I realize I am kinda randomly asking but do anyone know of a good website to watch new series online?

@Ahmad Ronald Flixportal xD

@Rowan Miguel thank you, I signed up and it seems like a nice service :) Appreciate it!

@Ahmad Ronald you are welcome :D

I like the fact you’re not required to use toxic lacquers and having to have specialized spray equipment. I’ve done one French polish project as well as hand applied varnish and other oils. They turn out really nice with a feel that you just can’t get with nitro or other similar procedures.

hillguitars thanks Stephen, I am very pleased you like it.

You can do it with pumice and it will be fine. You just need to find the way it works for you.

No, I know it is easier to polish that way. I just prefer to use the traditional Spanish method.

@@redkitekk I am personally more knowledgeable about steel string guitars, so I am wondering if it is a common occurrence that guitars of that caliber will eventually need a neck reset. I have seen quite a few nylon string guitars that did need a neck reset, simply because it is not possible to lower the saddle much on a nylon string guitar, especially if it's a bridge with 6 string holes. However, all of those guitars that I've seen, that needed neck sets, were nowhere near the quality of instruments that you build. As I'm sure you know, on Martin guitars it's pretty much just a matter of time when a neck reset will be needed. But those are steel strings guitars, so I'm wondering how nylon string guitars, at your level of quality, typically age. As you know, it is much easier to do a neck reset if the finishing was done separately on the body and on the neck. So, when I asked my question it was also coming from the idea of easier serviceability, down the line. I'll have to check out more of your videos but I'm wondering if you might have any videos that show how you might deal with finish repair after a neck reset. Thanks for sharing your knowledge. I also want to compliment the camera work. Whoever that person is, please send my regards.

Joseph Tixier sorry it wasn’t a clear explanation for you. If you are removing polish I think it must be because you work for too long in the same area. I put 4 o 5 drops of polish on the rubber and I wait for the rubber to soak it in before take it to the guitar. Try to do less polishing and wait 24 hours in between sessions, I know in the video I say you can do 2 o 3 sessions in one day, but if you are removing polish it is safer to wait longer to make sure the polish dryers enough before the next session.

@@redkitekk So sorry if I seemed to be frustrated with your video :). Your videos are very helpfull, clear. They feels like watching a friend work. I think its also a mater of "feel" and experience. I mean, you can't describe "wet enough" or "friction" with a video... I tried to replicate what you did (and other people on youtube) and didn't understand what I was doing wrong. Indeed I though the idea was to keep working on an area until it is completely dry and you can only see the "cloud" of ethanol behind your pad (I never saw that). I saw this in another video (from a magician then I guess. magic must be involved). He was mentionning that the pad should feel almost dry. in another one, the pad was soaking wet and drooling when he pressed down on paper (but magically not when pressing down on the wood).Thank you so much for responding and sorry again for my rage. I was watching your video after my 10th attempt (sand off, re do, sand of, re do) and my head poped :D.

as you are experienced, you must know what I felt : going well... going well... going well... hoo its shiny! yes finally.... oh thats gorgeous! going well... going well... wait... what? HO NOOOOOOOO! I'm trying to french polish traditional african instruments made with bamboo, calabash and tropical woods.

That's why he shaped the rubber in to a point, so he could do the areas beside his fingerboard. You can do the same on your guitar, as a side ways stroke or come across it in a circular pattern.

Lynda McArdle yes, I also make violins, it something I started to do only a few years ago.... so I am no expert there, my main instrument is the Spanish guitar.

Hi Lynda, Pablo is a great Master and if you really would like to get more insights of luthier mastery I warmly suggest to attend his courses . . I was last September for 1 month . . it was simply life change . . Pablo is very methodical, patient, detailed, he explains absolutely everything..no hiding of tips . . very practical and on spot problem solver .. you can see in his work decades of work in filed where he is really the best . . moreover, take a look who was and who is playing his instruments and how much they cost . . it speaks itself . . I am not Pablo's promoter, I am just disclosing my personal experience . . .

@@redkitekk Thank you for your reply.

@@astakic Hello Aleksandar..... I don't doubt what you say here. Pablo exudes method, patience, attention to detail and perfection....just look at his informative videos......a real artisan...

Yes, that would be one session.

Lynda McArdle yes, I brush French polish in the slots.

This is the spot that I have the most trouble with. It would be great, Pablo, if you could show how you do the slots in a future installment of this series.

@@redkitekk I presumed that, as a perfectionist you would but, nevertheless, it's nice to have this confirmed. Thank you. No reply necessary.

Hi Paul McNamara, it is really quite simple, it is a difficult area to access so nobody would expect to see polished to the same degree as the rest of the guitar. As long as you have a couple of coats of shellac brushed in and you make sure you don’t get runs of polish into the slots when you polish the head you would be ok.

Leandro Silva I am sorry, I don’t know what you mean, can you try to explain a bit more or in a different way? Thanks

I'm sorry I do not know English right, I'll try again, what is the procedure that goes to get the exact measurement in the circle where the sound of the guitar comes out, here is called how to take the correct measurement of the wood

Gledison Fonseca to do one session should take you 15 or 20 minutes and you can repeat that every 3 or 4 hours.

@@redkitekk thanks for the tip. Look shall i wet sand between the sessions or just at the end if necessary? Cheers

Gledison Fonseca only when necessary, and I would do it dry.

@@redkitekk how many sessions do you do per day? im currently doing 3 full "coats" per day and i have already a glossy layer. however im not sure when is ready in order to avoid to sand it through the wood . thanks

Gledison Fonseca when you look at the reflection of light on to the wood you will see if there are any imperfections, if that is the case then you need to do a little bit of sanding in those areas, if everything is good then carry on polishing and only do the sanding if necessary.

Muñequilla

Of course.