Boot 👢 | Techniques of Renaissance Venetian-Style Glassworking

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Corning Museum of Glass

Corning Museum of Glass

5 жыл бұрын

This video shows a large gather of glass added to the side of a long, cylindrical bubble of glass near its tip. This re-softens the vessel wall and the two elements are then inflated and elongated to create the middle and toe portions of the lowermost part of the boot. Learn more about this object in The Techniques of Renaissance Venetian-Style Glassworking by William Gudenrath renvenetianstyle.cmog.org/nod... 👢
Between about 1500 and 1725, Venice was nearly the sole supplier of fine luxury glass to the royal and aristocratic, the wealthy and powerful, throughout Europe. The Venetian government went to extreme measures to protect its lucrative and prestigious monopoly by isolating the highly skilled workers on the nearby island of Murano and severely restricting their movements. However, with the promise of personal freedom and the hope of fortune, they gradually fled the lagoon to set up workshops in a variety of locations on the Continent and in England.
The Techniques of Renaissance Venetian-Style Glassworking - renvenetianstyle.cmog.org - presents detailed 360° photography and high-definition video related to objects from nine glassworking centers influenced by Venetian style as researched by master glassmaker and scholar William Gudenrath.
The resource is a follow-up to Gudenrath's popular Techniques of Renaissance Venetian Glassworking (2016) also available free online at renvenetian.cmog.org.

Пікірлер: 11
@ATMAtim
@ATMAtim 3 жыл бұрын
Thats very cool how the toe is formed and think it could get out of control pretty fast if you aren't careful. As usual, Bill makes it look so easy.
@corningmuseumofglass
@corningmuseumofglass 3 жыл бұрын
Thanks for watching!
@belacickekl7579
@belacickekl7579 3 жыл бұрын
First piece I've seen Bill make without the soffietta!
@rxcrcfllptrs
@rxcrcfllptrs 5 жыл бұрын
Do glass creations like these serve only an aesthetic purpose? I just think it would be pretty neat (and eccentric) to be drinking out of such glasses at the time when these were being made.
@corningmuseumofglass
@corningmuseumofglass 5 жыл бұрын
Hi, Bill believes all of the pieces from this video series were actually used! Thanks for watching!
@danielchristiansen5481
@danielchristiansen5481 Жыл бұрын
Any specific reason this marver was brass? Usually it's steel or stainless steel.
@corningmuseumofglass
@corningmuseumofglass Жыл бұрын
Hi! We went straight to the source and asked Bill Gudenrath, here is his response! A BRASS Marver? Brass has two distinct advantages over either mild steel or stainless steel as a marver: 1) if kept polished, as I like to do, it’s WAY prettier, 2) it’s a way better conductor of heat than either steel-and that can be helpful. The word marver comes from ‘marble’, I’ve read here and there; presumably they were made of that-at least somewhere, sometime in the past. Marvering glass does two things: it shapes the glass and it cools the glass. If you primarily want to shape the glass with minimal cooling, stainless is an excellent choice: it’s a poor conductor of heat-as metals go. Marble is even better: it’s a wretched conductor. In fact, as you marver on it, the surface vaporizes, creating a cushion of gas; the glass barely touches the material. This is the same mechanism that causes glass to be cooled so little when you use blocks: there, the glass is held mostly away from the wood by a cushion of steam…locally probably super-heated steam at that; so VERY little cooling. The great American studio glass artist Mark Matthews uses a marble marver for many of his highly specialized procedures where he requires minimal cooling. If, during marvering, you primarily want to cool the glass, brass is a great choice: it’s a great heat conductor; copper would be even better, and so on. For example, if you want to keep the tip (end) of a bubble of glass thicker than the sides, marver the tip for a while holding the blowpipe downward at about a 45 degree angle just before you blow. For this purpose, brass is great, marble would be terrible. In closing: In 1982 when (with Kevin Scanlon) I built my furnace and accompanying furniture, I went to Space Surplus Metals (LONG gone) on Church and Canal streets in NYC to get a 1’ x 2’ piece of stainless for my marver. The owner said that for the same price I could have a beautiful piece of brass. It was love at first sight-and we’ve been together ever since. That is the SOLE reason I have a brass marver! So now when you see me working, you’ll better understand why sometimes I marver very briefly-much shaping, little cooling-and sometimes I’m glued to it for a while-shaping with MUCH cooling. I hope this answers your question, Sir. Bill
@danielchristiansen5481
@danielchristiansen5481 Жыл бұрын
@@corningmuseumofglass Wow, thank you so much for the reply! Having it called out specifically in the video made me wonder, as the limited number of marvers I've seen and used have all been stainless. It's great to learn these little details from a master of the craft. Please pass along my thanks to Bill and the team for the detailed reply and all of the wonderful educational videos he and the Corning team have put together over the years.
@porscha901
@porscha901 5 жыл бұрын
I saw a flying wellyboot yesterday
@Mr.Saephan503
@Mr.Saephan503 5 жыл бұрын
Very neat,I was wondering how the toe of the boot was made
@corningmuseumofglass
@corningmuseumofglass 5 жыл бұрын
Thanks for watching!
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