Period

Thanks!!!!!!

@@dannydelacruzguitar6519 Dude, you’re most welcome. You’ve earned it so keep rocking out. We’ll be here to hear and see it.

This kid can play!

You can definitely improve, and it’s been done many times.

JCM800- "im the best" SLP1959- "hold my beer"

That’s just tolex isn’t it? Doesn’t look like snake skin really

Nah, not even close. Look up Brandon Ellis

@@willparker547 Or Christian Meunzer, Michael Romeo, Ron Jarzombek, etc. This guy sounds like the sloppy, crappy noob playing in his garage down the street 🤣

😅😅😅😅 you sit your bar really low.

@scottdunn2178 that's a lot of hate in your blood son lol.

I wasn't going to comment on the playing but since you brought it up...he's kind of awful.

You mean cuz it’s so ugly?

Danny is a top bloke, used to see him loads at Sixty Sixty Sounds in Denmark Street, London. Super humble and a killer guitarist

@@petemitchell6788 😂😂😂...no, I'm a fan of these Explorers & Dean MLs!

Cool observations here. I actually run the treble all the way off at some shows depending on the venue and front of house sound. Thanks man. Love Yngwie & MS

Nice. Well they are pretty solid influences. I think MS was for me more experimental especially in his early days, he improvised a lot more outside the box, kind of like Van Halen did, not following the rules. Anyway, yeah 800’s are pretty bright, I keep my treble low. Also recently I discovered G12 65 speakers, they were made for these amps IMO. Tames the top end and they sound great.

Nice

What did you get ?

A 2203 is a 2203... whether it's a JMP or JCM800. The circuit is the same, only the chassis style is different.

@@scottdunn2178 different quality control on the parts in the eras though . So they end up different.

@@techdeathhippie6319 I don't know what chat room you got that from, but Marshall QC have always had a 10%-15% tolerance on capacitors, resistors, and transformers. Steve Grindrod (longtime Marshall R&D) designed the two-input Master Volume 2203/2204 in 1976. It should also be noted that Marshall did make a change in the filter capacitors in an attempt to save money on the 2203 in late '85. These 2203's are harsher, grainier, and aren't as loud as the earlier unmolested 2203's (with the vertical inputs). Hope this cleared that up 👍

@@scottdunn2178 ya but Marshall has had to switch manufacturers of tubes and parts at times because the quality control of those manufacturers were not sound a good job . They even used 6550s when el34s were not made as good .

Hammerons, legato, 2fingers? Seriously, I can play faster w/o pinkie. Just not as well or controlled

well at first I wanted to say it's prob a new tat and he has the ointment on it.It doesn't look new though does it?

@@jordanpratt3821it was new at the time actually

​@@dannydelacruzguitar6519aha, rite on.

Can you be more specific?

Sound like crap in what way exactly? Idiot guitarists and their old gear fetishes

@@lomoholga proof is in the pudding bro. It's not about old gear fetishes its the truth. I won't bother to explain because you won't get it anyways. Believe what makes you feel better.

@@mikebeaulieu3393 I think YOU are believing what makes you feel better ironically I suspect that over 90% of you tone idiots would fail a blind tone test between those amps

@@lomoholga You can't even make an argument without insulting anyone. 🤷‍♂️

@@ronaldbaldus4761 this is the most awesome advice!!! Thanks for sharing with me dude. Okay I'm gonna try this. I want the exact tone you just described so any more tips (pedals etc) please share

@@ronaldbaldus4761 could you recommend any pedals in particular? Basically, I want a classic 80s metal tone. The tone of my generation SUCKS. I wanna rock like you guys do

That's right. I'm almost 60 years old and had one in the early 80s when I was in high school. Sounded the same then. People think you just plug in and sound like Judas'Priest. Not going to happen. In order to get that 80s metal sound it takes about 5 things. You need distortion chorus delay. Reverb. Reverb and delay makes the notes carry. That what gives it the big sound. You need a noise suppressor a distortion pedal or overdrive, chorus, reverb delay and most people have a cry baby wah. The main key is not the distortion as much as the reverb and delay. You need echo. That's what makes the notes carry.

You really need about 5 pedals. Look at Zakk Wylde set up.

I have a bunch of gear. I'm using a EVH Stealth 100 watt high gain amp. But at low volume it doesn't sound good. These amps are made for concert halls not your bedroom. So I use an old Digitech 1101 processor run it thru the clean channel . I can sound like Zakk Wylde and be playing at tv level and sound just like the CD.