Although Video editing is not my specialty, I would say the color balance that you get when profiling your screen is the most important, and does not depend on which mode you will use. I would choose something that corresponds with something the end user will be viewing the edited result on. The good thing about monitor calibration is that balances the monitor's behavior, without limiting the gamut. As Monitor profiles are not much work to make, I would suggest you try the different modes of your monitor and see if you can spot a difference. Likely they will be the same after profiling is completed.

You're welcome. A dE of more than 3 should not occur in principal. If you were using i1Profiler, you could iterate the profile to get a lower dE, but I don't think the HardWare calibration offers iteration. Are you using D50? I would try it again and see if the same dE occurs: might have been a one time error.

Thank you! I tried it once again and now its under 3.

Preferably you would use a mode that does as little as possible, or when available choose "off" or "Wide gamut" Depending on your monitor, the software will be able to disable any adjustments that are done automatically. It is of course important to use the same mode after profiling as was set before, and not change any settings such as brightness and contrast, as that would negate the calibration.

Color Navigator only allows you to profile your Eizo monitor. To profile your Macbook, you would have to use an external solution.

Hi Kil, the theoretical answer to that is; by measuring both screens and creating a profile for both. Although theoretically, this will work perfect, the actual result might still look different, as the native color, dynamic range and color gamut of these two displays are much different. You do of course need an external device (i1 Display or similar) to do so; the Eizo monitors with built in calibration eye can only calibrate themselves.