Man, your channel is a gold treasure of knowledge, ideas and inspiration!! Thank you!! 🎉🎉🎉

The dedication and time you have invested in going deeper with this camera is really appreciated, you are definitely opening up minds about filming technique possibilities especially for independent filmmakers. Thank you.

Instant order for me. The 4D was already a sensational tool but this gives so many more options.

Excellent for one man army

Fantastic explainer for the 4D Flex. I saw the announcement but didn’t envision the possibilities until watching this. And yes, ProRes RAW in Resolve does need to happen.

Amazing review!! Your channel is definitely underrated! Thank you!

I thought i had watched all i needed to about this new thing i cannot afford. You killed this even more !

Amazing Video, thanks for your experience sharing!

Wow I was drooling watching the video lol this is awesome system Dji is stepping up the game

this guy is amazing

Wow! A gimbal on a gimbal! Mind Blown! Awesome video!!

Okay, my mind is blown again.

Men you are a little too genius… I really love you man… you are just different in this industry And also as you said great appreciation to the dji team.. 🤯 they have just 🤯🤯🤯 my mind… 13:59 for me I think this is now what is to be called the Best Vlogging set up of the current era… hands down.

Killing the game, still my favorite channel on KZfaq ✊🏽

I also really want Davinci resolve to accept Prores raw as a raw standard, it really needs to happen now that cameras are starting to ship with the codec

Adam is the best of the bestboys.

Excelent video as always! Truly underrated channel you sir are a goldmine

You have said it all in this review anyone can get all the answers from here about the DJI 4D Flex. Thank you Adam

The El Camino shots locked in my subscription. I need to get this system 🔥

Great video. And a stunning Classic Chevy 😍

Beautifully done

Super addition to the R4D! Splitting both makes so much sense. Awesome video as always 😀👍

Such an incredible video!

You have the cooles R4D setup I’ve ever seen! Awesome video!

Wow. I like how your setup is attainable.

Everytime I watch more about this camera the more I'm convinced it's the ultimate prosumer camera.

You deserve more followers! NICE VIDEO!

Incredible review

Awesome video, as always

Great vid and channel. I just subbed and cant wait to see more.

Thanks so much for sharing your brilliant insights.

How good is the stability at higher (wind)speeds e.g. when mounted on the car? I´m considering to mount it on the outside of a plane

wow! Thank u..Love from Nepal...

You're crazy 🙃

Dude you are my hero 🎉

The 4D Flex will definitely take the payload off your arms and straight into the backpack which acts in similar ways to the Sony Rialto for a fraction of the price. Great informative video as always Best Boy Adam!! 💯 Keep it up! 👍

I looooove your videos!

This just became my next camera

simple great well done

Your videos are some of the best on youtube! One question for you, what do the skin tones look like straight out of camera? Very interested in using this camera for live broadcasts.

Wow, finally 😘

Awesome video!!! Where did you get the back support for the Tilta Float?

Спасибо. У вас лучшие обзоры.

Hey Adam, these videos are amazing -- quick question for you! Have you tried the Ronin 4D with Tilta Float and the quick release adapter? Eliminating the post from the system... it would give you the double stabilization without the need for a counterweight. I just did a documentary shoot with it and found the stabilization to be unbelievably good, if the system's weighting a bit tricky especially over a long shooting day. I'm sure you've tried it & still prefer having the post for the different camera moves you can do, correct?

Great job! Can’t wait to see you mounting a camera on 3 gimbals in a future😂 good luck man!

Adam, really great update on what new you've done in this ecosystem. While my concern has always been with the DJI camera sensor (I've tested the 4D with a number of larger format lenses with some really good and some not-so-desirable image results - can be a separate discussion). What I am curious about was your crash cam segment and the tripod/monopod you used 1) for camera pull/push shot as well as how you used it as a jib, 2) how you extended and balanced the extended tri/monopod in a steadi rig for REALLY long reach? The reason for the 2nd Q is I've used a few hacks to extend my own steadicam rig w/ gimbal to get more height on what amounts to a jib shot off of a steadicam rig. I have several cams (red, sony, arri) in addition to the 4D available that I want to test this with - just for the sake of comparison and when/where I might employ any one of these options.

Excellent overview of the astounding capabilities the Flex module offers. One question to Steadycam-Mode: what are the parts you use to connect the Ronin 4d's body to the Float pole's Nato clamp?

Great video as always... I have a question. How did You manage to lock the axis on the gimbal to mount it on the handheld baseplate?... How did You get the correct height?

Super

Hi Adam, great video, thanks! Been looking for clamps like the ones you use on the "special rig" in this video. Found some similar clamps from Eurolite and Kupo, but not with the right dims for the Sirui monopod. Could you tell me what kind of clams you use in this video? Much appreciated, thanks!

Hi Bestboy Adam! Really dig the video! I plan on purchasing the same R4d flex tilta combo! And my question is: what clamp do you use to fasten the monitor to the tilta's grip handle? Thanks again, man!

Awesome

How well is the 4D body handling temperature in the backpack? I do not see any vents on the bag. Does the body get hot after long shoots?

I would love to know your opinion of a "naked" x7 like the HaloRC Pandora!!

Amazing video, thank you!! I was thinking, if you install the movmax storm in the plastic box, maybe can help you with the dust and water

Hi Fantastic video. Thank you. Please can you let me know where you got the brackets to attach the Ronin 4D to the pole at 7 mins 31. Thanks :-)

Apparently, 3 cables can be connected together too, giving a total possible length of 6 meters!

jeezus. I'm really trying to find a reason NOT to sell my Sony system and buy this now. Excellent video as always BBA!

I can't figure out how you mounted the rails to the Flex adapter. I've tried to find parts like that online, but I"ve had no luck finding something compatible.

I still have a Glidecam X22 vest & arm. Do you think I can make that work for the 4D Flex with a pole as well? What is the center piece that connects the Tilta Float to the pole?

Interesting video! What's the intro song? Sounds nice

What did you use to mount the monitor to the arm of the Tilta float?

🔥🔥🔥

Any info on compatibility with Sonys 16-35 power zoom lens ?

It’s much improved now with this flex addition. However I still see a few issues limiting the useability: 1. No way to use larger cine lenses with stabilization. They could have set the weight limit to at least 1.5kg. That would have allowed for the use of some cine lenses. 2. As far as I know, mattebox is also nit possible with stabilization. Maybe with a lightweight mattebox it’s ok, but where to put the lidar? This one is crucial. For a pro use one has to have a way to control light entering the lens.

Dojebaną macie/masz firme produkcyjną. Zazdro super biznesu w jakim tworzycie takie fajne filmy i jeszcze za to płaco! :D

Assimilate launched Pro Plus Studio, which lets you convert ProRes RAW to CinemaDNG. But of course, that's still an extra step to go through.

Can I use this ronin 4D to use as a TV studio camera to transmit live and direct or to transmit live and direct as an outdoor cameraman for TV programs?

love your in depth videos about the possibilities with 4D. I ordered the flex cable today, can i ask what arm/mono pod you use for the steadicam set up?

Hi Adam, amazing video, thanks for the level of detail you put in. Quick question I'm hoping you can help me with. What are the clamps called that you put on the bottom of the 4D at 7min31 in the video, and also what is the boom pole and the extra large stand at the end of the pole at 7min36 in the video. I'm looking to set up a similar rig and would love some help. Thanks in advance for any advice.

How is the rolling shutter in this camera?

6 axis? Hell yeah we need one axis more.. 😂 If you mount the full body Ronin 4D in Ronin gimbals it would be 7 axis stabilization, I wonder how stable the footage is.

At 6:18, is that Pictor 20-55mm T2.8 lens mounted on the Zenmuse X9? Does that lens' image circle actually cover the full sensor area? It's a "Full Frame" sensor but the lens is advertised as "Super35".

6 Axis 😂😂😂 Nice video!

the 4D seems like a game changer to me! Can anyone tell me if there would be a big difference in quality between the 4D and a Red camera for example? I'd never buy a Red camera at this point as it is waaaaay to expensive. The 4D is affordable in comparison. And with flex, it got even crazier!

12:15 12:27 what is film?

7:28 i wanna buy that pole. how can i buy??

All we need now is the XLR expansion plate!

The only new feature worth mentioning is GPS for tilting compensation. But it technically can't perform properly. As with fast turns during the ride GPS can not detect the momentum and centrifugal forces that make gimpbal tilt.

12:47 what is the name of ther orbit system shown here? or is this a DIY job? thanks!

how many Axis do you need? YES 😅 so what if you put the RoninChicken4D on the Ronin 2 and put that on the Tilta Float ? and also do you have a video about this DIY spining machine 12:43 thats really nice to do product clothing shots

remember people, its not the box, its the quality of the lens and the history you are trying to tell...

The stabilization is jello in areas

Only big problem Roni4 Does not have hd-sdi output

👏🏾👍🏾🙏🏾

Gimbal on a gimbal. That's AWESOME. Now...can we PLEASE get proper A7SIII-level rolling shutter? Because that's the biggest drawback to this setup, price notwithstanding. It's crazy to think that just $150K total worth of hardware (gimbals, cameras, lenses, tripods, monopods, car mounts/cranes, microphones, and even lights) is enough for a 3 or 4 angle setup these days, which is pretty much all you need for any single shot if you want multiple areas of coverage. And you can shoot anything from a low-budget commercial all the way to a multi-million-dollar Netflix production with it.

It’s such a shame that they didn’t come out with the new gimbal to be able to attach PL mount lenses seamlessly. I would much rather have preferred that to have been the new product.

Full function ronin 4d available in rs3 😂 and anyway setup (camera/lenses)

imagine these whole ronin gear becomes more cheap..then vloggers will go next level

Too bad all that was not possible with classic gimbals and any other camera without cables and huge box in a backpack, right? ;)

02:32 if you bounce into anything with you back - you will brake anthenas. Not good.

I hope they're paying you for this.

😂 tf? Nobody shooting 8k for electronics news gathering assignments 🙄

Funny how this trend of throwing new camera to all the youtubers like a bone for reviews is more discrediting than an advantage. Looks like a desparate move.