Johannes Brahms Ein Deutsches Requiem DRSO, Herbert Blomstedt
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@brianhemeryck28155 ай бұрын
I sang this Requiem after my mom died. It was both emotional and cathartic at the same time. This version is absolutely spiritual and beautiful. I come back to this over and over again. It is balm for my soul.
@kittyfleischman14044 ай бұрын
I was in college when Martin Luther King was killed. At the time, we were in final rehearsals to do this for our spring performance at Oakland University in Rochester, Michigan. We ended up doing it as a tribute to Dr. King. I was in high school, college and community choirs for many years, but never took part in a performance with more emotion than this one.
@hildyva4 ай бұрын
I sang this requiem with the Cleveland Orchestra and chorus in 1986. Kurt Masur conducting. A glorious experience!
@jerrera4511 ай бұрын
This is undoubtably one of the finest performances of this Brahms masterpiece.
@watutman10 ай бұрын
Yes, top three. Also the Frankfurt orchestra performance on KZfaq, and the Norwegian Soloist choir here on KZfaq.
@garycarpenter35658 ай бұрын
Undoubtedly! Leadership is everything in receiving the best from each musician.
@ronsteen10015 ай бұрын
Stunning performance. The interpretation, phrasing, dynamics, balance--everything is perfect. To say it is a "musical" performance is a gross understatement. It has a spiritual quality that speaks through the genius of Brahms (and Blomstedt) to every listener. It surpasses even Bruno Walter's version from the mid 20th century in my humble opinion. I must have listened to this 20 plus times and it moves me every time. Often to tears.
@verapurrio546210 ай бұрын
Herbert Blomstedt ist nicht nur Dirigent, er ist Musik. Wenn ich an seine Konzerte mit dem Gewandhaus denke...Er schenkt uns Musik durch und durch❤
@brunzelannette6007 Жыл бұрын
Soviel Ästhetik , Hingabe , Gefühl und Harmonie noch nicht versammelt gesehen .. für mich ist dies der Gipfel von ALLEM und in diesen Zeiten erst recht . Welch ein Geschenk!!!!!!!! 🙏💌💌💌💌💌
@terenceollerhead36809 ай бұрын
Such a performance. Orchestra, soloists, the wonderful chorus, the conductor; a privilege.
@espressonerd7 ай бұрын
Whoa! This is a stunningly beautiful performance.
@MarshallArtz007 Жыл бұрын
*Johannes Brahms (1833-1897)* *Ein deutsches Requiem,* *Op. 45 (1861, 1865-66, 1868)* _A German Requiem to Words of Holy Scripture_ 🔸 1️⃣ *Chorus* 00:37 I. _Ziemlich langsam und mit Ausdruck_ *Selig sind, die da Leid tragen, denn sie sollen getröstet werden* _Blessed are they who mourn, for they shall be comforted_ _• Matthew 5:4_ 03:11 _[m 45]_ *Die mit Tränen säen, werden mit Freuden ernten. Sie gehen hin und weinen und tragen edlen Samen, und kommen mit Freuden* *und bringen ihre Garben* _They that sow in tears shall reap in joy. Go forth and cry, bearing precious seed, and come with_ _joy bearing their sheaves_ _• Psalm 126:5-6_ 06:07 _[m 96]_ *Selig sind, die da Leid tragen, denn sie sollen getröstet werden* _Blessed are they who mourn, for they shall be comforted_ _• Matthew 5:4_ 🔸 2️⃣ *Chorus* 10:08 II. _Langsam, marschmäßig_ *Denn alles Fleisch es ist wie Gras* *und alle Herrlichkeit des Menschen wie* *des Grases Blumen. Das Gras ist verdorret* *und die Blume abgefallen.* _For all flesh is as grass, and the glory_ _of man like flowers. The grass withers_ _and the flower falls._ _• 1 Peter 1:24 (quoting Isaiah 40:6-7)_ 13:33 _[m 74]_ *So seid nun geduldig, lieben Brüder, bis auf* *die Zukunft des Herrn. Siehe, ein Ackermann* *wartet auf die köstliche Frucht der Erde* *und ist geduldig darüber, bis er empfahe* *den Morgenregen und Abendregen.* _Be patient, therefore, brethren, until the_ _coming of the Lord. Behold, the farmer waits_ _for the precious fruit of the earth, being patient_ _over it until it receives the early and the late rain._ _• James 5:7_ 18:17 _[m 198 (H)]_ *Aber des Herrn Wort bleibet in Ewigkeit* _But the word of the Lord abides forever_ _• 1 Peter 1:25 (quoting Isaiah 40:8)_ 18:42 _[m 206]_ *Die Erlöseten des Herrn werden wieder* *kommen und gen Zion kommen mit Jauchzen;* *ewige Freude wird über ihrem Haupte sein;* *Freude und Wonne werden sie ergreifen und* *Schmerz und Seufzen wird weg müssen* _The ransomed of the Lord shall return,_ _and come to Zion with singing; everlasting joy_ _shall be upon their heads; they shall obtain_ _joy and gladness, and sorrow and sighing shall_ _flee away._ _• Isaiah 35:10_ 🔸3️⃣ *Baritone Solo & Chorus* 24:16 III. _Andante moderato_ *Herr, lehre doch mich, daß ein Ende mit mir* *haben muß und mein Leben ein Ziel hat,* *und ich davon muß. Siehe, meine Tage* *sind einer Hand breit vor dir, und mein Leben* *ist wie nichts vor dir.* _Lord, let me know my end, and what is the_ _measure of my days; let me know how fleeting_ _my life is. Behold, thou hast made my days_ _a few handbreadths, and my lifetime is as nothing in thy sight._ 27:50 _[m 105]_ *Ach wie gar nichts sind alle Menschen* *die doch so sicher leben.* *Sie gehen daher wie ein Schemen,* *und machen ihnen viel vergebliche Unruhe;* *sie sammeln und wissen nicht wer es kriegen wird.* _My lifetime is as nothing in thy sight._ _Surely every man stands as a mere breath!_ _Surely man goes about as a shadow! Surely for_ _nought are they in turmoil; man heaps up, and_ _knows not who will gather!_ 29:29 [m 140] *Nun Herr, wes soll ich mich trösten?* _And now, Lord, for what do I wait?_ 30:35 [m 163] *Ich hoffe auf dich* _My hope is in you_ _• Psalm 39:4-7_ 31:05 [m 173] *Der Gerechten Seelen sind in Gottes Hand* *und keine Qual rühret sie an.* _The souls of the righteous are in the hand of_ _God, and no torment will ever touch them._ _• Wisdom of Solomon 3:1_ 🔸 4️⃣ *Chorus* 33:42 IV. _Mäßig bewegt_ *Wie lieblich sind deine Wohnungen,* *Herr Zebaoth!* _How lovely is your dwelling place,_ _O Lord of hosts!_ 35:01 [m 43] *Meine Seele verlanget und sehnet sich* *nach den Vorhöfen des Herrn;* *mein Leib und Seele freuen sich* *in dem lebendigen Gott.* _My soul longs, yea, faints, for the courts of_ _the Lord; my heart and my flesh sing for_ _joy to the living God._ 36:51 [m 108] *Wohl denen, die in deinem Hause wohnen,* _Blessed are those who dwell in thy house,_ 37:18 _[m 123]_ *die loben dich immerdar!* _ever singing thy praise!_ _• Psalm 84:1, 2, 4_ 🔸 5️⃣ *Soprano Solo & Chorus* 39:28 V. _Langsam_ *Ihr habt nun Traurigkeit; aber* _So you have sorrow now,_ 40:41 _[m 16]_ *ich will euch wieder sehen* *und euer Herz soll sich freuen,* *und eure Freude soll niemand von* *euch nehmen.* _but I will see you again and your hearts_ _will rejoice, and no one will take your_ _joy from you._ _• John 16:22_ *Ich will euch trösten, wie einen seine* *Mutter tröstet* _I will console you, as one is_ _consoled by his mother_ _• Isaiah 66:13_ 41:32 _[m 27 (B)]_ *Sehet mich an: ich habe eine kleine Zeit Mühe und Arbeit gehabt und habe großen Trost funden* _See with your own eyes that I have labored_ _but little and found for myself_ _much serenity._ _• Sirach (Ecclesiasticus) 51: 27_ 43:17 [m 49 (D)] _(Repetition of John 16:22 & Isaiah 66:13)_ 🔸 6️⃣ *Baritone Solo & Chorus* 46:46 VI. _Andante_ *Denn wir haben hier keine bleibende Statt,* *sondern die zukünftige suchen wir.* _For here we have no lasting city,_ _but we seek the city which is to come._ _• Hebrews 13:14_ 47:55 _[m 28 (A)]_ *Siehe, ich sage euch ein Geheimnis.* *Wir werden nicht alle entschlafen,* *wir werden aber alle verwandelt werden;* *und dasselbige plötzlich, in einem Augenblick,* *zu der Zeit der letzte Posaune.* _Behold! I tell you a mystery. We shall not all sleep, but we shall all be changed, in a moment, in the twinkling of an eye, at the last trumpet._ 49:51 [m 80] *Denn es wird die Posaune schallen, und* *die Toten werden auferstehen* *unverweslich, und wir werden verwandelt werden.* _For the trumpet will sound, and the dead will_ _be raised imperishable, and we shall be changed._ 50:27 [m 109] *Dann wird erfüllet werden das Wort, das* *geschrieben steht:* _Then shall come to pass the saying that is written:_ 50:52 _[m 127]_ *Der Tod ist verschlungen in den Sieg. Tod, wo* *ist dein Stachel? Hölle, wo ist dein Sieg?* _”Death is swallowed up in victory.” “O death,_ _where is thy sting? O death, where is thy victory?”_ _1 Corinthians 15:51, 52, 54, 55_ 52:37 _[m 208]_ *Herr, du bist würdig zu nehmen Preis* *und Ehre und Kraft, denn du hast alle* *Dinge geschaffen, und durch deinen Willen* *haben sie das Wesen und sind geschaffen.* _Worthy are you, our Lord and God, to receive_ _glory and honor and power, for you created_ _all things and by your will they existed and_ _were created._ _• Revelation 4:11_ 🔸 7️⃣ *Chorus* 58:03 VII. _Feierlich_ *Selig sind die Toten, die in dem Herrn* *sterben, von nun an.* _Blessed are the dead who from now on die_ _in the Lord._ 1:00:33 _[m 40 (B)]_ *Ja, der Geist spricht, daß sie ruhen von ihrer* *Arbeit; denn ihre Werke folgen ihnen nach* _"Blessed indeed," says the Spirit, "that they_ _may rest from their labors, for their deeds_ _follow them!"_ 1:04:07 _[m 102]_ *Selig sind die Toten, die in dem Herrn* *sterben, von nun an.* _Blessed are the dead who from now on die_ _in the Lord._ _(This text is repeated to the end of the piece.)_ 1:05:35 _[m 202 (D)]_ _• Revelation 14:13_ 1:08:31 *Applause* *Camilla Tilling, soprano* *Peter Mattei, baritone* *Danish Radio Symphony and Choir* *Herbert Blomstedt, conductor* _Copenhagen Concert Hall_ _Copenhagen, Denmark 🇩🇰 June 9, 2012_
@severinacappelletti8364 Жыл бұрын
Grazie della traduzione in inglese... io studio tedesco all'università della terza età, ma ho 80 anni e la memoria non mi aiuta. Tuttavia cerco di tradurre da sola. Un caro pensiero da Brescia Italia ❤😂❤
@MarshallArtz007 Жыл бұрын
@@severinacappelletti8364: I finally finished adding the complete text in German & English (with lots of time stamps & measure numbers to find your way around this masterpiece). What a great performance this is! 😎🎹
Die ganze menschliche Philosophie ist wie ein himmlisches Tor in unser künftiges Leben in diesem Requiem von Brahms verkörpert worden.
@ursularissmann-telle400027 күн бұрын
❤❤❤ I have listened to this performance over and over again, also to that of other conductors. To me Herbert Blomstedt's one is the noblest kind of a church service I can imagine. I am deeply moved. I say thank you to the universe that he exists, lives and does his wonderful work. He makes the world a better place.
@sergealexandre54688 ай бұрын
La meilleure interprétation de ce chef d œuvre de la musique. Quel bonheur de découvrir cette interprétation merci infiniment!
@cabbagepatch8947 Жыл бұрын
Herbert is just amazing.
@MegaCirse Жыл бұрын
Comme les premières lumières du crépuscule, cette œuvre sonore ouvre les yeux à de vieilles promesses et à toutes les anomalies bienfaisantes de la nature. Evocatrices de pouvoirs au-delà de l'observation, ces pièces tirent les ficelles du cœur, attirent les nostalgies et réveillent les tourbillons, les vies écorchés et la torpeur des veilleurs tourmentés 🕊
@evetei Жыл бұрын
Quel beau commentaire si bien exprimé, merci.
@MegaCirse Жыл бұрын
🤠@@evetei
@MarshallArtz007 Жыл бұрын
You can see how emotional the performers were at the end, and hear how enthusiastic the audience was. A gorgeous video with excellent sound. A very special performance of this great work. 😎🎹
@maestroclassico58014 ай бұрын
Blomstedt keeps going and going.
@prototropo Жыл бұрын
Brahms the Cradler of Humanity.
@georgedebruin6111 Жыл бұрын
What an extraordinary performance. Blomstedt understands Brahms like very few other conductors do. And Camilla Tilling sings with such passion. I have loved her version of "Ihr habt nun Traurigkeit" since I first heard her with Grete Pedersen and the Norwegian Soloists' Choir, the Ensemble Allegria and the Norwegian Wind Ensemble.
@MarshallArtz007 Жыл бұрын
This is my favorite Brahms Requiem. Since you mentioned them in your comment, have you listened to Bach’s ‘Singet dem Herrn’ motet with the Norwegian Soloists’ Choir & Grete Pedersen? Incomparable performance with superb audio (use your best headphones 🎧). If you scroll down the comments there, I left time stamps & complete German & English texts. Here’s the link: kzfaq.info/get/bejne/grWpqKVpm7WsgqM.html 😎🎹
@severinacappelletti8364 Жыл бұрын
Salve è la prima volta che ascolto questo requiem, ma avendo due ore libere ho deciso di dedicarmi all'ascolto. Certo che, abituata ai Requiem di Mozart, Verdi e altri, è un'altra cosa. Grazie per la possibilità di fruire di tanta bellezza. Un caro abbraccio da Brescia Italia ❤😂❤
@georgedebruin6111 Жыл бұрын
@@MarshallArtz007, thanks a lot! I will have a listen IMMEDIATELY!
@MarshallArtz007 Жыл бұрын
@@georgedebruin6111 : Great! You’re gonna love it! 😎🇺🇸
@jameshatt2873 Жыл бұрын
Many, including myself, regard Blomstedt's CD of this work as sublime. However, this video recording with the Danish National Radio Symphony Orchestra and Choir is now top of my list. Camilla Tilling has never been so well caught in flight and Blomstedt gently draws from the orchestra and choir a profound understanding of the complete work.
@ronsteen10015 ай бұрын
Well said!! Could not agree more!
@ullrichherz7053 Жыл бұрын
Eine Aufnahme aus Blomstedts Jugendzeit mit 85 Jahren 😂! Er steht mit 96 Jahren immer noch am Dirigentenpult.
@nataliakushner5402 Жыл бұрын
Вечная Великая Музыка!!!! Брависсимо!!!
@sigridjung9295 Жыл бұрын
Magnífico. !!!!
@yenaurapourtoulmonde3 ай бұрын
Jubilatoire. Un monument !
@brunodumbeck1351 Жыл бұрын
Eine brillante Wiedergabe!
@kidmarine7329 Жыл бұрын
Well done. Very well sang and performed.
@pelegribernial4741 Жыл бұрын
L`oratori més meravellòs del segle XIX...inigualable ni superat per ningù.......
@brunzelannette6007 Жыл бұрын
Danke sehr herzlich für das Hochladen 💓
@Artist_Aejoo Жыл бұрын
Wow Bravo ❤ Thank you for uploading the video 💕
@bruhbruh212823 күн бұрын
If DR people is watching this video, please upload it on the official channel...it's for humanity.
@shin-i-chikozima Жыл бұрын
This will quench the dryness of the soul, and a panacea to purify the soul
@juanadiaz3292 Жыл бұрын
Maravilloso!
@myonekim Жыл бұрын
아름답고 멋진 여주력 감동입니다
@grecevaldoguimaraes17 Жыл бұрын
Maravilha de ópera, me fez chorar. 😪😪😪
@paulomeyer3900 Жыл бұрын
Um Réquiem Alemão, sobre palavras da Santa Escritura, Op. 45 (em alemão: Ein deutsches Requiem, nach Worten der heiligen Schrift, op. 45) de Johannes Brahms, é uma grande obra para coral, orquestra e solistas, composta entre 1865 e 1868. Com sete partes, que demoram uns 70 minutos, é a maior obra de Brahms. O réquiem de Brahms é música sacra, mas não música litúrgica como os réquiens de Verdi, Mozart e outros compositores católicos. Brahms, assim como Bach, era protestante luterano e exprime com sua obra a seriedade e firmeza da fé dessa igreja tradicional. Ele usa a língua alemã, como já sugere o título da obra. História A mãe de Brahms morreu em fevereiro de 1865, e esse fato provavelmente inspirou-o para compor um réquiem. Essa morte foi a segunda grande perda na vida de Brahms depois da morte do amigo e compositor Robert Schumann em 1856.[1] Até o fim de abril 1865, Brahms completou a primeira, a segunda e a quarta parte. A segunda parte está embaseada em esboços do ano 1854, o ano do declínio de Robert Schumann. Brahms, em 1854, foi para Düsseldorf, Alemanha, para ajudar a Clara Schumann, a esposa de Robert, e as crianças pequenas. Brahms completou a quinta parte em 1866. Johann Herbeck regeu as primeiras três partes em Viena no 1º de dezembro de 1867. Essa estreia não saiu bem, porque o timpanista leu algumas partes de forma errada. (Nessa época as orquestras ainda não faziam ensaios antes de apresentar uma obra.[2] A estreia da obra quase completa em 1868 na catedral de Bremen na Sexta-feira Santa, dia 10 de abril de 1868, com Brahms como maestro e o barítono famoso Julius Stockhausen foi um grande sucesso e um ponto decisivo na carreira de Brahms.[3] Texto O próprio Brahms escolheu e arranjou os textos de seu réquiem. Enquanto o réquiem tradicional da igreja católica, usado por compositores como Verdi, Mozart, Cherubini, Dvorak, é um texto litúrgico estandardizado em latim, Brahms escolheu os textos livremente da Bíblia na tradução alemã de Martinho Lutero, incluindo livros apócrifos, que se encontrão em muitas bíblias evangélicas em anexo. O réquiem católico começa com orações a favor dos mortos. Os protestantes rejeitam a ideia de rezar para um morto, porque o morto, uma vez julgado para salvação ou condenação, não pode mais ser beneficiado com orações e réquiens. Por isso o réquiem de Brahms se direciona aos vivos e começa: Felizes são os que choram, pois serão consolados. [Wikipedia]
@sergioeduardogodoyrodrigue46826 ай бұрын
HERMOSO 💕
@wkh4321music7 ай бұрын
No one can destroy the Brahms-metal. The Brahms-metal will strike you down with a vicious blow.
@wkh4321music7 ай бұрын
In all seriousness I’ve watched this like eight times now and I love every one of these people.
@user-xb9vq4co8u7 ай бұрын
rip in the heaven
@watutman6 ай бұрын
It seems like the audience liked it. Brahms quite often ran things by his friends such as Joachim and Clara. In this case his friends advised him not to have that fugue at the end of the third movement, but he kept it anyway. And now it is one of people's favorite parts.
@user-gb1zk1iq9p Жыл бұрын
È un requiem positivo nel senso di un Dio misericordioso del tipo nuovo testamento e non vendicativo del tipo vecchio testamento come si evince nel requiem di Verdi
@rpallen31293 ай бұрын
This is the first time I have ever seen French-style oboe (principal--many shots of her) and Vienna oboe (2nd chair, brief shot at 8:56) used in the same orchestra. It seems to work.
@raguifarag77095 ай бұрын
Would it have been better if Brahms finished the work at 52:36 ? The following parts are beautiful but this was the best finale moment in terms of both Music and text
@yousoupof7 ай бұрын
Ein deutsches Requiem est donc une œuvre sacrée mais non liturgique. Elle est composée de 7 mouvements et dure 70-80 minutes ce qui en fait la plus longue composition de Brahms. Ce requiem lui assura la célébrité : Après une première représentation en décembre 1857 des trois premières parties à Vienne, désastreuse car mal préparée avec un timbalier halluciné et un orchestre approximatif, l’oeuvre ne fut pas comprise. Elle sera pourtant créée triomphalement à Bremen le 10 avril 1868. Brahms confia à Karl Reinthaler, le chef d’orchestre de la cathédrale de Bremen, qu’il aurait volontiers appelé cette œuvre un « Requiem humain » . Cette vision humaniste et sacrée est visible tout au long de l’œuvre.
@RONWOLPA Жыл бұрын
★ ★ ★ ★ ★ !
@kiwijbr Жыл бұрын
And the Artists are? Posts like this with little description are not so interesting albeit a good recording.
@MarshallArtz007 Жыл бұрын
See my recent comment above for movement time stamps, performers, venue, and recording date. 😎🎹
@ritawing1064 Жыл бұрын
@@MarshallArtz007seen, thanks.
@carlosdanielscala8605 Жыл бұрын
Molto bene grazie frufru-fbn
@fraukestrecker274 Жыл бұрын
Aonde e quando? Lindo.
@MarshallArtz00711 ай бұрын
See my comment above for venue, dates, and movement time stamps. 😎🎹
@blackletter25914 ай бұрын
This new format of KZfaq is rubbish. You don't see the names of the performers or any extra information about the piece.
@user-el4zv7qr3k Жыл бұрын
opera n a o.requiem!
@user-pb3fm8do8z Жыл бұрын
when?
@user-pb3fm8do8z Жыл бұрын
@@isch248 thanks!!!
@MarshallArtz007 Жыл бұрын
June 9, 2012
@jesusmariagarciaarejula9032 Жыл бұрын
What happened at 50:59?
@rainerzufall8937 Жыл бұрын
Gibt es eine CD on dieser Aufnahme?
@homomusicus1825 Жыл бұрын
👀👂
@user-kx7nf1ky2v6 ай бұрын
Gefuht mir!
@pangch32611 ай бұрын
10:06
@JJ-vv5id Жыл бұрын
31:05
@AnnHelenaSchlueter3 ай бұрын
Zu schnell
@privacyantiscum645311 ай бұрын
This is really great, but they aren't German. (Just kidding!) :-)
@durgachaitanya Жыл бұрын
The most important instrument in the second movement is always the timpani! This performance was too flat to listen to any longer.
@ullafuhring4055 Жыл бұрын
Für eine Dummback, die sich durga nennt, sind solche wundervollen Werke in jedem Fall " Perlen vor die Säue " deshalb unbedingt nicht weiter zuhören...😅
@timokarff6162 Жыл бұрын
@@ullafuhring4055 You are right, but don't feed the trolls!