Yeah, it would have been more realistic if he had just ditched it in the middle of the driving path. And I guess those 2 crooks were screwed, because the cops were close behind and he didn't park far from the entrance.

😂

@@mmclaurin8035 aren't there different exits??

The game was over. People are leaving the stadium, it would've of been easy to find a spot.

I said the same thing …three unrealistic parts in this movie first one was getting that parking spot right in the front but remember a lot of people leave the game before it ends. That’s the best time to get the spot in the front anyway thinking of it that way.

Drive (2011)

Agreed. Plus, the silence deepens the tension of the scene. It's a masterpiece of cat-and-mouse

worst get away driver ever 1 star would not recommend " he left us in a parking garage surrounded by law enforcement while we were dressed like fn cat burglars.. He got himself a disguise and got away.. wheres our hat mother f'r!!!"

@@patrickosmium733 - 08:33 They also were taking off their jackets and had already stashed away their masks. They would have blended in with the crowd and walked right out like he did. They were both "white" guys in a sea of "white" guys, so good look to the police pointing them out when they have no clue what they look like.

​@@patrickosmium733"We're grateful you chose us as your law avoiding service. Thank you for sharing your feedback, we're looking forward to meet your expectations next time you rob something. When it comes to the best getaway experiences, our customers always come (get out) first!" 😂

More like, we are literally him.

The title of the film is "Drive" and it is about the driver...so who or what would you like the camera to focus on in the opening 10 of the film??? Dinnae quit your day job...

@@datgrrl5698 This is a pretty great troll comment, it didn't work on me but I respect it. You must be great at pissing off 14 year-olds who don't know better 😂

awesome observation

"nobody will be looking at you."

You may stay.

song name?

@@Darix-xz9pb Chromatics - Tick of the Clock

@@Darix-xz9pb “tick of the clock” by the “ Chromatics” only instrumental but you don’t need any words .. it’s on here . Look it up

Chromatics - Tick Of The Clock

Totally agree !

Perfect what you said !

It's got the Micheal Mann hallmarks, LA at night, mesmerising music and minimal dialogue. Just pure class!

@@emilyf13ify It also owes a shit ton to The Driver, by Walter Hill

Real talk

​@@emilyf13ify tienes razón saludos desde Argentina 🇦🇷✌️

Yeah no... the sound design is pretty bad, at least when it comes to the car with its continuous gear changes that make no sense.

@@superking-nicolaslucau7252 and your opinion counts because? No

No he isn't, he's good but there's nothing noteworthy of him here.

@@flybeep1661you could even say he’s… plain Jane.

I am literally Ryan Gosling.

He drove the car because it was common

I love the Impala though are the engine sounds Accurate? I always thought he had a souped up Impala for the Heist

@@ameyajoshi742 He did, Cranston's character said he dropped in '300 hp on the inside, she is gonna fly'. Didn't say what exactly he put in but suffice to say I don't think the 2009 Impala has 300 hp stock.

@@damendred1 its the SS model, used to have a v8

Those cars are over 100 mph

Yeah that annoyed me as well

I wonder if he could've bluffed by just normally continuing cruising. Sudden acceleration just drew the choppers attention.

@@tamasser listen to the walkie talkie. he doesn't accelerate until after he hears the helicopter confirm a sighting

Yes, I understand. Can you take me to Disneyland?

Disneyland lmao

There are always eyes on the scene. People you cant see walking, living, jogging, homeless dudes around. In a city you are never really alone. Plus cctv cameras literally everywhere and local security guards having night shift walking around etc etc.

If homeboy didn't take so long getting out

...until he took on the role of Ken in Barbie

@@TheSedition666That made him even cooler

@@whysoserious286 what are you smoking? The film is an insult to film making.

Try Nice Guy

@@LucasTOrz oh right the movie with Russell Crowe. That was some fine entertainment. I enjoyed the sh-t out of that. I bet that film was fun to make for those guys.

You might be a Scorpio, but do you also have the same exact birthday as him? Because I do.

In what way? 93% on Rotten Tomatoes. Made over $81 million against a production budget of $15 million. At Cannes Film Festival it won Best Director, one of the highest honors a director can reach. Several critics listed Drive as one of the best films of 2011, including the National Board of Review.

name?

The drive soundtrack

I always interpreted it as he will wait in the car while they "do the deed" for exactly 5 mintues without bailing on them. That's why he set his watch the moment they cut the chain.

Yup !

With the watch and the police scanner and the Clippers hat? Nice. Please tell me she has the satin scorpion jacket too.

No but when naked she actually looks like a real human Bean

He is not in that league at all. Screams like a woman.

he has debt way beyond the mentioned guys, except for Clint.

Clint Eastward? Jason Strathon? Don't you mean Charles Bunson and Hugh Jerkman?

He’s our generations Steve McQueen !

Nicolas Winding Refn is an amazing director. Danish.

It kind of is. Thisovie is what started the whole synthwave boom, although back then I think people called it vaporwave

@@DruguzuYou're close, vaporwave is brighter and 'warmer', where as this one has a darker tone and more mystic. Such works such as from kavinsky is 'outrun' based on the 80s outrun game

Lol cmon it’s a fkn movie guy…. The stupid shit is him timing the window around the Clippers game in the fourth quarter, where most your time outs and fouls are made… that would make that five minutes ending of that game. If you know basketball can turn into 13 minutes with commercials timeout fouls foul shot that’s just totally pretty much you could try that 200 times I’m just saying pulling in the lot I meant to say in finding a spot in the front, just do the same route. He took and stop under the bridge for the same amount of time I’m just saying you’re not gonna get it when the games going for 321 when he loudens the music in the car… you hear the status of the game?.. you got a better chance of getting your leg bit off by a shark sitting on your couch watching this fucking movie how’s that for odds…

Yes !

Did you know it's a movie?

five minutes was up ma bro

They had been wearing masks. So who were the cops to look for?

What I mean is dark,gritty,exciting and intense

Most major films use 30 frames per second

24 FPS, and that's usually cinematic movie standard. TV shows are often 25/30 FPS broadcast standard.

ok

@@nielsbertiller6930 I didn't actually expect anyone to read my comment. Just posted it for my own satisfaction. That movie had so many flaws but this is an old thread. But then you come along with "ok." That comment does have meaning. You're posing to the audience of one. Being irreverent and unaffected in the world you live in right now. At least you didn't say "It was only a movie." Or some type of comment indicating "No one wants to read a book!" That one is more of an indictment of our current education system and the Twitter generation of limited attention span. Anyway, thanks.

I think the whole sequence is perspective of the driver and how he works. They might have planned already that the stadium is their destination to escape from police. The car is parked in the dark true but the other robber cost them time so the witnesses we didnt see on screen was watching there and able to see identify the car after it left off. Even things are planned perfectly, it will not always work and had to improvise. If they went off on time, the witnesses and the police might not know what the getaway car is and everything will go smoothly. So during the chase, we saw the driver stayed cool and he showed off his skills. As the movie went on and tensions rising, we get to see the real character of the driver. The spotlight scene, depends on geography on screen was near the bridge, it just happened that police was there. We dont know the fate of the robbers because they almost screwed it but at least the driver is the man of his word.

@@alwayslateandoutdatedperso6972 I thought this famous opening was well acted, and yes, the way this 1st Act was shot was well done and kept the tension high--I just was disappointed at how badly written some of it happened to be. Just a little research would have fixed all of it. They had a ton of time to pull off the robbery. Remember his rule the robbers had only so much time--like 2 minutes to return to the get-away car--which they did make. So these unseen witnesses not only were able to see the robbery going down, connect the car to the robbers, call 911--which is routed to a CHP Operator in Central California when it comes to LAPD. That CHP Operator was able to type up the robbery call with description of the get-away car and route it to the nearest LAPD Radio Transmission Operations Center, which then assigned the call to several patrol units from a particular LAPD Station, the lead unit then apparently requested an LAPD air unit--all of this took place within just over 120 seconds--well....no. That driver and the robbers would have been long gone. Then I have to tell you, LAPD has more than one air unit. They don't have to bug out because another violent crime happened to pop up. And...that LAPD air unit was controlling the pursuit and search. And they bugged out because they received another call? So that's the way it works? No. The knowledge that the driver knew the LAPD air unit would leave was part of his skill set--it was just a shame the writer didn't at least check to see if that's how it's actually done. They could have achieved the same results by having the driver know for example that the LAPD air unit might expand the search in a different pattern, allowing the driver to escape. Or have the LAPD air unit leave because the pursuit and search itself had been called off. So the driver then leaves, only to run into that patrol unit, which has an officer in it that knows how to put out a location. See? You still have the same tension. Then again, that patrol unit officer putting out that he saw the suspect vehicle at a stop light. Anyone putting out that nonsense would have been written up. Any particular stop light officer? Perhaps some street names so that other patrol units know where you are and where the suspect vehicle happens to be? And then the same patrol unit apparently didn't bother to put out any radio traffic advising that the suspect vehicle had just turned left and headed north, then west. How do we know he headed north, then west? Because the driver managed to go from lower Downtown LA to the Staples Center, find a magically open parking spot on the 1st Level after being lucky enough to not have to go through any entrance gate with the arm down, or get a ticket, park, then walk off looking cool because he must have parked in one of the other parking lots nearby and magically avoided all the area's cameras that would have later been used to track him as he walked from the Staples Center parking back to his car. The cops were arriving just as he was walking out so I would be surprised if those two robbers didn't get identified as well from all the cameras? Why not drive them to a remote location? Then the driver does this cool exit once he pulls into the magically created parking space on the first level of one of a parking location that apparently had fans coming back to their cars from the basketball game. Cameras everywhere! The cops can track him right to his 2nd car, his pickup, or a bus. I know, it was only a movie. But this could have been one of the all-time greats. I wish they had kept the driver a true professional but they gave him all sorts of mental issues. And why would Albert Brooks, who played the big baddie, place himself in such a vulnerable position that he allowed himself to get killed at the end? He just threatened to kill the driver's girl, and stalk him forever, but saw no problem going to the money location by himself with the driver armed only with a knife. What could go wrong? Why did the driver leave the money--did he think he was in "The Thief?" An old James Caan movie from the 1980's where the master criminal wanted the big crime boss to know that he didn't give a damn. Somethings were more important that mere money? He would burn it all down. Why didn't he seek medical treatment? Okay, he wanted the cool, mysterious, somewhat ambiguous send-off--maybe for Drive Part II? Anyway, have a good rest of your week. Thank you for the comment.

Damn! Eviscerated! Can’t argue with that :)

He was not their sitter, all he was required to do was get them away from the crime scene. If they couldn't melt away from an arena that was just emptying out after a game, they need to switch careers.

literally not this guy

lol

Terrible take

You were probably that guy texting non stop in the theatre.

@@colespradlin5440 never thought of that if u go through the whole scene again, the only time he really “ drops the 300 horse” is 2 times it matches up that’s it It’s #1 when he hears air support has eyes on the “ so called Chevy impala that is so plain Jane and the most popular car in the state of CA,” lol that’s where the sound matches #2 Is at the stop light with the Cops across the street at the other red light going opposite of him and he hears “ possible suspect at so and so light ( I don’t know verbatim)… but when the light turns green, the sound matches …. That’s the only 2 times I hear it match up with the gears hr should be in at those RPM’s… idk just my opinion of shitty audio editing, that’s all ..

Haha true

Did you know it's a movie? And all the technicalities are not the point? Or did you expect to watch a documentary about cars, LAPS and robberies?

@@FlymanMS true .. I mean if we’re gonna pick out editing mistakes, we’ll be here for a year

@@FlymanMS I said the same thing it’s a fucking movie

It's an art house film so that probably explains a lot, the music and cinematography in this movie was exceptional.

You have no taste, go watch barbie