collecting publishing royalties and sound recording/master royalties are 2 completely different streams of revenue.

Remixes/remakes or any similar content can't be monetized with Content ID, even if made with your own instrumental

The producer always retain the ownership. To sell that is actually against the law, though some do. Every exclusive agreement should have a notice of outstanding client, which clearly state the whose that have bought the same beat on a lease agreement before, will not have their agreement affected from this exclusive agreement. About the youtube channel: when your content is matched via ID database you have 3 options. Take down, monetise, see analytics. I haven’t had the luck to be in such a developed situation yet, but is easy to see that money from royalties can be kept and I believe likely split according to your agreement. One thing I forgot to mention: ID content are actual royalties for the sound recording, so master royalties. Although when your work is placed i.e. in an Advertising, that become a sync, as in music synchronised with visuals and that is collected from a PRO (same for movies, videogames, tv shows, tv broadcasts, theatrical visuals with music, etc.). Sync are both found in the master and songwriting copyrights, but the PROs collect the composition side of music rights. Here I paste what ASCAP says about it the ID content topic: “Digital has transformed the way we listen to music, and it’s more important than ever to have your music available on KZfaq. Fortunately, ASCAP can pay royalties for many different types of KZfaq performances. Let’s take a look at how ASCAP royalties work for KZfaq performances, and the steps you should take to get paid. KZfaq's Content ID System There are literally billions of videos on KZfaq, with 500 hours of new videos uploaded every minute. Locating performances can be like finding a few needles in a massive digital haystack. To make the search a little easier, KZfaq uses a detection system called Content ID. Content ID makes digital "fingerprints" of sound recordings - and to be clear, that's the actual recording, not the underlying work. KZfaq searches for fingerprinted music in videos uploaded by you or anyone else. It can also identify cover songs, even when the video doesn't include the original fingerprinted sound recording. KZfaq’s algorithm detects melodies that are similar to the reference track in Content ID. When a match is detected, a claim is automatically made on behalf of the copyright owners that KZfaq knows about-typically record labels and music publishers, or their designated agents (including PROs like ASCAP). Find out more about how KZfaq’s Content ID works Getting Your Music into Content ID Content ID is the basis of how ASCAP gets you paid for KZfaq performances of your music, so it’s super-important to make sure that recordings of music that you wrote make their way into the system. There are two main ways to do that: If you work with a record label, your label should be supplying your recordings directly to KZfaq. The same goes for other artists’ recordings of your music - the label or master owner can supply the files to KZfaq. If you don’t work with a label, an approved distributor can also submit music to KZfaq for Content ID. Once your audio files are ingested by Content ID, KZfaq uses them as reference tracks to identify performances of your music across the platform. From KZfaq Data to ASCAP Royalties KZfaq sends us regular data about the videos that feature music identified by Content ID. According to the terms of our multi-year agreement with KZfaq, ASCAP then compares KZfaq’s data with registrations in our system, and sends any matches back to KZfaq as “claims” on behalf of our writer and publisher members. Based on those claims, KZfaq will send us license fees. ASCAP then distributes them as royalties to our members according to our standard distribution schedule. TO-DO LIST Register your titles with ASCAP by logging into Member Access Upload videos that feature your music to KZfaq Make sure your label or distributor sends recordings of your music to KZfaq to ingest into their Content ID system If your music is featured in films & TV shows, make sure ASCAP has the proper cue sheets on file Share and promote your videos to increase your revenue Music in A/V Programs For music in A/V content available on KZfaq’s video-on-demand services, ASCAP gets a data file from KZfaq that indicates the program titles, rental price point and number of transactions that took place. We will compare that data with cue sheets we have on file, and when we match it to a program with ASCAP music in it, we’ll distribute royalties per our normal payment rules. For films, TV series and other A/V content not included in KZfaq’s video-on-demand services, KZfaq is unable to provide us with specific performance information. Instead, we use previously matched broadcast TV, cable TV and A/V streaming performances that earned Audio-Visual Premiums from the performance period prior to the distribution in question as a proxy. A Note About Territories Keep in mind, the data we get from KZfaq only reflects performances that take place inside the US and US territories. That means that your domestic ASCAP statements may not reflect the total number of viewers that have seen videos containing your music. That said, most PROs around the world have similar types of deals with KZfaq. So if your videos receive views outside the US, you may see additional KZfaq performances reflected in your ASCAP international statements, as well. By taking the steps above, you’re setting yourself up to maximize the ASCAP performance royalties you’re earning from KZfaq views. Happy creating!” On a personal recommendation: the book “all you need to know about the music business” from Donald Passman is great. There is the 11th edition available now and was released just about a year ago. I have the 10th and it is a great investment (30-40) for your career

Free downloads are almost always for non-profit promotional purposes. You'll have to pay if you want them to whitelist you.

@@namegoeshere1if the person paid can yt content ID be edited for a registered song to allow the flagged video be monetized, that’s the question he asked it think.

because if someone uses one my beats he downloads from my KZfaq and puts it on a platform, there going to think I stole the beat from them! when in fact its the other say around!

Claims can be removed at any point from via your Airbit Dashboard, so if there are any you don't want to be active you can remove them. And if you're unsure of any details or actions, drop us an email at support@airbit.com and we'll be happy to help

You can contact us to whitelist your channel, which will stop your videos being claimed by us. If any claims are made before you've whitelisted, you can remove these via your Airbit Dashboard or by contacting us

@@WeAreAirbit yeah that's what I was told by a rep. but after I whitelisted it was still showing claim, but maybe it will not anymore? also so if I have a couple videos that do good on KZfaq with ad revenue, will I also make some money with airbit too from those ads on those videos if I use the ID feature?

@@TonyRaybeats they answer you?

@@nicolas2226 hell nah

@@WeAreAirbit so what's the point of doing this if I cant make no money from it?

Really? Is that true?

Is that true? Can you confirm that? I'm planning to upgrade to Airbit Premium

The paid to use those sound on tv I think. or gave the revenue to the original publisher of the flagged content

Cause you can't steal anymore?