Hey ! I hope everyone is doing fine ! If you want to help me for my next research, you can tell me what pigments you use most of the time. Enjoy painting !

Regarding my favorite pigments, i do love using single pigment paints ❤ Makes mixing colors consistent, for me, in acrylic as well as watercolor (i assume the same qualities exist in oil). Thank you

Currently my favorite pigments to use are; PW6/PW4 flake white hue, PY74, PY43, PR122, PR254, PR264, PB29, PB28, PBr7, PR101 and NB8 which is Cassel earth. Thank you for your educational videos Florent I find them very helpful!

Raw umber, ultramarine blue, yellow ochre, burnt umber, cad red, lemon yellow, white of course, alizarin crimson too. That’s a good short list for me

Thank you Florent! I usually use ultramarine blue, burnt umber, alizarin crimson, burnt sienna, cerulean blue, yellow ochre, cadmium yellow, cadmium red, titanium white.

Burnt umber is the backbone of so many of my paint mixes! Perelyne red is such an undervalued intense red but has such a vast range of value potential! Raw sienna is very versatile as well. French yellow medium and Indian yellow are absolute staples.

Great Teacher, thank you for all the wonderful work. I use manly titanium white,burnt amber,Alazarin crimson, cadmium yellow, cadmium red,ultramarin blue and sometimes prussian blue

Florent, thanks for your great videos! I now use a palette from cesar santos for portraits and figure painting. My most used colors are: titanium white, light red, yellow ochre pale (PY42) for skin color, raw umber, indian red, ultram blue, terre verte and ivory black all from winsor newton. For lips mix in cad red and for specific occasions cad yellow hue, all from WN. My favourite color is diox purple, so there are occasions where I mix that instead of black to get a deep purple color, but never apply that directly on canvas. Also I use gamblin colors before where I wanted the extreme punch of those pigments, because they're really strong. Very recently I used cobalt blue + titan white + ivo black for a blue verdaccio underpainting over a raw sienna background.

Great info.thanks

pb29-ult blue, py42 yel ochre, pbk7 lamp black, Quin violet pv19, cerulean pb15:3, pr122 magenta, pbr7 for r sienna and br umber, py3 lemon yellow, pr101 engl red, py35 cad yel med, of course PW4, naples hue (a mix), I now always used Galkyd medium to dry my paints faster. Works great, no color shift. I'm a pigment nerd, so ask me anything. There's a glazing medium too. Pigment strength depends on the Brand, I have LeFranc's that are just soup and student Lukas oils that are densely pigmented. I only choose lightfast colors. Lightfast doesn't always mean fade, it may change. ex- Prussian blue will get darker in sunlight.

I've taken to watercolor & gouache for the past few years, coming from oils and acrylics. I paint a great deal of people/portraits, plants and flowers, and fantasy creatures in a more surrealistic/realistic fashion. I prefer more of a botanical type of palette with convenience mixes. When utilizing acrylic and oil paint, I normally mix my own colors if I am expanding beyond a standard 12-14 color set, Ivory Black & Titanium White, a long with Venetian Red and Cobalt Teal. I must always have a Violet, or I feel like I'm missing a limb, even though I can simply mix one myself. 😉 My gouache palette is probably the largest, being very similar to my watercolor choices, only with a great deal of titanium white and, in addition, pastels. I'm pretty much in love with the variants of PR101! Oil & Acrylics: Sennelier & Gamblin Lemon yellow primrose, Azo or cad yellow deep, Azo green, burnt sienna, yellow ochre, raw umber, Mars brown, Venetian Red, raw sienna, burnt umber, Sap Green, oxide of chromium green, pthalo blue GS, Pthalo Green RS, sepia, Payne's Gray, ultramarine blue, cerulean blue, Turquoise, Cobalt Teal, Quin purple and/or Dioxazine Violet, Quin pink, Quin rose, carmine, trans Pyrrole orange or vermilion, titanium white, Ivory, Mars, or mixed Black. Gouache: Holbein Watercolor: Daniel Smith, Sennelier, Holbein, QOR, St. Petersburg White Nights, (I adore flockulating & sedimentary pigments, aka granulation and have taken to a hobby of studying the color chemistry of pigments.) Venetian Red, Indian Red, Burnt Sienna, (Raw Sienna, Carmine, Alizarin, Lemon Yellow, Burnt Umber, Oxide of Chromium Green, Sepia and Neutral Tint are lesser used but are on my palette,) Perylene Green, Sap Green, Perylene Violet, Perylene Maroon, Perylene Scarlet, Perylene Red, Yellow Ochre, Naples Yellow/Juane Brilliant, Quinacridone Rose, Quinacridone Magenta, Sennelier Red, French Ultramarine, Pthalo Blue (Green Shade,) Azo Yellow, Quinacridone Purple, Quinacridone Burnt Orange, Transparent Pyrrole Orange, Dioxazine Violet, Mineral Violet, Potter's Pink, Shell Pink, Napithide Maroon, Bordeaux, Turquoise, Cobalt Teal, Indigo, and Payne's Gray. *(Specialty colors: Hematite Genuine, Moonglow, Shadow Violet, Piemontite Genuine, Mayan Blue Genuine, Amethyst Genuine, Rose of Ultramarine, Rhodonite Genuine, and Green Apatite Genuine. I'm adding Hematite Violet, Lunar/Mars Black, & Sodalite Genuine ASAP.)

Egyptian violet and Prussian Blue. LOVE EM! And Viridian.

My most used pigments is the Zorn palette, titanium white, yellow ochre, cadmium red and ivory black. I also like light red, burnt umber, raw umber and ultramarine deep.

The the base pigments that I run into the most are PB 15 (in various forms), PW 6, PG 7, PB 29, PR 101, and PV 19.

(Rembrandt) tit. white, ultramarine blue deep, burrnt Umber, greenish umber, cad. yellow light, vermillion, cad red, yellow ochre, pthalo green, (gamblin) cobalt teal, alizarin crimson, other cobalt violet, quin. magenta. These are my favourites for the last 10-20 paintings. I also like trans. orange oxide and use raw umber &/or red light to start a portrait. I love watching your tutorials & believe you have lots of talent,skill & knowledge about painting.

I use Utrecht's Cerulean Blue hue, Dioxane Purple, Phthalo Blue & Green, Permanent Green, Yellow Ochre, Burnt Umber, Sienna, Ivory Black, Titanium White, Ultra Marine Blue, Cad Yellow & Red, and Alizarin Crimson. -- PS, I love your videos. I have learned quite a bit from them. Thank You.

Dude your awesome

I'm just a beginner and to simplify I've started with a Zorn pallete, ivory black, titanium white, yellow ochre, vermillion; then doing a couple other paintings added burnt umber, and French ultramarine, and just to get a couple hues I've used cadmuim yellow, and phthalo blue.

Titanium white, yellow ochre, and reds. Titanium white does a really nice job and it works well to mix with a lot of other colours in my experience.

Now I got it! You remind me of Laura’s brother Albert, Little House on the Prairie. That’s a compliment.

The pigments I use the most are: titanium white, yellow ochre, cadmium orange red and yellow, green chromium oxide, raw umber, Prussian blue, mars black and then some transparent colors like transparent oxide red or venetian red and terra verde.

Interesting about the light fastness of alizarin crimson. Did not know that. Great video, thanks

PB 15/15:3 [Phthalo Blue], PV 19 [Quinacridone Red], PY 184 [Bismuth/Vanadium Yellow], PBr 7 [Burnt Umber], PW 6 [Titanium White]. Pretty nice all-rounder. 🙃

Hello Florent. I thought I would give you a list of pigments that I use. Recently I started using Windsor Newton's light red, inspired by Cesar Santos of Miami, and a popular youtube artist. In addition I have followed other artists' foot steps by including their recommendations. David Gray uses M. Graham paints. I use their naples yellow and burnt sienna. On my preferred list of pigments beyond these I would include vermillion, yellow ocher, um blue, perm. aliz., raw umber, sap green, ivory bl., cad. orange, cad red, titanium white, Windsor Newton's flake wht. replacement, cad yellow light and burnt umber. I tend to use muted colors in my work and I find that graying out my colors using these paints is quite simplistic. I hope this helps.

Cadmium yellow light, Cadmium red light, Alizarin permanent, Ultramarine blue, Phtalo blue, Phtalo Green, Titanium White. I can mix allmost all I need. Sometimes Cadmium orange and Magenta in addition when I really need to extend the gamut, but not frequently. Sometimes dioxazine purple and PB50 cobalt teal for fun because I like it a lot.

At the moment I use following pigments: azo yellow light, azo red medium, burnt umber, ultramarine blue, titanium white and ivory black. I got those colors and a few others in a set a year ago. But as soon as the tubes are empty I will buy some other colors. I am not unhappy with those colors but I would like to paint with zorns pallete. :) SO i will go for yellow ochre, cadmium red light, titanium white and ivory black .... and ultramarine blue just in case ^^ As allways thanks for the videos :)

Brilliant pink and cobalt teal

I use ultramarine blue cadmium red cadmium yellow burnt umber and white. But I do have a variety of blues reds yellows . Warm and cool. And for convenience I use yellow ochre and burnt sienna.

I use titanium white, cadmium red light, yellow ochre, viridium, ultramarine blue, burnt umber, raw siena, burnt siena and cadmium yellow light,ok?

Prussian blue,bright white,ivory black,water-solvable oils, conte’ crayon, soft pastels, vine charcoal, rock,sand, earth,sea salt,bark and pulp

I use quinacridone magenta, ultramarine blue, cadmium yellow, unbleached titanium white, and titanium white but I barely use the titanium white.

Lead white, titanium white, ultramarine blue (I always seem to run out...), cad red light, yellow ochre, cad yellow light, burnt umber, venitian red, alizarin crimson or quinacridone magenta, you can go a long way with these, but I'm partial to cerulean blue.

ochre white black thank you for teaching

I tend to use ultramarine blue, alizaran permanent, yellow ochre, terra verte, crementz white but thinking of just using titanium white. Lead white seem to have more cons than pros? I also use turquoise which seems to be a mixture of pthalos blues and green

I use watercolors, the most common color are ,burnt umber, burnt sienna, yellow ochre, cad yellow deep, lemon yellow, ultra marine, cerulean blue, cobalt , sap green, viridian green, neutral tint, sepia , cad orange, light red, alizarin crimson, and on my oil palette I just use 5 colors Burnt umber, French ultramarine, Pyrrole rubine, cad yellow, titanium white.

Madder rose, alizarin crimson, Prussian blue, ultramarine blue, permanent green, viridian green, cadmium lemon yellow, medium cadmium, burnt umber, burnt sienna. That’s 10....This list is what I’ve used to date pretty much the most oh! .....and I have a primary red red winton Windsor Newton from China.

Trying an adaptation of Zorn for a while: yellow ochre, terra rosa, & Payne 's grey, titanium white. It's very dirty and I will try to add brighter colors of red, yellow, and blue. Doo you have any recommendations?

Terre verte( lukas), ochre jaune et ochre dorée( blockx) terre de sienne, jaune de cadmium, ultramarine( sennelier), blanc de titane( van gogh) brun et noir de mars( lefranc-bourgeois) Thank you for the video!

I simply looked at which tubes I buy the bigger versions of.... and those are Burnt Umber, Phthalo Blue and Titanium White.... (last one is the biggest tube...)

Titanium white, cadmium yellow, yellow ochre, alizarine crimson, laque garance deep, burnt umber, ultramarine blue.

Alazirin crimson , yellow ochre and ultramarine blue , titanium white , booster light yellow and cad red phthalo green

Burnt umber, ochre, Paynes grey, titanium white, lamp black

I getting my first oil set, I want to get Venetian red, raw number and I found a blue to replace Ferguson blue. What do I use as a binder? Do I need sansodor? I dont want turpentine but I will get linseed oil.

Titanium white, yellow ochre, burnt sienna, burnt umber, raw umber, cadnium yellow light, cadnium red deep, alizerine crimson, quinacridone magenta, prussian blue, ultramarine blue, lamp black.

Titanium White, Ultramarine Blue, Cadmium Yellow, Alizarin Crimson, Burnt Umber, Yellow Ochre, Raw Sienna, Burnt Sienna, hope that helps

One of the issues that I have been reading about is the possible effects of layering paints and mediums with different drying times and how they can conflict over time resulting in cracking and peeling in different temperatures, humidities, etc. Do you have any information on that and which pigments are more compatible than others?

titanium white, cadmium red, yellow ochre, french ultramarine, burnt umber, lemon yellow, pthalo green

I use watercolours, and I couldn't live without: Winsor violet (PV23), Indanthrone blue (PB60), Perylene green (Pbk31) and Bloodstone (being a mineral). Other pigments I use a lot are: Hansa yellow light (PY3), Quinacridone pink (PV42), Phthalo blue (Pb15:3), Ultramarine blue (PB29), Raw umber (PBr7) and Phthalo green BS (PG7). If I would try to oil paint I would firstly search for this pigments :)

titanium white, yellow ochre, lemon yellow, burnt sienna, burnt umber, alizarin crimson, cadmium red, pthalo blue, prussian blue

Raw umber, sap green, burnt sienna, burnt umber, ultra marine blue, cad yellow, yellow ochre, cad red, aliz crimson, titanium white

Hi Florent, Cad Red, Burnt Umber, Raw Umber, Aliz Crimson, Cad Yellow, Lemon Yellow, Ultra Marine Blue, Ivory Black, Titanium White

I use yellow ocher. Pb15 is my favorite blue

hi use white pigment and red and black and brown

titanium white, ivory black, yellow ochre, cadmium red light/medium, raw umber, burnt umber.

My palette, all single pigments, except for the burnt umber replacement : Lead White / Bismuth Yellow / Yellow Ochre / Cadmium Red light / Venetian red / Quinacridone Violet / Ultramarine Blue / (Phtalho Blue+Transparent Oxide Red as a replacement for) Burnt Umber (which I banned from my palette b/c of sinking in, drying time, conservatory reasons) / Mars Black or Ivory Black or a mix Additional pigments for underpainting and glazes etc.

Good Morning Florent, I hope you are well. I bought your Practical Guild a few weeks ago, however I can not find it anywhere on My PC, I downloaded it online, Or at least I thought I had. Is there anyway you can help me with this?

Titanium white, yellow ochre, lemon yellow, cadmium yellow, cadmium red, alizarin crimson, burnt sienna , viridian green, terre verte, curuleum blue, cobalt blue and ivory black.

Mars black, burnt umber, cadmium yellow medium, cadmium red medium, crimson red, cobalt blue, and i think... prussian blue, titanium white, and lead white.

Titanium white, raw umber, ultramarine and cerulean blue, yellow ochre, cad red and alizarin crimson.

Quinacridone Magenta (PR122) & Violet (PV19), Titanium White (PW6).

Yellow Ochre (py42 or py43), ultramarine blue (PB29), burnt umber (pbr7), burnt sienna (pbr7 or pr101), titanium white (pw6), zinc white (pw4), cadmium yellow light (py37), quinacridone magenta (pr122), permanent alizarin crimson (pr177), cadmium red light (pr108)

Permanent Rose, Cobalt blue, Raw sienna, Burnt sienna, Cobalt turquoise light, Cad. red light, Payne’s grey, Turners yellow, Winsor blue RS, Sap green, .....

Titanium white, ivory black, lemon yellow, cadmium red, ultramarine blue, burnt umber

Titanium White, Ultramarine Blue, Pthalo Blue, Cadmium Yellow Hue, Hansa yello light, Alizarin Crimson, Burnt Umber, Ivory Black. . I think those were the basics i use although i have many other colors lol

most commonly burnt sienna, ultramarine or prussian blue, cadmium yellow, vermilion, yellow ochre, titanium white..

I use dry sennelier pigments . Then I am grinding them during hours and at the end I use them for doing my own airbrush paint . I am fed up about this money making it industry ! I also do my own hard erasers ,and I prepared my prepare my own airbrush paper with a good erasability and scratch resistant . I hope this helps .

Whites and transparente colores for glazing....!! That would be great

Pigment blue outremer ( Yves klein Blue) I have the powder and want to make a Yves klein painting…. Can you help me ? That would be super! Thanks

Burnt umber, ultramarine blue, alizarin crimson, veridian

Titanium White, Cad Red Med, Alizarin Crimson, Quin Magenta, Burnt Umber, Burnt Sienna, Phthalo Blue, Ultramarine Blue, Phthalo Green YS, Cad Yellow Med, Yellow Ochre, Diox Purple and Carbon Black

T. white, Ivory black, Ult. blue, Viridan, cad yellow light, yellow ocher, burnt sienna, raw umber, aliz. crimson, cad red, sap green. (I see I am pretty much the only person who admits to using a green, although more and more I am mixing my greens.)

Blanco titanio, amarillo medio, ocre amarillo, rojo escarlata, rojo óxido, magenta, azul ultramar, verde esmeralda y tierra sombra tostada

Cad red, alizarin crimson, Naples pale yellow, cerulean, permanent Rose, burnt Umber, raw Sienna, Cad Yellow, titanium White, Ivory black

PW6, PB29, PB35, PG50, PG18, PG17, PV19, PY184, PY42, PBr24, PBr7 (B. Sienna, B. Umber, R. Umber), PR101 (Transparent Red and Yellow Oxides)

Burnt Umber, Burnt Sienna, Pyrrole Red, Cadmium Red, Ultramarine, Prussian Blue, Cadmium Yellow Light, Yellow Ochre, Quinacridone Magenta, Sap Green, Titanium\Cremnitz

Could you paint with pure pigments?

I wonder if you have any experience with Geneva Oil Paints? Here is the guy who makes it, explaining it! I think I will use his paints exclusively! They sound perfect! To good to be true? Could you please review these paints and give your analysis? Thank you TITLE: What makes Geneva Oil Paint different CHANNELL: DrawMixPaint AND TITLE: My Favorite Pigments for Painting in Oil Fascinating to say the least!! You and mark are my two best Channels that I look to for learning oil painting! Thanks so much! PS. I would add only YUPARI with you as my three teachers! You are all great resources and instructors and I thank you so much for posting so much fantastic information and instruction!! I CAN CALL YOU THE TRINITY AND NOT BE CHARGED WITH BLASPHEMY!! AFTERALL WE AREN'T LIVING IN DA VINCI'S TIME RIGHT? HAHA! PS. I HATE THE POPE AND THE CATHOLIC CHURCH ANYWAY SO TO HELL WITH ALL THAT RELIGION! I DO BELIEVE ON THE NAME OF THE LIVING GOD JESUS CHRIST THOUGH, SON OF GOD ETC... GOSPEL OF JOHN CHAPTER 3 JESUS WAS AGAINST "RELIGION" AND I'M WITH HIM ON THAT! I HAVE A RELATIONSHIP WITH THE TRIUNE GOD SO ITS NOT A RELIGION, KNOW WHAT I MEAN? JESUS SAYS, " WE MUST BE BORN AGAIN"! OK I'M DONE PREACHING! WHEW! DON'T JUDGE ME! :) I LOVE YOU MAN, NO HOMO! GOD BLESS YOU AND WHATEVER YOU PUT YOUR HAND TO! PS. I HAVE NO AFFILIATION WITH NOR DO I ENDORSE IN ANYWAY OR PROFIT AT ALL FROM GENEVA OIL PAINTS OR MARK CARDON OR DRAWMIXPAINT! JUST WANT YOUR OPINION! Thank you so much! I saw a really cool painting of a tree and wandered if you would ever do a tutorial on it? Its called Charter Oak by Charles DeWolf Burell?

lead white, titanium white, ultramarine blue, cobalt blue, alizarin crimson, cadmium red light, cadmium lemon, cadmium yellow light

UBlue, CR, CRL, CYL, PermAliz, TOR, Winsor green, Cobalt, IvoryBlack,

*Black* : Mars Black *White* : Titanium White *Red* : Cadmiun Red Medium and Alizarin Crimson *Blue* : Ultramarine Blue and Pthalo Blue *Yellow* : Cadmiun Yellow Light

titanium white, burnt sienna and ultramarine blue

Titanium white, burnt umber, burnt sienna, yellow ochre, bismuth yellow, pyrrole red, quin magenta , ultramarine blue, phthalo blue.

Titanium White, Carbon Black, Yellow Oxide, Red Oxide, Chromium Green Oxide, Phthalo Green Yellow Shade, Transparent Red Oxide, Pyrrole Red, Dioxazine Purple, and if i need, Ultramarine Blue and Cadmium Yellow Primrose.

Gamblin Artist Oil Colors Ultra Marine Blue, Cad Lemon, Alizarin Permanent, Burnt Umber, Titanium White. That's my staples

Payne's grey and burnt umber.

alizarin crimson, yellow ochre, burnt sienna, sap green, cad yellow light, cad red light, cobalt blue phtalo green, diox purple, raw umber, permanent rose

Titanium white Yellow ochre Ultramarine blue Cad red (med) Cad yellow (med) Burnt umber Burnt sienna Raw umber (Alizarin crim/Quinacridone mag/Paynes grey)

I know this is to late but burnt umber is completely essential when painting, if i can buy only one color would be burnt umber

Titanium White, Sap green, Yellow Pale, Cadmium Yellow, Crimson Red, Thalo Blue, Cerulean Blue, Cadmium Red

Starts at 1:23

Titanium white Burnt umber French ultramarine blue Alizarin crimson Cadmium yellow light All Windsor newton winton

PB29, PBr7, PR264, PY35, PW6, PB15:4 and PW1.

burnt umber ultramarine blue alizarin crimson cadmium red cadmium yellow yellow ochre phthalo green cereulean blue

i tell you by color name : titanium white , cadmium yellow light , yellow ochre , alizarin crimson , cadmium red light , burnt sienna , raw umber , terre verte , burnt umber , ultramarine blue , cobalt blue , phthalocyanine blue , sap green , emerald green , ivory black "rare usage" ..i think those are okay

Titanium white then burnt umber then ultramarine blue

yellow Ocre, red oxide and black

With the many subscribers U have. How can U respond! I'm glad for your videos and if U do not respond to my questions i will not be upset! Bexause eventually, my question will be answered by anothers question similar to mine! Thank U for your videos! As I cannot afford your videos i take great comfort in watching on You tube!

Titanium White "Radiant White" Ivory Black Burnt Umber Indian Yellow Cadmium Yellow Medium Alizarin Crimson Quinacridone Magenta Cadmium red Medium Prussian Blue Cerulean Blue

Vous parlez très très bien anglais mais pas moi. Pourriez vous mettre un peu de français, parce que ça a l'air vraiment intéressant

I STUMBLED UPON A CHANNEL CALLED JILL POYERD FINE ART AND SHE DID A THREE PART SERIES CALLED " BRUSHSTROKES" THAT I THOUGHT YOU MIGHT LIKE! GO CHECK IT OUT IF YOU HAVEN'T ALREADY!! YOU WON'T BE DISAPPOINTED, I GAURANTEE IT!!!!