Freddie De Tommaso: 'Ma se m'e forza perderti' (Verdi: Ballo in maschera)

Рет қаралды 11,440

Lady Izolde

2 жыл бұрын

Пікірлер: 48

@EniltonCavalcanti 24 күн бұрын

Wonderful voice, technic and very beautiful man.

@pugandblizzard 4 күн бұрын

Beautiful singer! Very musically/dramatically expressive, extraordinarily beautiful timbre, solid technique. And this aria is a pain in the ass: It’s very, very challenging to get all the fine differentiations he’s getting in those high tessituras. If this is representative, he certainly deserves the kind of big career he is having (Wien, Berlin, Paris, London, the Met). Major talent.

@gylchrissprauve3760 4 ай бұрын

De Tommaso sings very well, with great variety of dynamic shading, from pianissimo to fortissimo in line with his unique instrument. I believe he has a bright future ahead, if he continues to make good choices. Great singing!

@hamishblakely1375 Жыл бұрын

He has real heroism in that voice.

@ronamartin4505 Жыл бұрын

Amazing voice & talent.

@paulennini3655 4 ай бұрын

First heard him a couple of years ago. Can't say I was impressed but it seems he's done some work on his technique. Excellent performance of this aria,

@lindajustina7810 Жыл бұрын

Bravissimo 💐💐💐

@MrOlogramma Жыл бұрын

W VERDI ❤❤

@carl5011 Жыл бұрын

Shows promise but not without faults.

@paulennini3655 4 ай бұрын

There has never been a singer without some faults.

@ER1CwC Жыл бұрын

He reminds me of mid-career Richard Tucker. Marginally darker with less edge -- and with some of the same affectations.

@sw5114 11 ай бұрын

I hear what you mean referring to Tucker. But from the beginning Tucker had a larger more ringing, secure voice, which had a laser like high note stability. There is something not quite settled with these high tones . Not hitting them in the center of the pitch some.

@ER1CwC 11 ай бұрын

@@sw5114 I actually think Tucker had quite a light timbre and a slim column of sound at the beginning. He always had a driven quality which can turn some people off, but it perhaps gave him more dramatic possibilities. I would need to listen to Tommaso more to form a judgment on his high notes, as I can’t really remember them off the top of my head. But he seems to be a natural singer. A lot seems to come easily to him, but I’m not sure how much is actually the product of knowledge. That might explain the high notes thing.

@sw5114 11 ай бұрын

@@ER1CwC Enjoyed your comment. True that Tucker’s sound was leaner at the beginning, singing Alfredo and Ferrando’s , but also in the first decade Forza with Callas. He always had a laser top which was perfectly produced. Anyone I’ve ever discussed Tucker with said his recordings were no where near the in house, for thrill and impact. He would go toe to toe with Corelli in the 1960’s -70’s. He was called the American Caruso for a reason. Not just groupies for hype. Had some who never liked his cantorial style and Americanism, but was a superstar regardless. Our new friend has issues at the top and must clean those up if he’d expect to last as Tucker did to the day he died.

@sw5114 11 ай бұрын

@@ER1CwC Agree about the natural thing and his voice. They will want to use him up if not careful.

@ER1CwC 11 ай бұрын

@@sw5114 The cantorial quality and (I think more problematically) clipped phrasing aside, I do think Tucker’s career was, like Milanov’s, a model to follow. Slow and steady growth, grounded in a firm grasp of his own technique. One cannot last for 30 years any other way! It’ll be interesting to see how Tommaso’s career unfolds. Natural singers who don’t figure out what they are actually doing don’t last after their youth dries up.

@ericobartelloni 4 ай бұрын

Peut être que les micros étaient là pour réaliser un enregistrement...?? Il me semble de ce que j'entends... Que ce monsieur n'en a pas besoin pour passer l'orchestre... Et...... Je m'y connaît ! En tout cas la couleur et le style verdien bien là... (Bon par fois un peu trop de legatii par endroit qui demande un peu plus d'attaque franche et plus marquées mais, pour moi ce mec est légitime... Ce n'est souvent pas le chez les ténors... Bravo !

@vlp92 3 ай бұрын

I hope he will improve further

@doctorgrigori585 Жыл бұрын

Very impressive.

@ladyizolde_ 2 жыл бұрын

Full video: vk.com/video397380959_456240161

@hizan08 Жыл бұрын

Un tenore che confonde Un ballo in maschera con il Piccolo Marat.

@jorgeloffler9567 2 ай бұрын

???

@cesarezappa7574 10 күн бұрын

da far dimenticare Corelli e Del Monaco,un tenore eroico degno erede di Franco Bonisolli il piu' grande del secolo

@gennaroschisano1647 5 күн бұрын

Mi sembra un tantino esagerato il raffronto... Stiamo parlando di mostri sacri soprattutto Corelli... Andiamoci piano... Certo bella voce ma da qui a fare paragoni ne passa

@huldapaans2022 Жыл бұрын

the best since pavarotti

@sw5114 11 ай бұрын

Too soon to make that claim, I’m afraid. Too much going on in that vocal upper extremity to say. Needs to clean it up to last. They will load him with too heavy a repertoire and he needs time and seasoning to last.

@federicotaglellamosas9209 Жыл бұрын

Caruso Corelli fusion

@ricardosantos6925 Жыл бұрын

OMG You're right. That's exactly the sound I'm listening in his voice

@vanobys1114 Жыл бұрын

🥵🔥

@silviuzilberman9059 Жыл бұрын

Incredible! We have a new Carusso.

@williammountfield8508 Жыл бұрын

That’s an exaggeration, but he is good I’m seeing a second time in December and am looking forward to it.

@auntiezy4008 Жыл бұрын

Agree , he has a vintage quality in his voice, like a modern Caruso.

@pugh.joseph Жыл бұрын

Not close, perhaps a new Richard Tucker

@user-po9rw5hu6f 2 ай бұрын

@@pugh.joseph oh!!!!

@user-po9rw5hu6f 2 ай бұрын

@@pugh.joseph👍🏻👍🏻

@elotello Жыл бұрын

Enrico Caruso never used a microphone like Freddie de Tommaso does here, comparing this tenor to Caruso is laughable.

@auntiezy4008 Жыл бұрын

And how exactly do you expect them to record the performance ? through smoke signals ?

@elotello Жыл бұрын

@@auntiezy4008 😂😂😂 all new Opera singers use microphone 🎤 to amplified their voice

@elotello Жыл бұрын

Even at the Met Opera

@auntiezy4008 Жыл бұрын

@@elotello Uhum... So you're telling us that when we go to Paris National Opera, WSO, Liceo or La Scala we can't tell the difference... Sure. Btw this young tenor just sang a marvelous Rodolfo at La Scala.

@elotello Жыл бұрын

@@auntiezy4008 I’ll see if this guy is good when or if he debuts at The Metropolitan Opera.

@melitone13 6 ай бұрын

Direttore e orchestra imbarazzanti. Lui mi è sembrato un pochino stanco, la voce non è ben proiettata in avanti.

@anajuliavilera Жыл бұрын

Cantantes modernos ahora comparándolos con el gran Caruso y Corelli… diferencias absolutas y agregando una gran farsa, micrófonos por todos lados porque no tiene voz… en total logré contarle 3 micrófonos en la cabeza…minuto 5:23 allí se observan, que descarados… no hay punto de comparación con los grandes. Actualmente hay un grande tenor, el mejor tenor dramático en la actualidad y se llama Miguel Sánchez Moreno… un verdadero tenor dramático que no necesita de artilugios, micrófonos ni nada que se le parezca para hacerse escuchar. El público se deja engañar con estos pseudo cantantes y todos allí cómplices incluido el director de estas artimañas… lo siento pero esto es indignante…