I love this peice and have attempted it myself...of course not to the speed and ability you have

Dude Anton you should do Bach's G Major Prelude 15, would love to hear your interpretation. 😍

Dude!!!! Fucking Dr.Viossy!!!!

Maestro Anton Oparin is one of a kind, a true miracle.

At the moment? ...It's been that way for quite some time.

Not that I disagree with your statement but sometimes the word technical can mean sterile or without feeling. I just recently stumbled onto this guy within the last week and the thing I’m most impressed by is the emotion he plays with. Most other people playing this type of music sound very bland. This guy is playing the most difficult pieces but somehow they don’t sound difficult or complicated. This guy swings when he plays

@@TheQuadrum Thank you so much! Really appreciate that!

@@TheQuadrum That might be because I always was a rock blues guitar player, I love feeling in music, not speed. Technique is just an essential instrument to play with feeling, technique IS MADE to express feeling. It's not needed otherwise

@@TheQuadrum I don't really consider "feeling" to be something apart from technique, it is part of it. In the same way, I don't consider making funny faces while playing to be playing with feeling. A good vibrato, nice dynamics, all of that is technique, and Anton obviously has it all

Lol so true;)

It takes about 1 week usually, sometimes 2 because i have lots of other work, i can't spend all my time with one piece and not do anything else in my life:-)

@@AntonOparinENG 2 weeks my god it would take me a year to build up that to that level of technique

@@rsingh1252 A year? No, not even in a lifetime. I've played guitar for 20 years and have seen/heard thousands of guitarists and have been into virtuoso guitar for years now. There is only one person with this guy's technique. It's Anton himself. Let's break it down: - One note per string alternate picking at high speeds - probably fewer than 10 guitarists on planet earth have mastered this technique, with no exaggeration. If there were more, you would have seen or heard about them by now. - Multiple string palm muting at high speeds - Nino Bettencourt does this well. Anton is the only one I've seen do it in such a way that he actually replicates what a violin sounds like when you are playing chords. Absolutely ridiculous. - Left hand articulation. Look how quickly he moves across the fretboard while maintaining 100% accuracy. Watch Anton's video of Paul Gilbert's "Get Out Of My Yard" which Paul said himself would be near impossible to play without the change in tuning. To hit all those notes with accuracy without changing the tuning requires mind boggling left hand speed and accuracy. - Dynamic control. Look at how he controls the dynamics of playing from piano to mezzo forte and beyond. If you don't play guitar you wouldn't know how ridiculously difficult this is to do on electric guitar, where even the slightest of movements with your picking hand will make a sound, which is furthermore amplified by a literal amp. His control of dynamics is as good as a seasoned violinist even though it's 10x harder to control dynamics on electric guitar. This guy deserves every ounce of ego he has. You have to be a guitarist to understand how much of a monster he is. This isn't about mere "practice". In order to reach this level, I can't even imagine the number of hours he must have put in meticulously analyzing each picking motion. He probably has thousands of hours recording himself and breaking down each muscle fiber that's activated for each possible picking motion, analyzing the exact angle to allow for efficient string skipping, and more. This isn't in the realm of practice. You have to break down the science of efficient technique like a PhD in order to have this kind of mastery. I don't know how this guy isn't insanely famous already. He's the most technical guitarist alive in the world today. Show me another person that can play Paganini's 5th caprice at full speed, full alternate picking with correct dynamics.

@@thecommenter9267 I remember watching his old video pre 2010, he was like 10 maybe, ripping Frenzy like it was nothing. I thought it was clever editing haha putting the original song into his live performance and subsequently I forgot about him. Until recently when some commenters mentioned his name. And I was like "He's that kid! It's real"

​@@thecommenter9267 cant agree more.. Anton is the beast.. anyway, check out also Roy Marchbank play paganini 5th Caprice.. he also deserve to be well known I think 👍👍

Cual es el Nombre de la Pieza?

And if you halve the tempo, it's 22 minutes!

You can get it in my guitar academy:)

@@AntonOparinENG ok thanks

Glad it helped you! This ibanez is SA120

Tortex jazz iii xl series 1mm

What do you mean? Recreate what?

@@AntonOparinENG oh, sorry. Apparently I forgot the link or youtube didn't allow it.... brb

@@AntonOparinENG I wish I could pay you to do it. I understand if you wont... kzfaq.info/get/bejne/pLOaraqi0r-bo4E.html

@@AntonOparinENG I'm like blown away. I never had a youtuber respond to me before and the fact it's one I respect so much is crazy. I first discovered you through a Stevie t video. He was reaction to children who are better than him. It took me a while but I finally found you. I been following you ever since. I love your videos but if I had a chance to give you some advice, I would say your channel needs more or that you need another channel where you reenact famous guitar solos. Im a malmsteen fan and while I know and always knew there were better guitarist I never seen anyone alternate pick his sweeping arpeggios. That blew my mind. I guarentee with every fiber in my body you would become a multi million follower guitar youtuber by doing that. Anyways. From a major fan, I wish you the best

Oparin is much more skilled than Ostro.