A BBC documentary on the role Gustav Holst and Ralph Vaughan Williams played in defining what we now consider to be the outlines and characteristics of English classical music.
Пікірлер: 18
@ianaspinall32346 ай бұрын
A very beautiful film,about these two Giants of British Music.
@richardduffin799310 ай бұрын
I unfortunately missed this TV broadcast and consequently I am very grateful to you for posting it on You Tube. What a delightful and informative film describing the lives, friendship and work of these two giants of English music. The humanity displayed in their respective personalities is aptly described by the two presenters who themselves could not have done a better job. Simply perfect in every way. Many thanks Richard Duffin
@mq17210 ай бұрын
Well, then. I am gratified that I was able to grab it for you to see - and that YT didn't hit me with a copystrike for so doing (yet).
@denisehay88955 ай бұрын
I moved to Edinburgh several years ago having grown up in Bristol and attended college in Bath. This makes me so homesick for the West country! Love this programme. Thank you so much.
@mq1725 ай бұрын
You are SO welcome!
@annakimborahpa5 ай бұрын
1. This documentary presents a fascinating contrast between two friends: A. Gustav Holst peaked early in his short life with The Planets for which he is primarily known. B. Ralph Vaughan Williams slowly advanced in recognition throughout his long life with a seemingly endless parade of compositions in many different musical forms. 2. Although RVW dedicated his most performed symphony, No. 4 in F Minor, to Arnold Bax, its 1935 premiere took place one year after Holst's sudden death. Unlike the somber resignation of the Pastoral Symphony towards the WWI dead, the vehement rage of the 4th Symphony may have been fomented in RVW's grief and loss over his dear friend, perhaps resonating in the original primal loss of his father. 3. 57:15-25: 'Vaughan Williams wrote to Holst's wife and daughter, "My only thought, whichever way I turn, what are we to do without him?" Response: Enter Ursula Wood in 1938, whose muse-like presence ignited the domestic drama that propelled RVW's inspiration for his later period compositions. 4. At the end of his life, did RVW's thoughts turn to Holst via Thomas Hardy when composing his 9th and final symphony? A. Hardy's The Return of the Native inspired Holst's Egdon Heath, named for both the fictional place and actual heath where both had walked together when the composer visited the author. B. Scenes and characters from Hardy's Tess of the D'Urbervilles were explicitly referenced in the original sketches for RVW's 9th Symphony in E Minor, but were later withdrawn prior to publication.
@cheshirewa1tz10 ай бұрын
Thank you for uploading this, wonderful documentary
@mq1729 ай бұрын
I am glad you liked it!
@rafidl5556 Жыл бұрын
Fascinating! Thank you!!
@mq172 Жыл бұрын
Glad you enjoyed it!
@PeterLunowPL5 ай бұрын
informative, interesting and delightfully presented by these two . Very good indeed !
@mq1725 ай бұрын
I thought so too when I found it. I am glad that YT is still letting me share it with you nice folks.
@skulptor6 ай бұрын
The Malvern Hills walk photo reminds me of Pooh and Piglet.
@seanfinlay6822Ай бұрын
I think you mean Ashdown Forest.
@susannestorm97056 ай бұрын
❤❤❤❤
@mark-shane3 ай бұрын
Stopped the Somerset Rhapsody just before the main tune with the Cellos and double basses
@SSNewberryАй бұрын
Elgar would like to have a word with you. But 1 genius does not a musical ilse make.