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Learn every piece of gear you need to build a redundant vocal processing rig.
Hope is not a backup plan. This guide will teach you about all the gear required to build a fail-proof vocal processing rig - just like the pros use on-stage.
Discover the 3 S’s of redundancy, how each piece of gear is used, and recommendations on gear and other info.
Yes, redundancy is an investment, BUT it’s more realistic than you think, and it’s absolutely worth it to make sure you have perfect vocals no matter what.
Check out the gear mentioned in this video 👇
fromstudiotostage.com/gear
If you want to dive deeper into this to set it all up, check out these courses:
Real-Time Vocal Processing with UAD and Ableton Live 👇
fromstudiotostage.com/courses...
Redundant Real-Time Vocal Processing with UAD and Ableton Live 👇
fromstudiotostage.com/courses...
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00:00 - Introduction to creating a redundant vocal processing rig
00:27 - Importance of using a Universal Audio Interface for low latency real-time processing of vocals
01:30 - Need for a completely identical setup and another interface for redundancy
03:01 - Three S's of redundancy: Split, Sync, and Switch
03:35 - Use of the Radial JS-3 mic splitter for splitting the mic signal
04:24 - Importance of syncing both systems using the PlayAUDIO12 from iConnectivity
04:58 - Use of UA MIDI control app or Tune Live plugin for controlling autotune
05:24 - Sending MIDI from Ableton Live to UA MIDI Control to control both systems
05:49 - Need for a switcher to switch outputs from interfaces (using the Radial Backtrack)
08:23 - Use of JR-2 remote foot switch to switch between channel A and channel B
09:58 - Conclusion and recommendation to invest in redundant gear for live performances, information on available courses
10:25 - Information on becoming a student and accessing courses at fromstudiotosage.com
10:44 - Conclusion and farewell
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