A test of the Kodak 2383 D60 Davinci Resolve Film Look LUT. This available in the the free version of Davinci Resolve.
Filmed with a Panasonic Lumix S5 IIX and a PANASONIC LUMIX S 24-105MM F4 MACRO OIS lens.
There is a 'no grade' version of this video linked below. This uses a Colur Space Transform (CST) instead of the Kodak 2383 D60 Davinci Resolve Film Look LUT -
• Cat - Panasonic V-log ...
Filmed in 6K (5952 by 3136 pixels pixels) in a 17:9 aspect ratio in the V-log Picture profile.
Framerate of 29.97p fps, and a bitrate of 200Mbps
Colour = 4:2:0 10-bit
LongGOP (H.265/HEVC)
LPCM audio
I applied the grade using the below as a guide -
• DaVinci Resolve Film L...
Basically, add a primary adjustment serial node then add a V-log to REC709 serial node to apply a Colour Space Transform (CST). Details on the CST below. Then add another serial node to convert gamut to Cineon as this is the gamut the Kodak 2383 D60 Davinci Resolve Film Look LUT is expecting. Finally add another serial node that you apply the Film Look LUT too.
Color Space Transform settings used on Node 2 before Gamut changed to Cineon -
Input Color Space = Panasonic V-Gamut
Input Gamma = Panasonic V-Log
Output Color Space = Rec.709
Output Gamma = Rec.709
Tone Mapping
Tone Mapping Method = Davinci
Gamut Mapping Method = Davinci
V-log overexposed to 1.33 stops with -5 sharpness and -5 noise reduction.
Boost IBIS used for all static shots and manually focused.
Edited on a 4K Davinci Resolve timeline and exported as a 10-bit DNxHR file.
White Balance set to 5600K with no colour bias.
Exposure controlled via shutter angle so most shots have a shutter angle of 11 degrees - 180 degress as no ND filter used.
As 422 10bit movs are not natively useable in the free version of Davinci Resolve I convert the movs to ProRes using FFmpeg -
ffmpeg.org/
With the below parameters -
-c:v prores_ks -profile:v 3 -c:a pcm_s24le -c:a copy
Tweaks made in High Dynamic Range Colour logwheels on a shot by shot basis to match exposure to node 1. No noise reduction applied. I manually set the video clip attributes to Full Range before making adjustments.
Panasonic Lumix S5ii x V-log Davinci Resolve project settings
Colour Management Tab -
Color Science = Davinci YRGB Color Managed
Automatic Colour Management box = Ticked
Colour Processing Mode = SDR
Outut color space = SDR Rec.709
Videos of the RHS Garden Bridgewater on my channel include -
• Panasonic Lumix GH6 - ...
• RHS Garden Bridgewtate...
• RHS Garden Bridgewtate...
• RHS Garden Bridgewater...
• RHS Bridgewater 20th A...
• Panasonic Lumix S5IIX ...
• Kodak 2383 D60 LUT - D...
Other Panasonic Lumix S5iix videos on my channel include -
Clifton Country Park - • Panasonic S5 IIX S5II ...
Worsley - • Panasonic S5 IIX S5II ...
Salford Quays - • Salford Quays - Panson...
Blackleach Country Park - • Panasonic S5 IIX S5II ...
Swinton - • Swinton, Salford 9th J...
RHS Garden Bridgewater - • RHS Garden Bridgewater...
Leeds Cat Cafe - • Leeds Cat Cafe - 2nd J...
Leeds Corn Exchange - • Leeds Corn Exchange 2n...
Camera = Panasonic Lumix S5 IIX / S5IIX / S5ii x / DC-S5m2x / DC-S5IIX / S5 II X / DC-S5ii x -
www.panasonic.com/uk/consumer...
Lens = LUMIX S 100mm F2.8 MACRO (LUMIX S S-E100E) -
panasonicdirect.store.panason...
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