Me too hahahaha!!!

Me too, and its fun to watch!

I miss the old Film Riot. 🥺

Cut to me* lol

Oh! Skittles!

god dammit josh! i love you!! hahahaha

HAHAHA These guys kill me!! Please don't EVER stop!

I know that movie, it's Billy and the Clonosaurus

They spared no expense.

Dave Henkensiefken Touché. I see what you did there. 😄

Daniel Ortega Thanks buddy ⭐

Thanks so much 😂😂

knew it all. altho the last one with the lil girl came more along like True Grit to me :D

haven't seen any of those... should I get out more?

I can give you a tip: matching mouth movements can be very difficult, even for the person who originally said the line. Let them listen through headphones and watch the video while trying to replicate the line and it'll go a lot smoother; they can remember and repeat their cadence and tone better.

I second the ADR request.

Oh yeah, I screwed up on a shoot once and didn't hit record twice on the Zoom, only once. Didn't notice the flashing light until 10 minutes elapsed. I had a shotgun on a camera that was good enough to splice in and get something that wasn't horrendous but the good audio from the Zoom will never magically appear. Fortunately it was a low-importance event for a local charity that didn't have to be shot at all and they're happy as long as the guy speaking could be heard. I never stopped kicking myself for that mistake and I learned from it. Because of that incident, sometimes I'll deploy one of my cheap camcorders with the primary purpose of catching better audio in case the primary audio fails for any reason. Better to have compressed on-camera mic audio from three feet away than audio from a camera ten feet away or no workable audio at all. If you want to learn all the ways your shooting work can fail by surprise, event videography is guaranteed to speed up that process tenfold. At least with a planned shoot you get takes; when John Q. Special Guest is speaking to an audience, he's not repeating five minutes of words for the camera that had a SD card buffer overflow and stopped recording.

Jody Bruchon however for a lot of shoots especially smaller budget ones it can be incredibly tricky to get actors back for ADR, all I'm saying is it's not that easy to just "do ADR"

Batsy Absolutely, which is why it's so important to get audio right the first time!

Its surprising really, because I've worked in post for years and dealt with lots of horrible location sound. Recently took up location sound myself and it really isn't that hard to get right. I can only imagine non soundies just being careless, not booming because their arms get tired and start scooping. But after onlh a few shoots my dialogue stands up with the best of them. I think it helps to actually care and experience in post you know what you need.

@@jackgilltaylor The best advice I got was if you are unsure you got good audio grab the actor before they disappear and get clean wild lines on set, at the time, as long as performance is close you can edit lipsync flawlessly. In addition the pros are, the actor is in charactor, the acoustics will match perfectly, there's no costs. Obviously not the whole film lol, but if for instance you can't get the mic in close enough on a given scene and the lav (if they have one) isn't soundjng great because they're in a weird position like crouching. I've done it several times and its a god send.

Coming back to 13:17 anytime I need to laugh in life! 🤣🤣🤣🤣

baru engeh ada commentnya lu bang wkwk

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Lmao