Слушаю и смотрю почти каждый день...

✋️

👍

I am. Btw, I am 14 years old. Love this band. Have listened to this whole concert on youtube like 5 times AT LEAST.

Me, right now

By running like Hell 😁😁 Thank you Pink Floyd 🎉❤

They are unique

I totally agree! Could listen toit the whole day!!!!

Not just the music but the light show aswell . My first time Llandudno 1979 aged 12 still here

They did very few of the typical "love" songs other bands were doing. They sung/sing about life, death, war, greed, mental illness, regret, current events, etc. It really did set them apart. Their music is simply timeless.

I can. Maybe show the people playing instead of a bunch of flashing light that block your view.

Concordo pienamente con il tuo pensiero!

Add more distorchers, delay, etc, etc

Right cause if you watch Led Zeppelin live they are trash and I like zeppelin music but real musicians are put to the test when playing live and Pink Floyd kills it on live stage ❤

prince creep at coachella has similar levels of excellence.

Oh YEAH...... showing my 12 year-old son this.....

Dave Gilmore is underrated, so much great stuff

@@andrewware9985 Gilmour is underrated? WTF. He is consistently rated the top 5 rock guitarists and Comfortably Numb guitar solo gets picked in most opinion polls as the best guitar solo.. Gilmour is a great musician but the creative brain behind Pink Floyd is Roger.

@@andrewware9985 he isn't underrated at all, ppl know he's one of the absolute greatest of all time, my opinion

Perfect

Becoming a bigger fan by the day

just checking in with you fella are you still about, i hope you are.

Same here my friend

Да, Да-да, слушаю каждый день!!! Ни с чем не сравнимый кайф!!!

Always

Я думала, что одна здесь улыбаюсь... Пинк Флойд это восторг и КОСМОС...!!!

His singing as well.

Roger who??

@@angusbull9685 some conceited twat I dunno

@@angusbull9685yep!!!

Guy Pratt and Dave Gilmour did a song in the movie Hackers. Called Grand Central. I didn’t even know it was them until later.

Dont forget Pratt learned how to play that song from the best x

BTW, bro who is Pratt?

@@rebelliouslord7646Guy Pratt on the Spectre bass guitar. And the backing vocal shout!

the one nailing Roger Water's parts

I wish they had used women more. Brit floyd doing "mother" with a woman singing gives it a more creepy vibe and adds alot to the song. The album should have a women doing it

Love Durga.

...and Sinead O'Connor's "Berlin Wall" version is staggeringly good too.

R.I.P. Claudia Fontaine.

@@flyinpigmusic331 😔

brilliant!

Thats funny bro im laughing so much brilliant

Hahaha, that's a good one. Can't stop laughing....

Hell, I'm 40 and I'd LOVE to have David Gilmour for Christmas myself. Though I guess I'll just keep myself content with the music and the giddy feeling of knowing I have the same color telecaster he's got... and now I'm itching to pick it up and get a dedicated practice routine set up again. That's what I love about good music. It makes me wanna learn and create.

That’s Gold!

Without a doubt!

I was seven! I can’t get enough. Makes for good people ☀️☀️

@@drho yes you are right

Hey buddy, very similar story. Dad put on this concert mid day and I watched it all, went out to play for a bit and all the time I was out the feeling was I just seen something which would impact me. To further compound the head trip Dad later on put on Queen live at Wembley and I think I just Lay in a daze for a while. I was maybe 11 or 12, to this day I can still remember the feelings. Music is magical, a journey to energize the soul.

SAME HERE!

Only Pink Floyd show I ever attended. Summer of 1994… June I believe. RCA Dome in Indianapolis. Best concert I ever saw 🎤🎷🎹🥁🎸🎶

Normal! ils jouent ensemble depuis si longtemps. De plus chacun d’eux après de multiples essais de techniques nouvelles en fin 1960 qu’ils sont devenus des maîtres dans l’utilisation de leurs instruments et ce qui ne gâche rien, ils donnent tout et avec autant de plaisir que nous avons, nous a les écouter. Que de chemin parcouru depuis Ammaguma où on les prenait pour des malades drogues. J’ai 70 ans et suis toujours émerveillé par leur créativité. Que se soit de Roger, David ou Paul… Merci à eux. Qu’ils puissent vivre le plus longtemps possible.

They have amazing chemistry together

When you do magic; so it is…

Yep

Because Roger Waters wasn’t there

Such a sad loss that was.

Gracias .señoor😊 3:26 en

Pink Floyd .. por muchos años que pasen me sigo emocionado como la primera vez ❤️‍🔥

It wouldn't be Pink without the Rick Floyd Wright

When he had hair.

Yes, but it’s NOT Roger Waters, and that’s important. Roger wrote so many of these songs.

Legendary masterpiece and as always somebody points to a specific bass or drums player as a crucial component, childish. 100% sure nobody would notice them missing.

​@@MrSookonn it's legendary masterpiece as you said also because of specific and parts of different instruments. Don't even try to convince yourself that this rhythmics doesn't make you head nod in time with music because of catchy bassline and drums. This music is not only about lyrics and storytelling, but also about energy and emotions. Audience doesn't clap their hands and jump just because of Roger's wittiness

Guy pratt's vocals are leagues better than roger's in my opinion

Ich war in Köln und es war eines der besten Konzerte meines Lebens. Never forget

You lucky bastard!! :)

I’m so jealous. I was introduced to Pink Floyd in the late 90,s and lately have been on a deep dive of their music. I so wish I could have experienced the Pulse concert.

David is one of the greats👍👍👍👍👍👍

there is not maneskin

Yes, this is my "litmus test" for a band. Pink Floyd is better live. In that category also are Chicago, Return to Forever, Yes, and Emerson, Lake & Palmer. The album is a forerunner, a taste of the ideas. Performed live, you get to see the mature form of each composition with all the bugs worked out and a big dose of fun added in. I love it.

Am so envious! what an experience!!

Buona. .notte..by..Gio. sss..primo..Music. .company..e..Paola. .Ferrari. .ciao? ..Milano. Italy. .?

facts

Some granpas still rock don't they. He'll, probably great granpas now.

​@@saddletramp6935Hell yea.

It’s grander than the entire fking eras tour

I like his bass playing better than Waters. His backup vocals are spot on.

Who is this guy? I must live under a rock. Guy Pratt. My hat is off to this guy. Absolutely brilliant.

@@haroldbrown6630 not knowing your age if your younger or listen to jazz or something else it's understandable. He has been with David anytime he needed a bass player. Really a stand out in the Floyd lineup. How cool to be so young and just step in for Roger Waters!!!

@@LuciferMornStar confession: I am just out of touch. Old. Yes. 55. When he sang ... I was all in.

@@haroldbrown6630 David is still playing and recording. Last I heard Guy is still playing bass. He has other projects I'm thinking. Merry 🎄

это писец

@Andrew W haha - i was too young!!

I'm with you keep this alive and then somemore keep this train going lol

Cocaine makes people feel invincible marijuana too ; summer of 1967 brewed many a strange

J O ...💖Your comment is spot on! So true! This is one of my favorite tracks, btw... 😎😎 Run Run Run Run🎶🎶🎵🎼🎹 🎸🎸 LPM

70s seem like a decade in retrospect that said "hey everyone be free!" Certainly the first several years when a decade hasn't been particularly defined yet the dudes from PF were operating under the element of free society( in garage rock style Nick Mason would later praise punk rock saying he liked that era it reminded him of the end of the 60s/ the mundane everyday life drug use is so frowned apun that when all you have is each other that enabling says the same "Hey each of us be free!" Guys like Roger and David really utilized the years 727374757677787980 helped each other destroy all the limits of musical theatre and reached for quite possibly the heavens; Shine on you crazy diamond Is a space opera brilliant And fantastic albums then when You finally part It's all over you each cut your hair It's over no more enabling Dreams of what once was Still enjoy classic rock radio Blasting Rock and Roll into the ethos

listen to jan akkerman

I agree 100 % !!!! Just something about the way he makes you feel what he's playing !!! I don't think.any other guitarist does that to me like he does !!!

@@billsimmons5186 æàll

long time Floydette!

Gifted, the description is Gifted!!❤️❤️❤️

Absolutely Manuela! ;-)

Without a doubt...THE BEST! I love David Gilmour's guitar playing, too.

Yep, in the 70's i went to the texas jam and PF and led zeppelin were the main ones, the good days are gone with the wind

oui pascal

@@karatebressolles7009 Я присоединяюсь к вашим комментарием.

Saw them in Tampa on this tour, and absolutely agree.

Alex Harris me too

I saw them back then too they took me away to another World when I watched them to this great song.

Pulse 1994!

me too alex , still as fresh in my memory ! :)

Yes, ppl say Jimi is best , but he sounds highly technical but not soulful like Gilmour.

True..

I'm glad I'm not the only one that thinks D.G is a god

Eric Clapton > David Gilmour

I just love the way that echoey Telecaster fills the Earls Court arena and propels this jam. Gilmour is a legend.

Kim Kay - cheers Kim ... wonderful comment - lived and loved seeing Floyd live in concert in Perth, Western Australia in the late 80’s - and yes “with the aromatic scent of “weed” in the air from an enormous crowd - well we were all flying high - what a concert

I've never seen a Floyd concert that wasn't the best one ever.

I have been fortunate enough to have seen them twice. Once in 1984 at the LA Coliseum and then in 1994 at Tampa stadium the night before my wedding. Was my wife’s first Floyd experience although she has heard countless stories from me about the first concert. I would tell her that if you ever got to see them live you will be a fan for life. Well she now agrees with that statement whole heartedly and now tells others the same thing. We love Pink Floyd!!

Rammstein....'Hold my beer'

Saw them in 94 in Toronto. Two young 15 year olds sitting behind us, and this was their first ever concert. Can u imagine??

True. Nick Mason's just keeping time here with snare, bass drum and hi hat. Wallis is doing all the fills.

@johanneswarn5488, Drummers usually get shoved to the backstage, more often they're the least visible performers. Everyone's having a good time up front while the drummers working his A$$ off, never realized how true this was until I watch some backstage camera feed.

To this day as a working drummer I tell people I want to be a percussionist because of this absolutely incredible performance; the whole show had me floored as a young drummer.

both cleveland shows were incredible

Hell yeah!

The only way to watch this dvd.

I also.remark how David enjoy the show, smile and move on the scene more than usually Plaisir partagé, cher.David

Oh, Wow! How true! Always more to find next time.

I was there in Rotterdam with you! Will never forget! Best gig ever!!!

He is also a genius composer and a great vocalist. And is good looking, too.

It's David Gilmour tho

That was my thought as well. Easy mistake tho

@@prostoprohozhijnadjadjupoh5802 yes he is one of the best!!!👍👍👍👍👍👍

@@rosaragnvindr6198 yes and is one of the GREATS OF GUITAR!!!!!👍👍👍👍👍👍

HDPinkFloyd I must say that you are strong and that it has an excellent taste ... thanks brother !!! 👍👍👍

@@amyhall4099 i need time to breathe

@@amyhall4099 Run Like Hell" is a song by the English progressive rock band Pink Floyd, written by David Gilmour and Roger Waters. It appears on the album The Wall. It was released as a single in 1980,[1][2] reaching #15 in the Canadian singles chart as well as #18 in Sweden, but only reached #53 in the U.S. A 12" single of "Run Like Hell," "Don't Leave Me Now" and "Another Brick in the Wall (Part 2)" peaked at #57 on the Disco Top 100 chart in the U.S.[3] Contents 1 Concept 1.1 Film adaptation 2 History 3 Composition 3.1 Film version 4 Live performances 4.1 Pink Floyd 4.1.1 The Wall Tour 4.1.2 Later tours 4.2 Roger Waters 4.3 David Gilmour 5 Personnel 6 Charts 7 Cover versions 8 In popular culture 9 Further reading 10 References 11 External links Concept The song is written from the narrative point of view of antihero Pink, an alienated and bitter rock star, during a hallucination in which he becomes a fascist dictator and turns a concert audience into an angry mob. The lyrics are explicitly threatening, directed at the listener, one with an "empty smile" and "hungry heart", "dirty feelings" and a "guilty past", "nerves in tatters" as "hammers batter down your door." Even the act of sexual intercourse is doomed, for "if they catch you in the back seat trying to pick her locks", the results will be fatal. Although the lyric "You better run like hell" appears twice in the liner notes, the title is never actually sung; each verse simply concludes with "You better run". Film adaptation In the film adaptation, Pink directs his jackbooted thugs to attack the "riff-raff" mentioned in the previous song, in which he ordered them to raid and destroy the homes of queers, Jews, and black people, among others. One scene depicts an interracial couple cuddling in the back seat of a car when a group of neo-Nazis accost them, beating the boy and raping the girl. The Wall director Alan Parker hired the Tilbury Skins, a skinhead gang from Essex, for a scene in which Pink's "hammer guard" (in black, militaristic uniforms designed by the film's animator, Gerald Scarfe) smashes up a Pakistani diner; Parker recalled how the action "always seemed to continue long after I had yelled out 'Cut!'."[4] History The music was solely written by David Gilmour (one of three songs on The Wall for which Gilmour is credited as a co-writer), and the lyrics were written by Roger Waters. Waters provides the vocals (except for Gilmour's multitracked harmonies singing "Run, run, run, run,"). The first version of the song had music written by Roger Waters (which appears on the Immersion box set of The Wall) with the lyrics as on the album (in the key of G) but then Roger's music was scrapped in favor of Gilmour's music during the recording of the band demos (which too appears on the Immersion box set). The song features the only keyboard solo on The Wall by Richard Wright (although on live performances, "Young Lust" and "Another Brick in the Wall, Part 2" would also feature keyboard solos); after the last line of lyrics, a synthesizer solo is played over the verse sequence, in place of vocals. Following the solo, the arrangement "empties out" and becomes sparse, with the guitar only playing an ostinato with rhythmic echoes, and brief variations every other bar. Sound effects are used to create a sense of paranoia, with the sound of cruel laughter, running footsteps, car tyres skidding, and a loud scream. The original 7" single version and "Pink Floyd The Wall -- Special Radio Construction" promotional EP both contain a clean guitar intro, without the live crowd effects. The EP version also contains an extended, 32-beat intro and an extended 64-beat outro where David Gilmour's main guitar phrase repeats before the track ends.[5] As with "Comfortably Numb", also from The Wall, the music to "Run Like Hell" has its roots in Gilmour's first solo album. "Short and Sweet" can be seen as this song's precursor. "Yes," Gilmour told Musician magazine, "it's a guitar with the bottom string tuned down to a D, and thrashing around on the chord shapes over a D root. Which is the same in both [songs]. [Smiling] It's part of my musical repertoire, yes."[6] Composition After the previous song, "In The Flesh", the crowd continues to chant, "Pink! Floyd! Pink! Floyd!" The guitar intro begins with the scratching of strings dampened with left-hand muting, before settling on an open D string dampened by palm muting. As heard earlier on the album in "Another Brick in the Wall, Part 1", the muted D is treated with a specific delay setting, providing three to four loud but gradually decaying repeats, one dotted-eighth note apart, with the result that simply playing quarter notes (at 116 beats per minute) will produce a strict rhythm of one eighth note followed by two sixteenth notes, with rhythmic echoes overlapping. Over this pedal tone of D, Gilmour plays descending triads in D major (mostly D, A, and G), down to the open chord position (a quieter, second overdubbed guitar plays open chords only). Some of the guitar tracks are also treated with a heavy flanging effect. The verses are in E minor, with pedal tones of the guitar's open E, B, and G strings (a full E minor triad) ringing out over a sequence of power chords, resulting in the chords E minor, Fmaj7sus2(♯11), C major seventh, and Bsus4(add♭6). Providing contrast, another guitar, equally treated with delay, plays a low-pitched riff on the roots and minor sevenths of each chord, although the E♭ (minor seventh of F) and B♭ (minor seventh of C) do not match the sustaining open E and B strings an octave above.[7][8] Aside from the added tones in each chord, the basic verse sequence of E minor, F major, E minor, C major, and B major is reprised later in "The Trial", the conceptual climax of The Wall. However, David Gilmour is not credited as a co-writer of "The Trial", which is credited to Waters and producer Bob Ezrin. Before the final riff ends the song, a piercing shriek by Roger Waters can be heard, not unlike one heard between "The Happiest Days of Our Lives" and "Another Brick in the Wall, Part 2". At the conclusion of the song, the crowd begins chanting, "Hammer! Hammer!" as the sound of soldiers marching is heard before segueing into the next song, "Waiting for the Worms". Film version The movie version of the song is considerably shorter than the album version, though this is likely done for the sake of pacing. The second guitar refrain between the first and second verses was taken out, with the verse's last line, "You better run", leading directly to Gilmour's harmonized chant ("Run, run, run, run"), which now echoed back and forth between the left and right channels. Also, Richard Wright's synth solo was superimposed over the second verse, and the long instrumental break between the end of the synth solo and Waters' scream was removed. Live performances Pink Floyd The Wall Tour During the previous song, "In the Flesh", a giant inflatable pig was released, which Waters refers to in a speech between both songs. The speech given varied slightly on each concert and therefore can be used to identify which show a recording came from. On Is There Anybody Out There? The Wall Live 1980-81, the speech is a mix of the 15 June 1981 and 17 June 1981 speeches. It was sometimes introduced by Waters as "Run Like Fuck" and Waters and Gilmour sang alternating lines in the verses, while the vocal quartet of Stan Farber, Jim Haas, Joe Chemay, and John Joyce sang the choruses. During the song, the "surrogate band" (also referred to, in Nick Mason's book, as the "shadow band") are onstage with the Pink Floyd members and their quartet of singers. Both Andy Bown and Roger Waters play bass on this song. Bown plays the bass exactly as it was recorded-four quarter notes per bar, playing only roots, using the lowest possible root in drop D tuning. Waters, meanwhile, plays variations at key moments, plays whole notes while singing, and, during the "emptied out" section on D following the synth solo, Waters sometimes improvised high-pitched riffs above Bown's low D.[9] Later tours Following Waters' departure from Pink Floyd, the song became a regular number in the band's concerts, usually ending the show and going over nine minutes long. One live version was used as the B-side to "On the Turning Away". The song also was the closing track on the live album Delicate Sound of Thunder. Gilmour generally played an extended guitar introduction, sharing vocals with touring bassist Guy Pratt, with Pratt singing Waters' lines. In the 1994 tour, Pratt sometimes sang the name of the city where they were playing instead of the word mother in the line "...they're going to send you back to mother in a cardboard box..." - in the Pulse video (live at Earls Court, 1994), he clearly sings London. According to Phil Taylor, David Gilmour played Run Like Hell on a Fender Telecaster guitar tuned to a drop-D, in the 1994 tour.[10]

@@amyhall4099 Interesting and no need to be sorry , well i hope you have been enjoying this music, cheers and thank you

HDPink Floyd ♥️ Thank You for the Credit's, very much appreciated ❣️🌟👏

He filled in very nicely. Him and Gilmour are pretty close. Played on every solo tour i believe.

Concur with both of yous.

He definitely does!

Never heard someone "screaming" his lyrics so beautiful.

Couldn’t agree more mate 👍🏻