Georg Philipp Telemann: Quatuor en Suite, TWV 43:a2 - Bremer Barockorchester

  Рет қаралды 24,721

Bremer Barockorchester

Bremer Barockorchester

Күн бұрын

Georg Philipp Telemann: Quatuor en Suite, TWV 43:a2
from Nouveaux Quatuors en Six Suites: A une Flûte Traversiere, un Violon, une Basse de Viole, ou Violoncel, et Basse Continuë
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Bremer Barockorchester: www.bremer-barockorchester.de
I. Prelude-Allègrement: 0:00
II. Flatteusement: 3:04
III. Légèrement: 6:39
IV. Un peu vivement: 8:48
V. Vite: 10:33
VI. Coulant: 12:30
Traverso: Felipe Maximiliano Egaña Labrín
Violin: Annie Gard
Violoncello: Néstor Fabián Cortés Garzón
Harpsichord: Nadine Remmert
Guitar: Hugo Miguel de Rodas Sánchez
Double Bass: Juan Díaz
Audio: Fabian Frank www.arcantus-musikproduktion.de
Video: Tobias Hentze www.tobiashentze.de
Recorded at "Bremer Ratskeller, Bacchussaal”, Bremen on January 8th, 2021
Supported by: Der Senator für Kultur Bremen, Neustart Kultur, Bremer Ratskeller

Пікірлер: 54
@BremerBarockorchester
@BremerBarockorchester 2 жыл бұрын
Here comes the first video of a series we recorded in the "Ratskeller Bremen". Thanks for your likes, shares and subscriptions! 🙂 A special thanks to our VIP Patreon supporters: I. Baumgratz, B. & R. Frühstück, P. Grandin, R. Kornberger, M. B. Lange, U. Mahrt and H. Spjelkavik. Support us on Patreon: www.patreon.com/bremerbarockorchester
@worthlessendeavors
@worthlessendeavors Жыл бұрын
I’m completely addicted to this recording and I listen to it almost twice daily.
@duncanmckeown1292
@duncanmckeown1292 2 жыл бұрын
Telemann's flute "quatuors" from the 1730s are very fine pieces indeed with haunting and memorable melodies; worthy of comparison with Bach and Handel. Many were composed for Paris, and have a decidedly French feel. Lovely, brisk interpretation here by one of my favourite baroque ensembles.
@f.sarastre7491
@f.sarastre7491 2 жыл бұрын
Where to begin? I have known and loved this work since 1974 -- well before Telemann regained the esteem so richly due him. Here, the performance is as world-class as the music is subtly profound -- yes, profound. Now, I must hasten to second Reyes-Lacalle's praise, below, of traverso-master Egaña: Señor, your command of timbre, dynamics, and the most-difficult problem of just intonation is magnificent: Quantz would have loved you! Your ornamentation and rubato are also praiseworthy: you add enough to spontaneously polish Telemann's endlessly-beautiful melodic invention, without cluttering and needlessly tarting it up, so to speak. Finally, Señor, your performance of the opening movement -- for me, a brilliant synthesis of Italianized Polish folk melody, elegantly-transparent counterpoint, Galant "hammerstrokes," and yet, passion -- literally brought tears to an old man's eyes.
@felipipefrikisnikis
@felipipefrikisnikis 2 жыл бұрын
Thank you so much F. Sarastre! I am very happy to read your beautiful words, they go directly my heart!
@arcadianmalerei1155
@arcadianmalerei1155 9 ай бұрын
Impeccable phrasing here! Adorable works... which have such a French Flavour+ A la Blavet etc... glorious accoutics to pick out these warm & seductive tones! Great performance here!
@mereyeslacalle
@mereyeslacalle 2 жыл бұрын
SoberbioTelemann y siempre magníficos , los músicos de Bremer Barockorchester. Felicitaciones !! Un saludo especial al flautista Felipe Egaña , desde Chile . Es un orgullo que sea nuestro compatriota . Bendiciones !!
@felipipefrikisnikis
@felipipefrikisnikis 2 жыл бұрын
Muchas gracias María Eugenia :-)
@marcandrefournel77
@marcandrefournel77 2 жыл бұрын
belle interprétation et bel enregistrement , bravi à tous !
@nl12689
@nl12689 2 жыл бұрын
thank you, thank you, bravo..!!!
@filosoforvgsapereaude5020
@filosoforvgsapereaude5020 2 жыл бұрын
Telemann fue un compositor de gran y original inspiración . Muy buena obra.
@leonardogarcia1832
@leonardogarcia1832 2 жыл бұрын
Gracias por esta música, sigan haciendola,por favor!
@Zurvanox
@Zurvanox 9 ай бұрын
Danke
@javieraportales1724
@javieraportales1724 2 жыл бұрын
Que alucinante interpretación! Bravo 💜🎶
@felipipefrikisnikis
@felipipefrikisnikis 2 жыл бұрын
Muchas gracias Javi!
@tuliobabikian
@tuliobabikian 2 жыл бұрын
Beautiful!
@muziksculp2r
@muziksculp2r 2 жыл бұрын
Superb ! Thank You. 🧡
@hombrepollo
@hombrepollo 2 жыл бұрын
Maravilloso. Suscrito, voy a revisar el canal a ver qué más teneis. Una interpretación excelente y mención especial a la reverb natural del lugar.
@lenanielsen5903
@lenanielsen5903 2 жыл бұрын
Beautiful🍃
@EvgeniAxon-dt9fb
@EvgeniAxon-dt9fb 28 күн бұрын
the center of the body... existed for a long time. One thing is not clear. Why did you post everything so late?
@mortenfuglestad3653
@mortenfuglestad3653 2 жыл бұрын
Hervorragend! 👏🏻👏🏻👏🏻Danke! 🎼🎶🎶🍷🍷
@mikelofgren2827
@mikelofgren2827 2 жыл бұрын
Splendid.
@gabrielaramos2848
@gabrielaramos2848 2 жыл бұрын
Es un verdadero sueño escucharlos, muchas felicidades ‼️❤️
@tatianasemiletkina2167
@tatianasemiletkina2167 2 жыл бұрын
Bravissimi!
@josefranciscorodriguez5836
@josefranciscorodriguez5836 2 жыл бұрын
Bella interpretación...Bravo!!! . Gracias maestros
@gabrielaramos2848
@gabrielaramos2848 2 жыл бұрын
Es un sueño escucharlos ‼️ excelente interpretación, muchas felicidades ❤️
@antonioveraldi9137
@antonioveraldi9137 2 жыл бұрын
ein quartett gespielt mit stilistische vielseitigkeit.
@mikaelpetersson8647
@mikaelpetersson8647 2 жыл бұрын
Whaooo:)
@user-wv1to6iw7g
@user-wv1to6iw7g 10 ай бұрын
Господня сентиментальность!!!
@keithklippensteen2720
@keithklippensteen2720 2 жыл бұрын
THE ACOUSTICS ARE FANTABULOUS, UNSURPASSABLE. GORGEOUS INTERPRETATION .
@Joe1935429
@Joe1935429 2 жыл бұрын
Very enjoyable piece, beautifully played as usual. The ratskeller is a beautiful room, adding more to the visual effect and less to the sound quality, IMHO.
@hakancamlibel
@hakancamlibel 2 жыл бұрын
this is wonderful but... where is bach's orchestral suite no.2? I'm still waiting 🥺😭
@mastermassy7472
@mastermassy7472 2 жыл бұрын
🌹🌹🌹🎶💥💥
@leonpiorek3211
@leonpiorek3211 2 жыл бұрын
Thank you guys, Jesus loves you so much!
@rattywoof5259
@rattywoof5259 2 жыл бұрын
What does a minor middle eastern preacher who came to a bad end have to do with music?
@leonpiorek3211
@leonpiorek3211 2 жыл бұрын
@@rattywoof5259He invented it
@rattywoof5259
@rattywoof5259 2 жыл бұрын
@@leonpiorek3211 Really? Your evidence please.
@rattywoof5259
@rattywoof5259 2 жыл бұрын
@@adamnoman4658 I don't know - who is he?
@leonpiorek3211
@leonpiorek3211 2 жыл бұрын
@@rattywoof5259 Okay, God says that by the end of this year, Donald Trump will be President. Something really crazy is going to happen on the 4th of November.
@m.p.3014
@m.p.3014 2 жыл бұрын
Wer hat diese Traversflöte gebaut?
@felipipefrikisnikis
@felipipefrikisnikis 2 жыл бұрын
Roberto Bando hat die Traversflöte gebaut. Er hat seine Werkstatt in Den Haag.
@basho41
@basho41 2 жыл бұрын
Could the violinist be Anna Stankiewicz? Both Annie Gard and Anna Stankiewicz play for Bremer.
@rosiagro64
@rosiagro64 Жыл бұрын
Dommage que la prise de son soit affreuse, parce que l'ensemble a l'air de qualité ! (et la justesse, aïe.......)
@alistairkewish651
@alistairkewish651 2 жыл бұрын
When I play continuo I want to be within visual range of the soloists. If that is not possible then the cohesion is lost. I have not the slightest idea how a bass viol had crept onto the scene. Telemann specified two gambas, one to play solo, the other to accompany the harpsichord. I found this very incongruous and extracting liberties. So why do it?
@hkkim8718
@hkkim8718 2 жыл бұрын
I enjoyed this performance... extracting liberties have not lessened my Telemann experience. Thank you, though, for the info on Telemann's instrumental arrangement for this piece.
@-dimitris
@-dimitris 2 жыл бұрын
I opened Wikipedia and found this : "Telemann had composed a second set of six quartets. These, too, were printed by Le Clerc, in 1738 during Telemann’s stay in Paris, under the title Nouveaux quatuors en six suites: à une flûte traversiere, un violon, une basse de viole, où violoncel, et basse continuë" which justifies the double bass or violone and the theorbo.
@thomaskendall452
@thomaskendall452 Жыл бұрын
This was recorded on January 8th, 2021, in the middle of the pandemic. It looks to me like the ensemble is practicing the mandated "social distancing."
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