Johannes Brahms (1833-1897) Piano Sonata Op.5 / 2 Intemezzi by Sir C. Curzon 🎧 Qobuz bit.ly/3yS8lho Tidal tidal.com/browse/album/230358218 🎧 Spotify spoti.fi/3PFxkdG KZfaq Music bit.ly/38RZ0eJ 🎧 Apple Music apple.co/3MiPD9q Amazon Music amzn.to/39XBQUI 🎧 Deezer bit.ly/3Gj6aoL Amazon Store amzn.to/38OULRd 🎧 Napster bit.ly/3lNabrT Soundcloud bit.ly/3wQrnCb 🎧 LineMusic日本 bit.ly/38JT5IS Awa日本 mf.awa.fm/3wJYGYD Click to activate the English subtitles for the presentation (00:00-02:20) 00:00 Piano Sonata No. 3 in F minor, Op. 5 - I. Allegro maestoso (Remastered 2022) 07:35 Piano Sonata No. 3 in F minor, Op. 5 - II. Andante espressivo (Remastered 2022) 19:22 Piano Sonata No. 3 in F minor, Op. 5 - III. Scherzo, Allegro energico (Remastered 2022) 24:18 Piano Sonata No. 3 in F minor, Op. 5 - IV. Intermezzo, Andante molto sostenuto (R. 2022) 28:06 Piano Sonata No. 3 in F minor, Op. 5 - V. Allegro moderato ma rubato (Remastered 2022) Intermezzo No. 1 in E flat Major, Op. 117 (Remastered 2022) kzfaq.info/get/bejne/qa1jlsSeuL_Uaas.html Intermezzo No. 3 in C Major, Op. 119 (Remastered 2022) kzfaq.info/get/bejne/oqmSpc2Ez9bUnoU.html Piano: Sir Clifford Curzon Recorded in 1962 New mastering by AB for CMRR in 2022 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr From a note by Clifford Curzon. With the Sonata in F minor, Brahms's genius leapt out, at the early age of twenty, in all its astonishing maturity; one of his biographers, Specht, considered it to be a self-portrait of the composer as a young man. The work was completed in 1853, though the extraordinary slow movement and the Intermezzo date from an even earlier period; it consists of five movements instead of the usual four, each demonstrating in a different way what Tovey, in our own age, considered to be 'a mastery of classical technique unknown since Beethoven’. The two Intermezzos on this recording belong to Brahms's last years, when he turned once again to the piano to confide, in a score of deeply expressive short pieces, some of his most mature, reflective and intimate thoughts (‘Even one listener is too many', he said). He referred to these last pieces as 'the cradlesongs of my sufferings', and their inwardness of expression is as remarkable as their technical perfection. Click to activate the English subtitles for the presentation (00:00-02:20) Brahms - Piano Concertos Nos. 1, 2 (G.Szell, H.Knappertsbusch, E.V.Beinum - Ct.rc.: Clifford Curzon): kzfaq.info/get/bejne/Z6pzfrB5yK7Hm58.html Johannes Brahms PLAYLIST (reference recordings): kzfaq.info/get/bejne/fcuFp8h_ltqRd2Q.html

From a note by Clifford Curzon. With the Sonata in F minor, Brahms's genius leapt out, at the early age of twenty, in all its astonishing maturity; one of his biographers, Specht, considered it to be a self-portrait of the composer as a young man. The work was completed in 1853, though the extraordinary slow movement and the Intermezzo date from an even earlier period; it consists of five movements instead of the usual four, each demonstrating in a different way what Tovey, in our own age, considered to be 'a mastery of classical technique unknown since Beethoven’. The two Intermezzos on this recording belong to Brahms's last years, when he turned once again to the piano to confide, in a score of deeply expressive short pieces, some of his most mature, reflective and intimate thoughts (‘Even one listener is too many', he said). He referred to these last pieces as 'the cradlesongs of my sufferings', and their inwardness of expression is as remarkable as their technical perfection. Click to activate the English subtitles for the presentation (00:00-02:20) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

Thank you all for sharing this beautiful music with the public!

The grandeur, pathos, and everything in between are in this sonata and Sir Clifford plays Brahms, in my opinion, better than anyone else I have ever heard, in that he reveals and explores all Brahms' too often hidden inner voices. Yes, I really do like Brahms! The 2 Intermezzi were charming and introspective enough to be intriguing as well. Thank you for this terrific remastering.

Wunderschöne und dämonische Interpretation dieser ein bisschen chromatischen doch perfekt komponierten Klaviersonate im veränderlichen Tempo mit klar artikuliertem Anschlag und mit möglichst effektiver Dynamik. Der zweite Satz klingt besonders schön und echt lyrisch. Im Kontrast klingt der dritte Satz echt lebhaft und auch energisch. Wahrlich hörenswert!

What an astonishing work by the young titan, Brahms, breathtaking in its scope and vision., and what a magnificent prrformance, the 2nd movement, such beauty. And to think what our Johannes was to give us later !

Great music!!! Thank you from the bottom of my heart!!! Bravissimo!!!❤❤❤👏👏👏

Clifford Curzon is certainly not forgotten by musicians of my generation and this is a welcome addition to KZfaq, though the frequency response seems a bit odd.

Great version and exellent sound! Amazing! Thanks for upload this work!

To me, the reference point for this piece is either Arrau's recording for Philips, which I have on LP, or Ervin Nyiregyházi's 1972 live performance. Both can be found on KZfaq. Wolfgang Weller's 2018 recording deserves an honourable mention as the best video performace I have heard to date.

my my... this guy can play

Amo Brahms❤

Thank you so much for sharing with such Unique performance of this incredible "Sonata"

Nothing came easily for Clifford Curzon. To my knowledge, he was not a child prodigy giving concerts at 5 y.o., nor did he possess other-worldly technical ability similar to Sviatoslav Richter or Martha Argerich. His technique and his performances were the result of countless hours of practice and thought given to every note and phrase. AS a result Curzon rarely gave a poor performance. IMO, this is one of several exceptional performances of the Brahms Piano Sonata No. 3 in F minor. Other superb recordings/CDs include Murray Perahia, Radu Lupu and Claudio Arrau. Note that Arrau's performances, as was almost always the case, were slower in tempi but nevertheless fascinating to listen to because of his fabulous technique and musical intelligence. Any of these four Brahms Piano Sonata No. 3 CDs will reward your careful listening.

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What on earth happened to the final chord? Wrong note or what? 🤔