Thanks for the heads up! I’ll check it out on my end and see if I notice any improvement

Same, couldn't find much difference.. :/

Not sure that Bluetooth monitoring is possible. My understanding is that the Bluetooth connection is reserved for the mic unit to send m audio to (iPhone, action cam, laptop etc). What documentation have you read that says you can monitor via Bluetooth headphones?

Why would it make the audio crisper? If you have low frequencies in your voice and the “low cut” filter removes them, you’re gonna sounds worse.

If you remove low frequencies you should be only hearing mid-to-high frequencies which is where sibilance and crispiness lives.

Sorry I sent this question before the video was over, I’ll check out the other video regarding the EQ and see if I can fix anything. Thanks again, this was a really good video!

DJI MIC 2 - EQ settings for BETTER audio kzfaq.info/get/bejne/ftaklLV935qumIk.html

US, New York City but respect to all the creative mandem over there too

You doubt it but I’ve got a video showing casing it? Just open up your video editing program of choice and test it yourself.

Yeah no way a low cut filter is doing damage. That’s ridiculous

Reports coming in the firmware hasn’t changed audio, if at all. Have you tested on your unit?

@@Fredo.heavyy so dji mic is better if u think it is?

@@CryptikzChannel I still use the DJI Mic 2, I still think its the best wireless lab solution.

The DJI Mic 2 does have limited compatibility when it comes to Lav mics DJI did this on purpose so you’re more likely to buy their Lav, which does sound good from what I’ve heard. If you’re hiding the transmitter and already have a collection of Lav w/ locking connector then Rode Pro might be for you Also I haven’t found any issue with noise floor on the DJI Mic 2 w/ 32 bit audio float

@@Fredo.heavyy Thanks! I don't have any lavs let alone locking ones. What does limited compatibility mean? I'm fairly sure on any other wireless lav system the transmitters accept basically any microphone input.

@@definingslawek4731 I believe that as long as you use lav mics that use TRS connections instead of TRRS connections you should be fine, I'm gonna actually test mine later today or these next couple days. I have a couple Saramonics ones that I try.

Haven’t used the Filmora app before but I’d make sure you’re selecting the correct audio source to be DJI mic and not internal mic

@@Fredo.heavyy thanks for the quick response!! I will try that!! have a great day!!

You’re not wrong, it’s exactly how a camera can shoot in “RAW” vs “JPEG” and it only matter if you’re modifying the image (color, exposure, etc) Spec wise I think I saw the rode pro has a better “frequency response” (more range) , idk by how much doe. But in real world applications it’s negligible to me. No cope if you want a 32bit wireless Lav system: DJI Mic 2 has better form factor + user interface + better case Rode Pro has better out box sound + locking lav / time code Choose accordingly

Make sure you have the gain set appropriately and record and 32bit float. I haven’t experienced any noise or static in my recordings, it honestly provides some of the cleanest audio for me.

Yea you need the receiver to activate the 32bit float capabilities

Swipe down from the top

you can get away with 24bit as long as you're not "peaking" screaming. 32 bit float is better for removing sounds that might be too low or high. I record everything in 32bit float if possible.

@@Fredo.heavyy Awesome, thanks!

That's a a tough environment because levels are gonna be all over the place but I'll try to explain. The closer "source" to the mic is going to get those most isolation, so you have to pick one or the other (your voice or the crowd) What you can do is point the mic (capsule down) towards the floor and pick up all the sound in a more "even" capacity. Also make sure Noise Canceling is OFF and Low cut filter is OFF. A real solution would be to record a second track with a mic facing the crowd and then mixing the audio in post but that's Movie levels of production work.

@@Fredo.heavyy hey Man, I really appreciate you taking the time to help me out. I’m a fan of your channel and really enjoy your videos. I will try your suggestions. Again I really appreciate it. Thank you very much. It was nice talking to you.

East coast, Nice GTR btw

Hey bruv, do you know how can I install it ?

What software do you use to edit your videos?

@@Fredo.heavyy I use Davinci resolve for the videos and, when needed, Logic Pro for the audio. I’m also a musician with experience in sound production and live sound. Any audio that is muddied or muffled, whether live or recorded, gets a low cut filter first of all. The bass and sub-bass frequencies of the voice are the main culprits for decreasing clarity of the audio. As well as using up valuable headroom, for no audible benefit. (You can’t have the volume as loud, if inaudible rumbles are eating up your bandwidth). I’m not saying that there aren’t differences or that the microphone doesn’t need EQ in post. I use EQ‘ing on vocal tracks recorded with high quality condenser mics in the studio. But what I can say with certainty, is that the low cut is not what’s causing the problem. Ultimately, no small capsule mic at this price range is ever going to sound amazing without some work. Perhaps DJI should do some more of that work for us, but i imagine that for the majority of their customers, it’s not important enough. For those who do care, they will then have the expertise to do the work themselves.

@AndyManCam sounds like you’re over qualified 😅 Honestly I found that the default setting of the low pass filter was an over arching issue with many creators having a muffled sound out the box. Are you a DJI 2 owner or is the Rode pro your wireless Lav system of choice?

@@Fredo.heavyy Haha! Aren’t we all mate! Over qualified and under valued! 😅 I guess the mic situation is all a matter of perspective i suppose. I’ve just gotten a DJI mic 2 and came into the experience expecting the sound to be a little lacklustre and needing to ‚fix‘ it in post. I’ve got a Zoom H1 field recorder which with the included lav mic sounds pretty good out of the box. But it can’t do wireless, isn’t as small as the DJI transmitter and won’t interface with my action cameras and phones directly. Horses for courses really. Maybe the Rode would have sounded better, but the form factor and integration of the DJI (I have DJI cameras too) made it the better overall choice for me personally. Maybe DJI will improve the clarity with some firmware EQ. Until then, we’ll just have to concentrate on the positives and remember that we can fix the negatives ourselves! 😉

@@Fredo.heavyy incidentally, in the interests of humble pie, when i said a high pass would make things muffled, i was wrong. Thats actually a low pass, or high cut. My bad. 🙈