Been to guitar workshops with David Doruzka - teaches very similar stuff as well

I think you are absolutely right. Thats were it all started. I just had a class with Daan Kleijn and he mentioned a similar exercise. Melody first, worry about all the other things later.

I’m pretty sure Gilad studied with Peter at some point!

He initially set it to be just the "two". Jazz cats usually set it to the 2 and the 4 of the bar. But he prefers to only have one beat per bar, so he has to keep up with the time himself instead of relying too much on the metronome.

Robert Klokkpp if he has set it at one beat per bar it must be incredibly fast. Try counting ONEandtwoandthreeandfourand. It now seem to be one click per beat.

he initially set it to one beat per bar, but then he said lets just keep it at 2 and 4

I think he says in the video that he set it to just the 2 but then put it to 2 and 4, I think so the audience could focus more on what he was playing

yes, not that unusual, just use the 2, don't worry about marking the 4

Running through the form of a song once is a chorus, so for example on a blues 12 bars would be 1 chorus.

@@johankjolbro9064 LoL i thought he meant Chorus pedal

What's the difference?

@@eladguitar tuning down a 5th is different than tuning up- if you accept the idea of tempered tuning, that 5ths are slightly flat. Notes are different on the guitar, depending on what string or fret you are making them. I feel that having 1 reference note,such as A440, is the best basis of your tuning. Maintaining your 1st note as a reference impacts all of your choices. All of the E notes, and E harmonics are different, so arranging all of your sounds is part of the problem. Most intervals cannot be tuned- they are imperfect, and will never make a consonance.

“it could happen to you” by van-heusen

Hahaha

Right, because a drummer is a metronome

Maybe he's a bad drummer

@@Zilvinas. Why would you suggest that? I would assume so that it'd be easier to conduct his lesson and the drummer doesn't have to sit there on 2 + 4 for 4 minutes

It Could Happen To You

It's the microphone that is used to record is overly sensitive so it's picking up atmospheric sound. Impossible to remove if you have an ultra sensitive microphone. This is why people use concrete rooms!

I'm not sure but. it looks like a Victor Baker .

It Could Happen To You

Maybe because they are students and this is the way the will prectice at home?

Ufff I hope not worse thing you can do

most of the time you play, you practice, usually a whole lot more than your gigs. if you want to be a pro, practicing is the foremost thing to do, and what else but a metronome can give you an indication/notice about where your real timing is? so many players(including me) have neglected the use of it, until realizing how fruitful your practice can be with it.

Easier for him to talk

I was there and he demonstrated other ideas with Joe and Kush. This is just a little snippet of like a 2 hour masterclass.

Agreed

You're completely clueless bud. Everyone with two ears and half a brain knows that Gilad is a master, and can hear that his playing is distinctly modern. If you want exaggerated emotionalism listen to Stevie Ray Vaughan or something. Given that he's demonstrating a practice exercise with a metronome in front of a room of students he's playing as soulfully as you could hope for.

You should check out some of Gilad’s work. Hard to say that he isn’t an innovator once you listen to at least one of his albums. This was meant to be instructional so of course he wasn’t going to play something too outside

Agreed. Load of rubbish

You are right and wrong. This is not jazz. This is a series of exercises that aim to expand one’s improvisational vocabulary.

Hope those commenting negatively are better at playing than just talkin😅