Haydn: Piano Concerto No. 11, Martha Argerich (complete)

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Күн бұрын

Joseph Haydn (1732-1809)
Concerto for Piano and Orchestra in D major, Hob. XVIII:11
1.Vivace 0:00
2.Un poco adagio (Cadence: Wanda Landowska) 7:28
3.Rondo all’Ungarese: Allegro assai 14:50
Martha Argerich, piano
Württembergisches Kammerorchester Heilbronn
Jörg Faerber, conductor
Recording date: 1993 (cd released in 1994)
Educatinal use only. No copyright infringement intended.

Пікірлер: 41

@Rodrigodbf 2 жыл бұрын

Oh my god, that cadenza in the 2nd movement... Can't stop hearing it. It is as the most beautiful cadenza Ive ever heard for the concerto. Brava Martha, bravissima...

@gfweis 11 ай бұрын

First time I've heard that Landowska cadenza. It IS special.

@gnanathasanebenezer2915 Жыл бұрын

Haydn is a great composer...second to almost none! Have loved his music for the last 40 years!

@hilarioecke515 4 жыл бұрын

Brava Marha!! Rigurosa, emotiva, genial. Me pongo de pie.

@katerinasaridaki6265 2 жыл бұрын

Unique work of Hydn especially with Argerich.

@leporta9303 5 жыл бұрын

Haydn's best

@davidrehak3539 4 жыл бұрын

Joseph Haydn:D-dúr Zongoraverseny 1.Vivace 00:00 2.Un poco adagio (Kadencia:Wanda Landowska) 07:28 3.Rondo all’Ungherese. Allegro assai 14:50 Martha Argerich-zongora Württemberg Heilbronn Kamarazenekar Vezényel:Jörg Faerber

@Karen24759 6 жыл бұрын

Beauty beyond words. Another great selection, Mr. Carvalho. Thank you!

@robertocarvalhodemagalhaes3648 6 жыл бұрын

Thank you, Karen. Hope all is well with you.

@canningstephen 6 жыл бұрын

I must say I really put Mozart as THE greatest composer of piano concertos of the period. However - this work is simply superb. A work of a master, the slow movement is especially breathtaking as wonderfully perfomed by Argerich

@loganfruchtman953 3 жыл бұрын

This is an example of where Haydn was influenced by Mozart

@elaineblackhurst1509 2 жыл бұрын

@@loganfruchtman953 Absolutely incorrect and misleading. 1. This concerto (c.1780) was written before Mozart and Haydn met (c.1783). 2. Haydn before they met, knew next to nothing about Mozart nor his music. 3. Apart from CPE Bach, Haydn was ‘influenced’ by virtually nobody. 4. Et cetera.

@Vanchy58 3 жыл бұрын

Que feeling tan único y asombroso le da Martha a este concierto de Haydn. En el rondó su interpretación es fuera de serie en virtuosidad. He escuchado este concierto en versiones con otros muy buenos intérpretes pero como Martha no hay una que se parezca. Bravo Martha !!!

@claudioacquistapace8977 4 жыл бұрын

Bellissima esecuzione !

@zlatokryletz Жыл бұрын

One can accidentally ascend by simply listening to this marvellous performance😳✨

@Nomore0965-el5lv 11 ай бұрын

HERMOSO Y TALENTOSA MARTHA, LA MAS GRANDE

@ricardogallardo7467 5 жыл бұрын

MUY BELLA LA MUSICA DE HAYDN Y EXCELENTE COMO SIEMPRE MARTHA !

@orlinoflores7317 5 жыл бұрын

A moment in time. Thnx. !

@evgmin2454 5 жыл бұрын

what a sublime cadenza in the 2nd movement !!

@gabrieltancredinicotra 4 жыл бұрын

Really! Anyone knows by whom is it composed? Armonically it is very recent.

@robertocarvalhodemagalhaes3648 4 жыл бұрын

The cadenza was composed by Wanda Landowska (1879-1959). It’s indicated in the info about the recording...

@patricknataf5267 2 жыл бұрын

Immense plaisir de l'ouïe et de l'émotion d'une musique qui coule comme un fleuve.Mais le réveil est difficile à chaque publicité.

@gretchenkrueger3013 7 жыл бұрын

sublime

@martiniversen4898 6 жыл бұрын

Very nice, I enjoyed this a lot..

@nemesis4571 7 жыл бұрын

La meilleure ... et de loin !

@amilcardamonte 6 жыл бұрын

La mejor version..!!!

@RaineriHakkarainen 2 жыл бұрын

Pletnev The Brighter piano sound! Pletnev stronger vital rhythmic vitalness! Grigory Sokolov With The cotton candy tone! Sokolov played like White yellow gas risen from The piano! THE REAL SHOCKER by Sokolov!! IT was a live concert!!

@user-ug5eg7xn7j 6 ай бұрын

아름답다!^^

@SuperYussuf123 7 жыл бұрын

beautiful

@hectorreynoso6308 5 жыл бұрын

Wow!

@davidangel9843 6 жыл бұрын

hermoso

@silvia57845 5 жыл бұрын

💖💖💖💖💖💖💖💖

@1babo13 6 жыл бұрын

Gleaming!

@MilanBator81 Жыл бұрын

Maybe she is the best... Wonderfull feeling and technique!

@user-wp7rt3mk1j 4 жыл бұрын

太神啦

@machaelmus3843 5 жыл бұрын

15:30

@stefaniagiannotta6057 6 жыл бұрын

Regale, appassionata , secondo le indicazioni, suggerisce al contempo personalizzando l'anelito alla sublimazione, nonostante l'accattivante legatura tra abbellimenti e ripresa. Conoscenza approfondita dello sparito ed esecuzione mnemonica quasi senza conoscenza di note. Mai troppo fuoco nella scelta mozartiana del tocco.

@silvia57845 4 жыл бұрын

14:50

@eddiezhi5190 6 жыл бұрын

Goot

@Hotspur77 6 жыл бұрын

The orchestra can't really match MA's verve (not that it's their fault)...wonder what this could have been had she been accompanied by a more daring ensemble (I'm thinking specifically of the fire-breathing Berliners, although by 1993 their Klang had definitely been weakened by Abbado...but Levine was still coaxing Karajan-worthy performances out of them in the late 80's- early 90's so who knows?)...there are some moments where I don't think they're answering her with the same depth and intensity in the outer movements. Not their fault so much as an impossible challenge to keep pace with an artist who was blazing and with such spontaneity too. Still, a brilliant performance. More of a statement of how transcendent and powerful Martha Argerich could be than an indictment of the Wurttembergers, who play sweetly and with tight ensemble. She just sets this concerto aflame - wow. And credit where it's due: the JF and the Wurttembergers DO manage to match Martha for tone, subtlety and intense feeling in the heavenly adagio. Magnifique! And the Adagio, with the wonderful Landowska cadenza...a thing of rare beauty. Kudos to DG for the sound here - they nailed it. Great resonance and detail on that Steinway. Again - WOW! Definitely not another Haydn Great D Major out there like this one. And love how little Martha seems to care for "period practice" - she's just out to do glory and honor to this immortal music and she succeeds. In art, can there be a higher purpose?