Incredible Tim Mead in his first and last aria. It is a pleasure to see how this music and its existence on stage has become a must of the international Opera circuit. It was a music so badly interpreted until the huge work of the baroque "messias" (Deller, Christie, Malgoire, Pinnock, Gardiner, Jacobs) who gave it a new life in the 70's and 80's. Now, it sounds marvellously reinvented, with dynamics and intense fluxus. In this XXI century, the successors of the pionners is great: Haim is one of them. Alarcón, and so on... Thank you for their job.

Wow that aria ending a 2.48 had me riveted. What a voice and performance. I'm coming back for more. Jeanine is amazing

Esta ha sido una de las mejores óperas en vivo que he visto en mi vida. La vi en el Municipal de Santiago de Chile en 2019 con la misma escenografía y vestuario, son óperas que uno sabe que se representan poco y que uno las podrá ver en vivo sólo una vez en la vida. Tengo un recuerdo hermoso de este día, disfruté al máximo esta obra

Jeanine De Bique has my complete attention. What a beautiful singer-and woman.

Thank you very much for sharing this gorgeous performance. Tha setting is very beautiful, and the musical part - both instrumental and the voices - is stunning. Thank you very much!!!

Quelle production magnifique. Vu à Caen cette année là. Tim Mead d'une musicalité extraordinaire. Jakub Orlinski à voir en vrai, la scène est son élément. Janine De Bique, quelle découverte ! Quelle voix extraordinaire, pure et chaleureuse à la fois. Comme toujours Emmanuelle Haïm et le Concert d'Astrée servent des spectacles qui ravissent et laissent des traces durables en chacun. Merci ! Bon sang que le public sur cette captation est horrible. Applaudissez ou retenez vous mais ne servez pas cet entre-deux malaisant.

Only 15 minutes into the work and already I love this production.

"Ombre piante" could hardly have been better--at least Ive never heard it done so well. Brava De Bique, you met the composer at his level of inspiration.

La voix de la chanteuse qui joue Rodelinda est vraiment superbe 👏👏👏

Thank you for posting this absolutely brilliant performance. The production was highly entertaining. The orchestra and its leading were superb. All the performers were magnificent. An extra highlight was Unolfo sung and danced by Jakub Jozef Orlinski at an early stage of his stellar career.

31:08 ❤ The most beuatifull aria 🙂❤️

헨델 주님의 로델린다가 우리 인천에서 공연하였습니다. 인천 핸델교 교인 20만명은 핸델 주님을 찬양하였습니다. 나의 사랑 나의 생명 핸델 주님이시여 저는 반년동안 로델린다의 늪에 빠져 헤어나오지 못하고 있습니다. 300 년전에 이러한 선율를 향유한 런던 시민들이 부럽습니다.

Jeanine! Good god! Splendid.

And where, might I enquire is the lovely Trio for Eduige, Bertarido & Unolfo which Handel wove around a beautiful Flute Obligatto ? Who had the gall to excise such a Beautiful Canzonetta from Handel's Opera ? I endured the Puppetry for the sake of ALL the Beautiful Arias in Rodelinda, especially those written for Unolfo. The Singing of J.J. Orlinsky & the stunning Playing of the Orchestra with Perfect Tempi throughout under the deft Baton of Emmanuelle Haim are easily among the Best I have ever heard, thrilling, electrifying & delightful. The De Capos are Superlative. Or Gobsmacking to use the Vernacular. In fact All the Singers were Excellent and the clever Choreography added greatly the overall Production, Breakdancing included ! Hats off to everybody for what really is a Beautiful Production. Puppets are just not my thing, sorry ! 🤗💐👋

Wunderschön! 💐

Merci à tous. Haendel d'abord mais aussi aux artistes qui avec l'orchestre et la cheffe, qui nous transportent ailleurs, un point particulier à JJ orlinski que j'apprécie. Je viens de le voir au TCE à Paris excellent dans Orphée. Mais encore merci à tous .

Très bonne exêcution qui gagne à être connue.

Hermosa de principio a fin

핸델이 있었기에 내 인생은 지루하지 않았다. 나의 영원한 총각 핸델 이시여. 찬양하라.....

I saw Emmanuelle Haïm conduct the rival of this very opera at Glyndebourne nearly twenty years ago now. I’m so glad she’s come back to it. She was absolutely phenomenal! The Villegier production was fantastic and I’m so glad and lucky to have seen it on the multiple times it was performed both on tour and at the house. Best of Glyndebourne in my opinion.

Love!

Bravo!!!

Top. Da Bique Top Top Top.

OGROMNOE SPASIBO!!! MYZIKA, ORKESTR, GOLOSA !!! NET SLOV--POTRESAUSCHAIA OPERA !!!

Great production, and doesn't hurt that Orlinski's hot

Merci pour cette production.Unolfo-Chapeau bas.Krystaliczne brzmienie glosu i pelen uroku,elegancki taniec-prawdziwa radosc dla publicznosci.

Мы просто все умрём...

Почему нет русских субтитров?

J'ai vu les 2 mises en scène, française et allemande. C'est une histoire familiale terrible et violente, dans laquelle un enfant fait des cauchemars monstrueux, car son enfance a été volée... Les artistes sont fantastiques : tyrannie, pouvoir, espoir et amour sont merveilleusement rendus. L'interprétation française (Lille) est moins violente que l'allemande (Frankfurt), beaucoup plus dure, mais très bonne aussi... question de culture !

У Жанин де Брик очень красивый голос,звезда🌟и все артисты очаровательны волшебно

Orlinski break-dances for fun, and in Act 3 he puts his skill to good use,

BRAVO et mes compliments, une production très convaincante !!! merci bcp de l ' avoir télecharger, je l'estime bien ! un slt cordial de Salzbourg

Really a great musical performance and even a greater pity that the stage direction made mincemeat of what in the right hands can be a moving musical drama.

- atto I - 0:05:29 aria rodelinda 0:08:11 recitativo 0:09:17 aria rodelinda 0:13:27 recitativo 0:14:54 aria grimoaldo 0:18:48 recitativo 0:19:38 aria eduige 0:23:27 recitativo 0:23:48 aria garibaldo 0:28:42 recitativo / aria bertarido 0:36:47 recitativo 0:38:40 aria rodelinda 0:44:46 recitativo 0:47:17 aria rodelinda (taglio scena9 / aria grimoaldo) 0:49:33 recitativo 0:50:28 aria unulfo 0:54:30 recitativo / aria bertarido - atto II - 0:59:38 recitativo 1:00:43 aria eduige 1:04:55 recitativo(con taglio) 1:06:26 aria rodelinda 1:11:21 recitativo 1:12:10 aria grimoaldo 1:18:06 recitativo 1:18:48 aria garibaldo 1:22:01 recitativo 1:22:40 aria unulfo 1:27:19 aria bertarido 1:31:30 recitativo (taglio aria bertarido / scena 11) 1:34:48 aria rodelinda 1:36:55 recitativo 1:39:15 aria grimoaldo 1:42:25 recitativo 1:43:30 duetto rodelinda bertarido - atto III - 1:51:57 recitativo 1:53:22 aria unulfo 1:57:39 recitativo 1:58:03 aria eduige 2:01:45 recitativo(con taglio) 2:02:49 aria grimoaldo 2:07:13 aria bertarido 2:09:55 2:11:00 recitativo 2:14:19 aria rodelinda (taglio scena5 / aria bertarido) 2:21:08 recit. acc. grimoaldo 2:23:54 aria grimoaldo 2:28:21 recitativo 2:29:38 aria bertarido[appendice4] 2:34:55 recitativo 2:36:25 aria rodelinda 2:40:30 recitativo 2:41:11 coro finale

❤🌸⛑🌺🏵🇻🇦✝️🇻🇦🏵🌺⛑❤💛🦁🥰💮🫂💐🌸✒📃🇲🇬🌿🏵💒😇💐🌸✒📃🇲🇬🎶💛🌻💐💮🌸🏵🇻🇦🏵🌺🌿⛑🌸✒📃🌿🇲🇬🎶🦁💐🙋‍♂️

💖💖💖💖

I was there

impossible to follow the work with continuous commercial breaks ... the rudeness of KZfaq is infinite ...

1:26

Bravo pour cette belle production!

Beautiful music. The singing was superb. The set design and costumes were terrible.

Unolfo as a comic relief 😂 this could only work with Orlinski 😂

WAY too many ads. Can something be done?

Puppets ?!!! The Cast have enough to be doing Singing AND Acting without having this "Artistic" Claptrap thrown at them during their Performances. Not to mention the unfortunate Captive Audience having to watch it. Soo annoying & distracting. Enough Already ! Too many Handel Productions are being marred & ruined by this Nonsense and Gimmickry. Are we all Children to be entertained by a Seaside Punch & Judy Show to get us through the awful "ordeal" of a Handel Opera ?!

Orlinski: 1:22:03 and 1:53:22

Really good cast. I have paid out to have 'Premium' KZfaq, opera must be very hard to stay with if interrupted by adverts. I found the staging problematic. The puppets conceit was run through the performance way too insistently. It is in its nature diminishing. Its final manifestation in the last scene was a step too far for me, making an absurd diminishment of Andrea Mastroni's splendid villain.

Lascia ch'io pianga? WHERE IS IT? DID YOUR CAST MISPLACE IT, OR ARE YOUR CAST NOT UP TO IT? IT SHOULD BE SOMEWHERE NEAR 137 MINUTES IN.

However in the great duet (Io t'abraccio) the performers have gone off the rails somewhat--it''s contrived & slightly disjointed. Where's the lilt, the heart-rending intensity?

wow a woman conductor! how come no stick? I didn't know Handel wrote a black opera!

O.

핸델의 음악으로 한국인들은 지금 전부 미쳐 가고 있어요. 감히 모짜르트나 베에토벤은 명함도 못내밀죠. 우리 한국인은 핸델을 숭상하고 숭배하고 숭모합니다.

❤🌸🏵🌿🇻🇦✝️🇲🇬💮🌺🏵🌸🦁💐💮🎶💛🇻🇦🌻⛑✒📃🌿📚💒🥰✒📃🌿🇲🇬🏵🏵😇🌺🏵🎶💐🦁💮🇻🇦⛑🇻🇦🌺💮🏵💛🌻🌿💒🌿🌸❤🙋‍♂️