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George Roy Hill and William Goldman, the director and writer, were more concerned with what they could do within the stories of Butch Cassidy and the Sundance Kid, and managed to make a pretty good movie despite the inaccuracies
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I made that documentary about the death of the Western genre: • When the Western Genre...
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references:
Jeremy Agnew, The Old West in Fact and Film: History Versus Hollywood (Jefferson, N.Car.: McFarland and Company, 2012), 119-121. amzn.to/2CdEPo2
Thom Hatch, The Last Outlaws: The Lives and Legends of Butch Cassidy and the Sundance Kid (New York: New American Library, 2013), audiobook. amzn.to/2XOnGdO
Frank Richard Prassel, The Great American Outlaw: A Legacy of Fact and Fiction (Norman: University of Oklahoma Press, 1993), 312-315. amzn.to/2ET2Xge
Richard Slotkin, Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America (New York: Atheneum Books, 1992), 591-592. amzn.to/2KX0jI2
historyonfilm.com/butch-cassid...
www.theguardian.com/film/film...
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Wiki: Butch Cassidy and the Sundance Kid is a 1969 American Western film directed by George Roy Hill and written by William Goldman (who won the Academy Award for Best Original Screenplay for the film). Based loosely on fact, the film tells the story of Wild West outlaws Robert LeRoy Parker, known as Butch Cassidy (Paul Newman), and his partner Harry Longabaugh, the "Sundance Kid" (Robert Redford), who are on the run from a crack US posse after a string of train robberies. The pair and Sundance's lover, Etta Place (Katharine Ross), flee to Bolivia in search of a more successful criminal career.
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