the Vincent Toner model. Sounding fabulous as always 💯👌💯

Sell it. Sell it, I say! - sooo cute 😊 (keep it though...)

Bob, would love to hear what you think of each piece. On that note, you sound great on all of them :)

Hey Bob, you sounded great on the Theo Wanne, good air flow and and bends(so nice!), also up and down sounded very freely. :)

I agree with others that the Ambika sounds best (and you sound unbelievably killing on the metal Ohls piece too...) - dark and punchy with a slight gruffness always present in your sound. I am wondering if you would like an old Brilhart (maybe a 6 or 6 star) with a rollover baffle...have a feeling that would suit your sound well :)

Hey Bob , listening through your mouthpieces , the one that jumped out at me was the Theo Wanne Slant Signature 9 . I loved the sound , it has an edge about it , great downstairs and fantastic upstairs… Martin

Thanks Bob for the comparison and sharing your mouthpiece replacement journey. Your sound identity is pretty much there throughout every piece you tried, though for me I think the most similar to your old "sound" came from the Otto link (no surprise), Daddario select jazz and Theo wanna Ambika. I found you also sounded great on the getasax, 10mfan and Theo wanna slant sig although felt these were shifting you in a slightly different direction to your traditional sound, though still great in their own right. As for other mouthpieces to try, the ones that immediately come to mind are the Theo wanna Gaia, 10mfan classic & celebration, jodyjazz custom dark, and drake son of slant. You also have syos who would make you a custom design, although models including max ionata, tivon pennicott, and Lorenzo forerro come to mind, though I do find they lack the complexity of sound compared with something like an Otto link. While I couldn't imagine having to transition such a fundamental part of your setup you've had for so long, I'm sure you will come out of it with something as good as (or better) than what you had before. Good luck!

I also like the resistance in the top to come from the mouthpiece and not the reed. That being said, SYOS made me a custom mouthpiece, which on the 4th try Sylvie got it right And the whole thing was about the resistance in the top. You might consider it.

Well -This has been epic Bob. Thank you very much!!!!

Hi Bob. Saw you last night at the Orpheum. Your new mouthpiece, whatever it is, sounds great! Even better than when you last played the Orpheum (2019??) Could really catch the higher overtones in the sound. Just wanted to let you know. Great show!! New drummer did a fantastic job filling those big shoes. Corey Walkin out out like a boss for the encore!

Simply amazing and Wonderful all the way I think the 10M fan 9* 120mm inspired you but it is only a guess Thanks a million for inspiring us all

Sell it! Sell it I say! Your son is a hoot! Also, I like the Link and the one sent from Vincent.

Like others said, the Ambika had overall “Bob” vibes. Curious to see what round two brings!

I liked the first Lakshmi and the Ohls. Regarding the latter, given that you don't play a metal mouthpiece, perhaps it sounding so good might mean that with more experience it might be just what you want.

Thanks Bob! Hard to say! Will listen again later and throw out a name of the piece I enjoyed tho most.

for me the Ambika was so beautiful

Bob’s got one hell of an airstream. That’s his “secret”😂

As you played through the mouthpieces the only thing I noticed was the power of the younger brands. But Hell Bob you would sound good playing a paper bag😂

Otto Link best to my ears. All the others sounded fine I just felt you were more at ease on the Link and therefore it sounded better. tone intonation etc. Have you ever tried a Meyer on tenor? I now use Meyer on tenor Hard rubber 9M with Select Jazz 4S, and 5M with Select Jazz 4H or 5 Vandoren Traditional. I'd be curious to hear your opinion. Thanks for your demos. Always very informative and appreciated.

The SP2 really stuck out to me to be sounding like you a lot. didn't mind the vincent toner one either! But i think oddly enough, i will say I like the sp2 the most. sounds like Bob reynolds to me the most

Your son always seems to strategically show up in your videos👍🏾🎵🎶🎷

I did note a clarity in the tone with the Theo Wanne Lakshimi.

No matter how this is going to end - I'm still really sad I never got to listen to Bob live with his original mouthpiece.

Hi Bob, enjoyed watching you put these MPs thru the paces. But first, I must say, your boy is growing up so fast!! Wow. (And glad he’s feeling better!) Anyway, as we all know, the mp is all about how it feels, but my semi amateur ear thinks you sound most solid on one of the Theo Wannes. When you played the first one, I perked up. It definitely sounded different in a good way. It’s an education watching and listening to this. Glad you are sharing it. I wish you well in completing the search and making a decision. Hopefully, I will see you in the Studio soon.

my vote for the jazz select and any of the TW pieces. The Rohrshach sounded surprisingly good if you want a different sound. To me it sounded “harder” like a good metal link.

Thanks for doing this Bob. Super interesting!

You are a good Player, you can play all of these. Greetings from Romania!

You sound great on al of them. A nice problem to have. Varying brightnesses but overall they all sound like well-made mouthpieces. Chose the one that feels best to you 😏

D’Addario is amazing for the price!

You sounded amazing on all of them. Let me say that your set up is super hard? 9 tip opening with 3'5 reeds? Wow!

This is like, history in the making. It's like when you buy a property and you get to see the house you're gonna love living in being built. Couple of things stood out to me: The "new" Link 9 Tim got you with the daddario jazz select reeds I really liked. I really liked the Lakshmi piece from Theo Wanne, along with the 9* 10MFan, and also the even facing GS Slant. The DJS mouthpiece is really too bright, I have it in an 8 tip opening and it's pretty loud.

Ambika sounds great

Man, what a workout with all those choices!!! Hang in there.. 🙂

Sounds great Bob, but I think the Wanne Slant 9 sounded the most comfortable for you and then the D'Addario DM9, but you have to choose not me. LOL cheers!

Ambika is the best one 😮

Pls try Joady Jazz Giant.

😊

I still don’t know why you wouldn’t have your original mouthpiece re-faced back to an original spec, which would probably be a minimal amount of work since you’re not taking anything away from the tip or adding any opening it just comes down to making sure the table was flat in the curve is even in the right length

It's been 4 months -- how is the search going? Have you settled on one or a few pieces by now, or is the hunt still ongoing?

To me the sp5 even facing sounded the very similar to your sound before

Oh Goddamnit, just pick one!! 😀 Too many mouthpieces kills the choice. Except for this "out of space" shaped one, they all sound Bob Reynolds to me ;-) You seems particularly confi on the TW ones, though.

To me personally the Lakshmi 9* was the "Bobbest" of them all (Ambika was nice but did lack a bit of a "punch" I normally hear in your sound). Would really like you to try some Jody Jazz mouthpieces too though, just in case. Cheers

Should have tried my Ted klum and matt marantz, bob!

great insight :)

Loved the Theo Wanne mps, just have an edge, though perhaps not everyone's cuppa, I do think Royal reeds sound stuffy IMHO.

If I was still playing tenor sax I would play Otto link rubber nothing else

10 Fan, Lakshmi or Vincent Toner resemble the sound of your previous Link.

I would also vote for the Ambika.

sounded great on all pieces. interestingly, for me, the metal piece had the most "rubber" sound, i.e. Joe Hen

lots of pieces sound great, but... I can't get into 3d and synthetic pieces (except ulmen), they always have that tiny bit of buzz/harshness/uglyedge to them... something also about brittleness of attack. All wannes sound great, I dig sound of slant. Ohls has something going on... that ol' school metal sound

@Bob - Smile and laugh at 49:24 because that one was just fun and easy? It was my favorite personally, honorable mention to the Lakshmi and D'addario.

Wow, way too many. Maybe a repeat once you've whittled it down to a handful and spent more time with them? But perhaps you've already come to a decision? I think one of the early GS you played and maybe the reso sounded more distinct from others? Though that may not be good. The TW slant? The 2nd 10mfan?

Okay. Lord help me, I listened to all of that. Well, I fast forwarded through a lot of it; but as a saxophonist and recording engineer, I can hear what a mp does rather quickly over the range of the horn. You could have played a couple of phrases over 3 octaves and that's all that's needed. At any rate, best pieces, in my opinion? The ones that give you a full overtone spectrum. These would be the first of the copies you got in the white printed versions - before you played the unevenly faced ones. The first of the two had more depth of overtones. And the Theo Link copy. Hands down the two best, IMO. I understand this says nothing of the subjective feel of playing them. But these are the two I would want to hear, not the others. BTW, you should really learn the basics of mp making. Would help you a lot. 48 is a typical length for a tenor facing. That is, this number is the distance from the tip to where the table contacts the reed. And it should be EVEN on both sides, not crooked - otherwise your reed is waving in a lopsided direction rather than moving up and down on the mp efficiently. 50 is a bit longer and will give you a bigger subtone. For cats who don't double, they can go to 52. Even more subtone. But less control. In other words, good tenor players who stay mainly to tenor. For those who double, coming back to a 52 can be a constant adjustment for intonation and placement of tone. For instance, Brecker's "break" or facing length was 52. Alto, Soprano, Bari, they all have their own length (associated numbers), etc. As for tip, 120 seems to be your actual tip opening. This number is the ACTUAL size, the way mps are measured. The numbers manufacturers use are arbitrary and have NEVER had a consensus. Knowing your actual number - and having a tip gauge (dial caliper) to check mps - is the best way to know you're playing apples to apples. Even Berg Larsen, which stamps their mps with this number, tends to be OFF on their numbers, so a stamped "120" will often measure an actual 115. Maddening, I know. At any rate, you should send your old piece to a great mp refacer and see what can happen with it. Pick someone like Brian Powell or Eric Grieffenhagen or MojoBari. Go ahead and find a piece you can live with first, THEN send your old one off. You'll be surprised. You may wind up back on your own piece - and have a backup to boot. Or the other way around. Once you beat the facing off a mp, you have to get it corrected. In the hands of an artist, all of the essential qualities of the baffle and bore and material will be there and likely come to life again. In the hands of a hack, your mp may be irreparably damaged. The three guys above are top in this field. I would start with Powell. My best and Merry Christmas Bob, Dave.

I like the 3m reeds better than 4 reeds. Not finished w video yet but you sound better on lighter reeds. More edge. Your gonna pop an aneurysm on that setup bro 😂