Fauré: Complete Nocturnes

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Brilliant Classics

Brilliant Classics

Күн бұрын

The start of an exciting new project: the recording of the complete piano works by Fauré, played by François Dumont on period instruments!
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Composer: Gabriel Fauré
Artist: François Dumont (piano)
This album contains the complete nocturens by Fauré, presented by Piano Classics, a label of Brilliant Classics.
The first volume in an exciting new cycle dedicated to the complete piano music of Gabriel Fauré and recorded on French instruments of the period which are uniquely attuned to the composer’s elusive sound-world.
Recording Ravel’s piano music for Piano Classics, the pianist François Dumont won glowing reviews for performances to the manner born. ‘There is much to envy and admire in Dumont’s lucid and refined performances. He is ideally sensitive and accurate in ‘Le gibet’ (Gaspard) in a manner that would surely have won Ravel’s admiration. Cool, elegant and affectionate… you will never catch him playing for effect, always respecting the composer’s wish that his music should be played rather than interpreted.’ (Gramophone)
Dumont now brings his polished technique and refined musicianship to bear on music less frequently encountered in the concert hall but no less sophisticated, and often imbued with the most profound melancholy, the Nocturnes of Fauré. A previous set of the Chopin nocturnes also won golden opinions for Dumont’s exquisite touch - the French high-fidelity magazine On-Top Audio rated it among the finest cycles on record - but Fauré’s universe is, if anything, even more private, more overtly expressive than Ravel’s watchmaker delight in textures, yet flowing with undercurrents of troubled modernity.
Composed over almost half a century, one by one unlike Chopin’s sets, Fauré’s Nocturnes display the composer’s style in evolution, from the apparent spontaneity and relatively carefree tone-pictures of the early pieces to the unfathomable interior world of the late works. Fauré himself had no special attachment to the genre, nor was he especially concerned to paint night-time moods and scenes. Rather, he poured into the genre many of his own private concerns and passions as a composer, experimenting time and again with syncopated rhythms and with luminous harmonies in order to create a mood of serenity and nostalgia that is uniquely his own. Dumont’s new recording is accompanied by a personal essay from the pianist in which we gain valuable insight into each Nocturne from the perspective of a performer immersed in the idiom. On this recording he plays a Gaveau piano from 1922.
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Tracklist:
0:00:00 Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1
0:06:31 Nocturne No. 2 in B Major, Op. 33 No. 2
0:12:19 Nocturne No. 3 in A-Flat Major, Op. 33 No. 3
0:16:18 Nocturne No. 4 in E-Flat Major, Op. 36
0:22:28 Nocturne No. 5 in B-Flat Major, Op. 37
0:30:14 Nocturne No. 6 in D-Flat Major, Op. 63
0:38:53 Nocturne No. 7 in C-Sharp Minor, Op. 74
0:47:01 Nocturne No. 8 in D-Flat Major, Op. 84 No. 8
0:49:35 Nocturne No. 9 in B Minor, Op. 97
0:53:16 Nocturne No. 10 in E Minor, Op. 99
0:58:04 Nocturne No. 11 in F-Sharp Minor, Op. 104 No. 1
1:02:02 Nocturne No. 12 in E Minor, Op. 107
1:08:01 Nocturne No. 13 in B Minor, Op. 119
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#Fauré #Complete #Nocturnes #Piano #Music #Classical #PianoClassics #BrilliantClassics #FrançoisDumont

Пікірлер: 43
@BrilliantClassics
@BrilliantClassics 3 жыл бұрын
Thank you for watching, we hope you enjoyed it! Don’t forget to like, share and subscribe to our KZfaq channel: brilliant-classics.lnk.to/KZfaq. Tracklist: 0:00:00 Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 0:06:31 Nocturne No. 2 in B Major, Op. 33 No. 2 0:12:19 Nocturne No. 3 in A-Flat Major, Op. 33 No. 3 0:16:18 Nocturne No. 4 in E-Flat Major, Op. 36 0:22:28 Nocturne No. 5 in B-Flat Major, Op. 37 0:30:14 Nocturne No. 6 in D-Flat Major, Op. 63 0:38:53 Nocturne No. 7 in C-Sharp Minor, Op. 74 0:47:01 Nocturne No. 8 in D-Flat Major, Op. 84 No. 8 0:49:35 Nocturne No. 9 in B Minor, Op. 97 0:53:16 Nocturne No. 10 in E Minor, Op. 99 0:58:04 Nocturne No. 11 in F-Sharp Minor, Op. 104 No. 1 1:02:02 Nocturne No. 12 in E Minor, Op. 107 1:08:01 Nocturne No. 13 in B Minor, Op. 119
@MegaCirse
@MegaCirse 3 жыл бұрын
Compositions parfaites pour lire les formes subjectives des nuages et suivre d'un œil attendri les rainures des tiges des arbres ; apprécier l'écriture complexe des branches imbriquées, goûter les couleurs de la décomposition de la lumière en gouttelettes d'eau dans un jardin, et ressentir fortement le sol humide de la forêt ancestrale pour percevoir les traces des animaux du passé profond. François Dumont est ici un prodigieux interprète de Fauré !
@notaire2
@notaire2 3 жыл бұрын
Wunderschöne und elegante Interpretation dieser dreizehn impressionistischen und fein komponierten Klavierstücke in verschiedenen Tempi mit klar artikuliertem doch etwas anmutigem Anschlag und mit sorgfältig kontrollierter Dynamik. Echt intelligenter und genialer Pianist!
@francobenavides
@francobenavides 3 жыл бұрын
YEEEEEESSSSSS!!!!!!! Thank you Brilliant Classics 😍 I've been waiting so long for this! I love you all!
@rogeliobautistahernandez6697
@rogeliobautistahernandez6697 3 жыл бұрын
Nice surprise to meet this music. The piano sound, the player personality, the genuine nocturnes creativity... all a Discovery✨✨✨✨✨
@user-fu6tt8qq4v
@user-fu6tt8qq4v 3 жыл бұрын
아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
@thomashattey8037
@thomashattey8037 25 күн бұрын
Very thoughtf performaance. Like the way. He brings out the secondary lines. Playing very articulate doest gloss iver ir blend by overpedalling.
@hankdusommeil1065
@hankdusommeil1065 3 жыл бұрын
Thank you, I came here via the Cracov Youth Philharmonic playing the 'Pavane'; Fauré is on the map for me now
@wenedsday
@wenedsday 3 жыл бұрын
It's great to have this available!
@susanmoran5226
@susanmoran5226 3 жыл бұрын
A little night music? Yes please.
@984francis
@984francis 3 жыл бұрын
Fabulous to hear this wonderful music played on a vintage Gaveaux.
@rosannamasini2075
@rosannamasini2075 3 жыл бұрын
Bellissimo e impegnativo grazie Maestro
@didierschein8515
@didierschein8515 3 жыл бұрын
Grand merci !
@FabioFaddaArtInBroker
@FabioFaddaArtInBroker Жыл бұрын
Suggestiva eccellente l'interpretazione, bellissimo il suono di questo antico pianoforte! Grazie
@alessandropelizzoli6613
@alessandropelizzoli6613 3 жыл бұрын
Really an excellent choice in the Repertoire, interesting the Pianist, so...Thanks a lot Brilliant!
@martinei.i5968
@martinei.i5968 3 жыл бұрын
Bien a vous Merci🙏
@milazivkovic5131
@milazivkovic5131 3 жыл бұрын
Muzika je predivna , sasvim rame uz rame sa Nokturnima Filda Sopena Ravela , veoma inventivna , raskosni emotivna muzika , kao poetska slika , zaista dobro pijanisticko izvodjenje od strane pijaniste
@Taka-Musics-Labo
@Taka-Musics-Labo 3 жыл бұрын
Thank you so much for sharing. I've learned a lot. I appreciate from Japanese piano lover.
@pascallecam2431
@pascallecam2431 3 жыл бұрын
Grand merci pour cette publication et le piano j ai eu un gaveau 1960 excellent
@davidblackburn7090
@davidblackburn7090 3 жыл бұрын
Wonderful.
@aluxebalam
@aluxebalam 3 жыл бұрын
Qué belleza de nocturnos. El sonido aterciopelado del piano Gaveau 1922 es una caricia para el oído. El pianista, brillante!
@OSELBOGA
@OSELBOGA 3 жыл бұрын
Спасибо
@annabell2927
@annabell2927 3 жыл бұрын
Dankeeeeeeeeeeee so schön
@chrispullman_
@chrispullman_ 2 жыл бұрын
I really love your playing here! I've been trying to learn Nocturne No. 1 for a while. I just love the opening. I'd love to try it on an 1870s piano just like one it might have been written for. So much innovation happened in pianoing between 1875 and 1922 that I'm curious what glowing quality might emerge from a piano from the time Debussy was at Conservatoire.
@knownfact4905
@knownfact4905 3 жыл бұрын
Very absorbing, just carrying me along here
@matperino
@matperino 3 жыл бұрын
I love the 1922 Gaveau sound ♥
@liumilic
@liumilic 3 жыл бұрын
💎💎
@danielalexander5693
@danielalexander5693 3 жыл бұрын
Le pianiste est sans doute inspiré avec une belle clarté de jeu. Assis attention à l’excès de transparence qui a été plusieurs fois dénoncé par Fauré lui-même. Il y aurait beaucoup de choses à dire sur le piano : d’abord un instrument de 1900 ou légèrement avant aurait été plus authentique. Mais surtout ce piano a des aigus nasillards qui sentent des marteaux trop durs ou trop vieux. L’authenticité c’est aussi de rénover les pianos anciens pour qu’ils sonnent comme neufs ! ( je dispose d’un Bechstein de 1909 et j’en sais quelque chose). Et puis pourquoi la prise de son est placée si près du pianiste dont on entend les respirations sans parler des bruts parasites; pour faire plus authentique ? De manière générale je trouve que les basses profondes ne ressortent pas assez ce qui serait conforme à l’écriture de Fauré. Mais le tout se tient est resté très beau. Merci
@phillyfrenchy6053
@phillyfrenchy6053 3 жыл бұрын
Merveilleux
@spensert4933
@spensert4933 3 жыл бұрын
Great player. He can also be your chimney sweep or carriage driver. Hey guv na!
@paulheffron4836
@paulheffron4836 3 жыл бұрын
I was thinking along those lines too. Besides being an excellent pianist he looks like a very jolly and likeable fellow with personality and distinction.
@spensert4933
@spensert4933 3 жыл бұрын
@@paulheffron4836 yah no snob
@knownfact4905
@knownfact4905 3 жыл бұрын
@@spensert4933 A disarming and refreshing portrait
@spensert4933
@spensert4933 3 жыл бұрын
14:25 cool passage / 54:00 interesting / 56:30 / 1:09:25
@kulikieb
@kulikieb 3 жыл бұрын
Nocturnes? Good night! In my first language: dobranoc!...
@mamelucoderribado
@mamelucoderribado 3 жыл бұрын
Croatian?
@kulikieb
@kulikieb 3 жыл бұрын
@@mamelucoderribado PL...
@litoboy5
@litoboy5 3 жыл бұрын
great
@milazivkovic5131
@milazivkovic5131 3 жыл бұрын
Beograd
@joelweber3462
@joelweber3462 3 жыл бұрын
Echoing somehwat what another commentor said that this choice of piano must have merit in the pianist's eyes (ears?) but, for me this was a poor choice. Most of the pianos Faure would have encountered were the remnants of the French Era of piano making, with Erard and Pleyel ruling. Pianos would rapidly change from the more intimate straihgt-strung and lower tensioned instruments, to the heavier full-perimeter plate versions (by 1870 for sure). A nice 225cm Erard, Pleyel or even Bechstein from 1890 might have been better suited to this music and era - offering more colors and better sustain for this recording. The playing is quite nice and musical, but the piano is rather flat sounding and somehwat unremarkable tonally.
@genkiferal7178
@genkiferal7178 3 жыл бұрын
i don'tthink thisis very 'nocturne".
@nonenoneonenonenone
@nonenoneonenonenone 3 жыл бұрын
Period pianos? How ridiculous.
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