Like I tell everybody… I’m super proud of my Cuban Music and Culture. Many will never “get it” .. meanwhile here we go.

Am I the only one watching this out of my own interest? Everyone else was sent by their music/history teacher.

A medida que aumentaba la migración de puertorriqueños y cubanos en la década de 1930, EE. UU. vio su primera locura por la música y el baile latinos. Los salones de baile de Nueva York estallaron con los sonidos de la “rumba”, una versión del son afrocubano adaptada para los salones de baile de la Costa Este. La moda de la rumba se apoderó de la nación a principios de la década de 1930 con estrellas bailando al ritmo de las películas de Hollywood. La música de rumba se escuchaba en la radio convencional y su popularidad aumentó significativamente en los locales de baile de Nueva York. En la misma década, el swing comenzó a cristalizarse en un género de buena fe. La década de 1930 también fue una década significativa para el desarrollo posterior del jazz latino, ya que varias figuras clave del Caribe español llegaron a Nueva York y estuvieron expuestas al género por primera vez. Algunos han argumentado que un puñado de artistas dominicanos contribuyeron a los movimientos de rumba, swing y jazz latino, aunque sus contribuciones se pasan por alto en gran medida porque la documentación de esta historia solo ha reconocido la participación y las contribuciones de músicos puertorriqueños y cubanos. Los Santo Domingo Serenaders y Napoleón and his Alhambra Ramblers, a continuación, pueden ser representativos de los músicos dominicanos que contribuyeron al desarrollo del jazz latino y la rumba en la ciudad de Nueva York.

My teacher made me watch this

Thank you for this amazing episode posting!!!

I am being forced to watch this by my teacher. How is everyone elses Friday going?

MAESTRO MUSICOS💯🎤💖✊💪👏✌😇 los MAGOS de TODO RITMOS Juan Azarías Pacheco Kiniping nace el( 25 de marzo de 1935), santiago de los 30 caballeros , Republica Dominicana musicalmente y popularmente conocido como JOHNNY PACHECO un músico, compositor, arreglista, director y productor Dominicano de musica cubana y demás RITMOS caribeños como su Merengue y Salsa. de Origen Dominicano y considerado una de las figuras más influyentes de la música LATINA y CARIBEÑA por ser el FUNDADOR junto con abogado Jerry Masucci del sello disquero FANIA. Se le considera el creador del Genero concepto musical "SALSA" en los 60s 70s aplicada a los ritmos nacidos en el Caribe antillano de habla hispana, principalmente de Cuba, República Dominicana y Puerto Rico y que tiene su fundamento rítmico y Origen - en NEW YORK🍎🗽 🇨🇺🇩🇴🇵🇷

BENY MORE es el más grande cantante de música popular que ha producido CUBA 🇨🇺. Piense en Frank Sinatra o Nat King Cole y tendrá una idea de cómo lo perciben en Cuba. El suyo era el sonido de big band afrocubano por excelencia de la década de 1950: impetuoso, con múltiples texturas, dinámico. Pero a diferencia de las bandas de Nueva York como Machito & His Afro-Cubans, Moré no estaba empujando los límites del jazz latino. Su música era más "pop" que la de Machito, pero era todo menos una fórmula.

Cool. Love learning about some aspect of music that I don't already know :-)

Machito of CUBAN🇨🇺 decent was a Latin jazz musician who helped Refine AFRO-Cuban jazz, Cubop music.

OMG SELENA

En el 2019 la música en español superó a la música en inglés junto

This multi part documentary was very well done. My only issue was that they completely ignored the genre of Latin Freestyle

"MUSIC is the Spirit that reminds the listener, women and men to DANCE YOUR FEAR AWAY". Carlos Santana

I'm glad that there is a clear explanation of this history.

Mr. Hamilton please don’t give us too much work ; - ;

They should show this to our kids in school

yall sayin that your teacher or mama told ya to watch this but im watching it cuz im interested and i love music 🤷

The term latin refers to the spanish speaking peoples of central and south america. Hence the term latin america.

BENY MORE is the greatest singer of popular music CUBA🇨🇺 has ever produced. Think Frank Sinatra or Nat King Cole and you'll get an idea of how he's perceived in Cuba. His was the quintessential Afro-Cuban big-band sound of the 1950s: brash, multi-textured, dynamic. But unlike New York bands like Machito & His Afro-Cubans, Moré was not pushing the boundaries of Latin jazz. His music was more "pop" than Machito's, but it was anything but formulaic.

My teacher making me watch this

OMG MACHITO

como se llama la música intro

Que instrumentos uso el músico ? Plisss

Mario Bauza settled in the United States in 1931. Not 1930. While it's only a year off it's important to get the background data correct as it impacts what Mr. Bauza's narrative has become and what his promoters have been successfully arguing as to his legacy to an otherwise oblivious public. A predominantly Black enclave in Cuba was as much of a reality as in NY, or anyplace else in the U.S. In fact many of the venues in Harlem where Jazz was provided a platform had adopted names of venues that were based in Cuba and other West Indian islands. Like Apollo or Alhambra. Historically Harlem was as much Caribbean and Latin American of African descent as it was comprised of U.S. born African-Americans. According to Don Mario he was a privileged Afro-Cuban who played in a symphonic orchestra. Eventually becoming a clarinetist with the Antonio Maria Romeu charanga ensemble. Playing in the performance circuit in Havana. Of which they had their own rendition of what this documentary glamorizes as the Harlem nightlife.

History is told from the anglo, from the North American. A very superficial view about the true influence of music, mainly Afro-Cuban music. Since the ragtime was influenced by the habanera at the end of the 19th century. TANGO CONGO the project came to settle those debts of History.

Whats the name of the fifth song at the beginning?

TONINHO MALTA GRAVADORA ATLAM MUSIC DO DO BRASIL

donde la puedo escuchar en español?

joining the list of people forced to watch this by their teacher

I don't understand why we need to use this term "Latin" when clearly there is no Latin language being used and according to the Catholic church, Latins are Caucasians and Hispanics are Brown and to Black. This borderlines racism and separatist movement in disguise. All this music is clearly mixed with Black, White and Hispanic. This term "Latin" is misleading. I can understand Afro-Latin, even though it's still wrong. No one calls Blues, Hip Hop, Soul and R n B night Black night. We don't call Country concerts, Caucasian night and we need not call this Latin because it isn't. We are being used as sheep for the media to polarize and keep us separate by this so called "Latin" music.

So do we move on to Part 2? lol

What’s the name of that first song at 0:10 ?

Que poca memoria tenemos ,y antes de eso que muestra el vídeo que había ,porque hubo un momento de la fantástica historia en que en América de norte a sur AUN FALTABAN varios siglos para que se empezaze a definir lo que llegaría a ser décadas después la música cubana y más tiempo para el antiguo blues y country ,cuando ya había en América flamenco música de los gitanos ,al principio fue lo que llegó ,solo se habla de los santos africanos y ritmos pero la tradición clásica llegó por el flamenco ya que llegó con la guitarra española ,y esa música ya contenía los diamantes más preciados decía tradición clásica ,mucho antes de que hubiera nada ya había flamenco está fue fuente atraves del cante gitano y sentaron las bases de códigos musicales del futuro blues y jazx country y todasxlascmusicas Américas y la guitarra española es la madre dectodas lascguitarras en anrrica ,el flamenco no es un estilo ,va mas alla ,ya que seckutre de influenvias avlo largo de du historia y se va renovando ,aoartir de 1950 el flamenco volbio a ser ese estilo basurero que mezclaba cositas que se iban quedandovde todas lasxmusucas y las que vslian se wuedaban ,esa eouca ya se suoero y actualmente ,tifovse esta bolbienfoba

name one hugo lumb

what's the song at 1:40??

whats the music at 0:17

song at 1:01?

MASTER MUSICIANS💯🎤💖✊💪👏✌😇 the WIZARDS of ALL RHYTHMS Juan Azarías Pacheco Kiniping was born on (March 25, 1935), Santiago de los 30 caballeros, Dominican Republic musically and popularly known as Johnny Pacheco, he is a Dominican musician, composer, arranger, director and producer of Cuban music and other Caribbean rhythms such as his Meringue and Salsa. He is of Dominican origin and considered one of the most influential figures in Latin and Caribbean music for being the founder together with lawyer Jerry Masucci of the FANIA record label. He is considered the creator of the genre musical concept "SALSA" in the 60s 70s applied to rhythms born in the Spanish-speaking Antillean Caribbean, mainly from Cuba, Dominican Republic and Puerto Rico and which has its rhythmic Foundation and Origin in NEW YORK city 🗽🍎🇨🇺🇩🇴🇵🇷

I sincerely respect my ancestrer to make thi shuge impact... SALSA is LA RHUMBA. we made this . KONGO'S slaves made this

Por acá les dejo una canción con aires latinos muy interesantes 🎼👍🏻 kzfaq.info/get/bejne/natlqZx_yLfGqGw.html

CLICK ON SHOW MORE to find playlist of ALL 4 PARTS

Obviously a on-sited Anglo American angle to the music and the social aspects. The typical “great white way” of explaining things. Example? : quote -the repression of coloured people in Havana was much greater then in NY at the time.- unquote. This is mentioned twice, but none of the times by an Hispanic or Afro American. But by the white American. Same old same old...

barney get mates

No such thing as Latin Music/Latin Dance etc.. all Eurocentric labels. It's African music created by Africans in the Americas and Caribbean.

None of this music comes from Africa and I can prove it ! The men in this video believe they are African but that belief is a lie That’s why there’s is no famous artist in the United States from Africa Name me one famous singer musician from Africa that’s actually from Africa that anyone knows ??

My mom made me watch this