We try to release a diverse selection of classical music, many of them first recordings

@@BrilliantClassics Thanks!!!!!!

Takemitsu is famous for the music track he provided for the superb meditative movie on Antonio Gaudi by Hiroshi Teshigahara. It is available on youtube.

@@sudhirpv He also did music for Ran, Harakiri, Woman in the Dunes, Face of Another, Kwaidan, Pale Flower and many many more great Japanese films

Yes ,you are thoroughly right !

a little more than that...🙂

I ,too ! I worship this musical work !

Thank you. We're sorry, but this song is not included

@@BrilliantClassics thank you .Playing graphic notation requires being an expert in contemporary music. It's not the time for ordinary pianists to play. In the first place, it is not a score written by Toru Takemitsu. He came up with the idea, but it was written by another person. Yuji Takahashi called it a present. The relationship between the two was not very good.Takahashi recorded Corona.

I'd say it's closer to Scriabin on acid

Más quisiera

Fancy seeing you here, Modern Hermeticist. Big fan!

Yeah also Corona is a bit of a sensitive topic these days 😂

@@TomSistermans same thing that Sting doesn’t sing his song called Russians.

I worship this work and all works of the great Toru Takemitsu ! They make the everyday living background of my life and I am so deeply beholden to him !

@@lahm.verlassener Thankyou so much to your wonderful comment I am a Brucknerien and Debussyiest I hope You are well

@@shin-i-chikozima I also thank you heartily for your timely feedback!

@@lahm.verlassener You are welcome Please live well

Thamy Steckelbruck according to www.discogs.com/T%C5%8Dru-Takemitsu-Lukas-Huisman-Complete-Works-For-Piano/release/13514828

Puras vabosadas, nimiedade y sandeces del mente pequeño…..

@@steveegallo3384 buen dia, jajajja jaja porque estas tan bravo, tu solo yo no estoy brava ni conmigo ni con nadie👍🧑CADA Vez que escucho opinion🧑yo no estoy ofendida con tus expressions🧑CADA cual opina ,piensa hace lo que quiera nous me molesta😝😝😝😝😝😍👍💋💋💋💋💋💋💗💗💗💙💙💙jajajaja jajajaja

@@steveegallo3384 ahora tengo que trabajar 🧑👍êtes solo un enfants mal educado hijo de papa y mama

💋💋💋💋💋💋🧑👍

@@barbaracrespo5828 -- Realmente es bueno que tienes que trabajar como cocechadora de los agaves jalisquenses….pero te lo entrego no para que recuerdes el tiempo, sino para que de vez en cuando lo olvides durante un instante y no agotes tus fuerzas intentando someterlo. Porque nunca se gana una batalla dijo. Ni siquiera se libran. El campo de batalla solamente revela al hombre su propia estupidez y desesperación, y la victoria es una ilusión de filósofos e imbéciles. Cada loco con su tema y, como sabes hermana, gastas saliva porque ella que tiene boca se equivoca…..Qué pasa féliz madrugada, mi Reina!

He created music he didn't intend?

@@mrswimmyboy Yes, Takemitsu did create music he really intended. I'm talking about the way it is played here.

I encourage you to put that opinion to the test by listening to his orchestral music. 'A Flock Descends' for example - ideally while reading the score. He was a complete master of orchestration despite being almost entirely self-taught, and if you came back to these piano works after comprehending his use and understanding of timbres, harmony, you may realise that what he has in mind is something not at all "experimental" in that shallow sense you suggest. In fact, it's not uncommon to pick out very traditional, neo-romantic structural elements in his pieces. Take the first piece here: Rain Tree Sketches II. If you can't tell me where the main melodic theme starts and ends, and then gets developed, you were missing something rather fundamental to Takemitsu's technique - namely, his rather conservative structures. Don't get sidetracked by his focus on the sostenuto pedal - at least not at first. The proper 'way in' to this music is the same as with Schoenberg - there are actually very traditional ideas at play, if you give yourself time to listen to more pieces, and gain a broader understanding. With Schoenberg it's even easier - Verklarte Nacht is hardly even modernistic, so you can enjoy it on a superficial level. But it also shows you his mastery of harmony, orchestration, and late romantic structures, which should convince you he wasn't just messing about on the keyboard when he wrote his piano concerto. There's reason to the madness of Schoenberg and Takemitsu, except none of it is madness once you properly understand the reason. In fact, in the case of these two particular composers, much of it begins to seem rather conservative (with the exception of purely serialist works by schoenberg, and the Cageian pieces by Takemitsu at a certain point in his development).

And one thing that Takemitsu definitely was not, was lazy. Read his biography. en.wikipedia.org/wiki/T%C5%8Dru_Takemitsu