The Rise & Fall of Cinderella, the band behind Don't Know What You Got (Till It's Gone) & Nobody's Fool
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As Night Songs continued to climb up the charts, the band started to get hit with restrictions from Dave’s people. Labar would recall in the book nothin’ but a good time The better our album did, the more restrictions they tried to put on us. At one point Tom was told that he was not allowed to speak in between songs. We pointed out how ridiculous that was, so then they said, “Okay, you’re allowed to say the name of the city and the name of the song.” Cinderella soon jumped to a bigger tour linking up with Bon Jovi for their slippery when wet tour and that further catapulted their album up the charts. The group also learned something valuable on that tour, how to treat other bands as Bon Jovi showed them true hospitality. It was on that tour the band befriended comedian Sam Kinison who was friendly with a lot of the hard rock bands. He was originally supposed to appear in the video for Somebody Save Me, but the guys from Bon Jovi stepped in at the 11th hour and helped the band out,
It was during their first major tour the band would be picketed by some ignorant pro-censorship types at a show in Corpus Christi. The LA Times were along for the ride writing “ Apparently they figured Cinderella, like the heavy-metal band stereotype, was a quartet of druggies preaching the turn-on ethic in concert. “I said ‘Wait a minute,’ ” “I told them that we don’t do drugs and that you won’t find one lyric on any of my songs saying we do drugs or telling people to do drugs. You won’t hear it on the albums and we don’t do that kind of stuff on stage. I said, ‘You’re picketing the wrong concert.
Apart from the few hiccups, Night Songs would sell 3 million copies and it would become the second biggest selling debut LP since Boston’s which came out 10 years prior. The album went on to sell a whopping 3 million copies, a huge feat for a debut record. The LA Times would remark in 1986 “What makes the success of “Night Songs” so impressive is that new heavy-metal bands rarely sell very well. In fact, even veteran heavy-metal bands aren’t selling well these days.
Despite the strong commercial performance, critics didn’t initially praise the band. Rolling Stone panned the album for and i quote too much pose, not punch. But the reviews did little to bother the members with Keifer telling the Spokesman review i’ve never really ever read a bad review about us or another band that i thought was fair., it’s mostly a bunch of cheap shots .
The band’s secret weapon has always been Tom Keifer. Fred Coury would reveal how the band avoided the sophomore slump telling the Eugene Register A lot of people, they go on the road for the first album, just do the tour and then, they get off the road and the record company says ‘well, we need an album’s worth of stuff. They have a couple of months to write 10 songs & it just doesn’t work that way. They force it and the album just starts being horrible.’ But with Tom, he always writes on the road. “ He would go on to say that by the time the band got off the road for their first album Keifer pretty much had second album written. Keifer would admit that a big inspiration for the group’s second record titled Long Cold Winter would be the fact that until the band got signed he hadn’t really ventured too far outside of new jersey and pennsylvania so touring and seeing new places resulted in him feeling emotions he hadn’t had before and he poured those into music. Keifer wanted to take the band in a different direction soundwise. A lot of records were going after the slick production style of album’s like bon jovi’s slippery when wet and poison’s look what the cat dragged in. He would tell an interviewer
“With Long Cold Winter, we started to think about [production] more,” “We started to have more organic instruments -- pianos and acoustics. We toned down the slickness or the processing a little bit, although that record's still pretty slick.”
Absent from the recording sessions was drummer Fred coury who Keifer claimed was too young and inexperienced at the time. At the request of the band’s producer Andy Johns, Jeff Beck drummer cozy powell would play a majority of the drum traks on the record with Heart drummer Denny Carmassi playing on one tra