😂

Yeah he did Industry Baby by Lil Nas X, No Guidance and Freaky Friday by CB, Superhero by metro boomin, and a lot more industry songs so he definetly knows what he's doing.

To do that you have to go to the section at the bottom of pro q where it says post or pre . Click that and a menu will pop up with all your tracks that have pro q 3 on them . Bottom of that menu you’ll see a snow flake . That’s the button

Just feel it..

For me Make it the loudest element in the mix and go down from there with the rest of the instruments. , you can This way you don't worry about clipping your signal . make it hit -5 Db as a starting point .

Straight from the manual: "You can also activate Permanent Spectrum Grab mode by clicking and holding in the spectrum area until the highlight becomes blue. This freezes the spectrum permanently so you can grab and drag multiple spectrum peaks. To exit this mode, simply click on the display background instead of on the white spectrum curve." Worked for me

@@mxynx 👍🏽you are the man!

😅

looks like airpods max

AirPods Max

mono indeed

I thought I was tripping

He means that he doesn't want the reverb on the channel of the vocals. He wants dry vocals and Reverb/Delay on a separate channels so he can mix it. ;)

@@benjamintheiler1257 if he’s getting the stems and your sending them from logic then he just wouldn’t be getting the reverb or delay right . Or does he want a dry version and one with the efffects ?

He is saying he wants dry vocals by themself, reverb effect by itself, and delay effect by itself all on separate channels. @@NoConcentrationTV

Stop complaining

wow

Yup

Why u hating 😂

@@emerymesich1134 i watched the video

train your ears. theres cheap programs you can use.

That’s the point it shouldn’t sound different from what the producer did but instead clean and place things were it belongs and i could hear the difference from what he was doing it shouldn’t be day and night difference unless all samples were already bad

@@Hitnature this studoo shitnjust a bunvh of jargon tp make people.spend money i made.billboard with $500 worth of equipmemt i get it otmtp make nerds fell like thay have a purpose

@@WONANDONESPORTS i remember my first beer

@@Hitnature its digital

Yea let’s use 30min to boost 1 dB

Of course it’s the most important thing to make your drum slap

U DONT understand he is a PRO and uses PRO TOOL$

hilarious because the majority of mixing engineers do indeed only make incremental 1 - 2dB cuts at a time, its bedroom producers that get the notion you should be throwing things down stupid amounts, whereas the pros know that each move changes the balance of the sound. If you cut too steep in low mids, the high frequencies pop too much. Small changes are made so that you don't introduce more issues. You make a 1dB change, leave it and if it continues to bother you later, come back and decrease more. If you immediately go for a steep cut, then you don't hear what you're missing. TLDR: just do whats necessary, if it doesn't sound bad leave it alone.

@@ScottThePisceswell put! Not to Martin these are digital processed sounds so incremental changes to make everything fit with each other is all that’s needed. Versus mic’d up recorded instruments where you have to do a lot more processing and tone shaping to deal with issues that comes with the recording process in itself.