Ughhh, I know what you mean.

I wouldn't have thees parts anyway i play trombone

I play French horn and I can get some but not the high to low notes that fast

I got you beat. It called me untalented in all the languages

@@waltermccord550 I am too old now can’t even try.

Sameee

I was gonna say 'aren't you supposed to make it LOOK hard too?'.

@@TheMrAshley2010 If you make it look easy those who have tried know how good you are.

I think Matonizz face at 3:55 was awesome....and then bringing the heat :)

FWD Graphics exactly 😂

Yes but us brass players have to control our embouchure for every note

Woodwinds have it easy, just press button and make sound

Jasont 123 damn roasted

going outside haha it’s funny that you think that’s true.

We played The Liberty Bell

Geometry Dash.

WHENPICKLESFLY 38 same

Sameee

Thanks friend and yes, in Pittsbugh

Marshmello Marshmello where do you do it I’m about to do my first

Mateo Chavez I do it in north field MN and st Paul Minnesota

I play Euph and same for me

Evita and American Tale would be close 1 and 2 for different reasons :)

Hi buddy, check my educational video playlist, it will have multiple high range tutorials that will help. Best, M

@@Matonizz Wow I wasn't really expecting a response, especially this early and ill check out the videos, thanks

Here's my 2 most important pieces of advice. 1. Speak with as many professional players and find out what their job requires them to do. Rehearsals, learning music, performances, traveling, money (if that is something they would be willing to talk about), how much practice goes into this and etc. If you still feel like that's the gig for you then follow nr.2 2. In arts, including euphonium playing, once you made a decision to become a professional player you can not stop. No deadlines, no quitting and you eventually will get there. Might get there sooner, might get there later but you can not stop playing and practicing and trying to get better. You will slow down at some points because you are not a machine but you can not ever stop. Follow these two advice and you'll do well my friend. Hope this helps, best, M

Not for solo with the band. I've tried it couple of times with some jazz programs we did. However, if you like marching euphoniums check these out. kzfaq.info/get/bejne/mJdxdqZo3uDadHU.html kzfaq.info/get/bejne/gMuikq-pnc2wcWg.html

Matonizz have you ever tried playing like these euphonium players? kzfaq.info/get/bejne/m6uCiLue35jQXX0.html

I would try it but... I’m a tuba player...

Third valve is used as an alternative to valves 1-2; it is used for better intonation at times. Even compensating horns use the third valve in the upper register to keep from going sharp.

Haha I play the baritone too

Try it now. Cornet is fast naturally. The bigger the horn the more air you have to move.

Wasnt this uploaded though?

Hi Daniel, each time the piece starts in video the tittle of it appears next to the picture

Started when I was 8, left to do undergrad when I was 19, got a first long term job when I was 24 and I'm 28 now. I'll leave the math for you :D But I've been playing for bit over 20 years now friend :)

This is American style brass band rather than British. The seating and music is completely different as well :)

Matonizz Interesting. Not completely sold on it as a ‘brass band’ as there is something particularly special about the tone colour of the matched saxhorns. However as a brass group playing certain styles- movie music and more ‘symphonic’ pieces the blend of the Euphs and French Horns is quite noble.

You mean their names?

Just curious. If they wish to remain anonymous it’s fine. Was looking around the web for female euphonium or baritones musicians.

Ping-Chung Ellen Wang check out Katrina Marzella, she’s probably the best Baritone player going around

Thank you

Some bass clef, some treble

The British brass band style of writing makes it so that all brass parts (except the bass trombone) are written in treble clef as transposing instruments. This is done so that all the instruments will share the same fingerings as the cornet, thus allowing for players to more easily switch between instruments. Using this system, the fundamental of the open position, or 1st position on trombone, is always written as a C. So a written C would sound as a Bb on the trumpet /cornet /flugelhorn, Bb an octave lower on trombone /baritone /euphonium, Bb another octave further down on the BBb tuba, Eb (directly below the trumpet's) on the tenor horn and Eb an octave lower on Eb tuba. The bass trombone does not follow this convention since it would have a ridiculous number of ledger lines below the staff if it did.

We can thank Murphy.

I wasn’t trying to be mean I was just saying it’s a thought

Welp you better have those valves greased 😉

Some treble some bass, maybe that's why.

Thanks for the clarification. This is a really awesome video.

Written in treble clef as a Bb transposing instrument in English-style brass bands.

Or started euphonium in Europe just like I did, where euphoniums usually learn from Bb treble

@@Matonizz Ah I forgot of the European style, I do like the European style of conducting, especially the slight and subtle pauses that we seldom recognize over here in the states. Thanks for pointing that out. (We have a marching Baritone in the Key of G, it's from Dynasty and it's no longer made, just a fun thing I wanted to point out)