Christian Lindberg: Developing the Conn 88HCL Trombone

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Christian Lindberg: Developing the Conn 88HCL Trombone

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Күн бұрын

Artist Relations Specialist, Mark Dulin sits down with Christian Lindberg to discuss the development of the Conn 88HCL Trombone, from 1989 to today.

The 88HCL features the patented "CL2000" valve which was designed by Christian Lindberg himself.

Learn more about this model at: bit.ly/42EGfBP

#ConnTrombone #Conn88HCL #ChristianLindberg #Conn

Пікірлер: 10

@ktang001 11 ай бұрын

I have been wanting this trombone for quite a while!

@nelsongrimaldi3926 3 ай бұрын

Ur sound is a heaven maestro🙏🙏🙏🙏

@alejandroparra4915 Жыл бұрын

Amazing. Muy buena entrevista para conocer más de cómo nació este modelo. Gracias Conn

@junpark9398 Жыл бұрын

Although S.E. Shires and Edwards create wonderful trombones, Conn 88HCL and the Lindberg Valve has the most open and rich sound that I find to be the best in the industry. Wonderful to finally see 88HCL come to light again where most F-attachment trombones have fallen back to traditional rotors with shepard's crook or Hagmann/Thayer Valves for open wraps. The 88HCL is still very underrated among the professional trombone community! Can't agree more with Christian that it's the "Ferrari" of Trombones.

@tylermac0615 Жыл бұрын

How does it compare to the Shires trubore valve?

@junpark9398 Жыл бұрын

Trubore valve is closer to a Hagmann Valve repositioned as it has a piping on its base instead of its curved surface resulting in a more resistance than a Lindberg valve.

@yishihara55527 Жыл бұрын

0:27 Mark II? I thought it was the Mark VI

@Aria_solo Жыл бұрын

うま！！！

@philosophicallyspeaking6463 2 ай бұрын

The valve just looks like a Larry Minic from the 70's. Does anyone know why trombonists go on and on about ever greater allowances of volume, as if it were a requirement of musicianship, when modern oboes and flutes, who live in the same orchestral environment, aren't themselves worrying about getting any louder, and nevertheless they continue to enjoy more enthusiasm and attention from composers and audiences?