HOW to improve your saxophone tone

Рет қаралды 9,762

Күн бұрын

How to improve your saxophone tone:
1. Be able to create warmth and resonance using flexible vocal tract
2. Pay attention to 3 elements of tone (attacking, sustaining, tapering)
How to play overtones and altissimo
• How to play OVERTONES ...
How to play musical vibrato on saxophone
• How to play musical VI...
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Пікірлер: 20

@raseshgandhi6702 14 күн бұрын

Fantastic information 🎉

@Jacob-lm1cs 2 жыл бұрын

Yess thanks for uploading this! been waiting on this. Thanks Mr. Lee

@robannmateja5000 2 ай бұрын

I enjoyed that so much. I'm just a beginner and yours is the tone and sound that I am striving to achieve. Thanks so much for sharing your knowledge and experience.

@dileepnaik1312 2 жыл бұрын

Best video on tone and vibrato control. Thanks for your excellent description on tone production and ending of notes.

@hecateswolf6007 2 жыл бұрын

Thanks Mr Lee that was really helpful

@clarinetninja 2 жыл бұрын

Beautiful sound! great ideas and explanations. And a wonderfully produced video!

@benjaminmiller5649 2 жыл бұрын

thank you for this video

@DiegoPaz_1 5 ай бұрын

I really need help. My notes in the middle of the horn are too bright. I really want to darken it but am lost. I really want to aim at the sound you have, but it's being very difficult. I used to practice getting bright sound, but I should have been practicing with a darker "pleasant" sound. Thank you.

@osantana411 2 жыл бұрын

Superb!

@raseshgandhi6702 14 күн бұрын

Sir please give me guide about You are pressing upper teeth on mouth piece? How much pressure upper side?

@voidedspace5510 2 жыл бұрын

Your no vibrato playing is the perfect vibrato playing. I feel like it's almost a force of habit for you to use vibrato and it even bleeds in when you're not playing. Your excerpts without vibrato were absolutely gorgeous, but the amplitude of your vibrato undulations are pushing the reed near its max mechanical excursion point and it produces high frequency artifacts that occur as you perform vibrato. This has to do with reed geometries and how the natural mechanical Q of normal strength reeds flex as they conform to the rails each oscillation. At the peak of your vibrato change, the tip opening grows too great for the length allotted the reed by the rail and thus it produces a gap that produces the hiss associated with your vibrato undulations; as any additional air pressure is conducted through this now small opening for a small period of the oscillation of the reed. Thus instead of it being a variable pitch and dynamic, it also produces a timbral change as a result of mechanically-related artifacts. That is why you hear a high frequency momentary hiss with every undulation of your vibrato. The issue is always more with the gear than the player. I like mouthpieces with long facings (and preferably thick rails) because you can push them way harder volume-wise while sacrificing some response and control, but the tone and being able to be near sinusoidal while playing is perfect. Those were things I learned about mass-damped moving air diaphragms and reeds in my studies. Ported subwoofers also suffer this problem when they have too small of ports, for it causes high port air velocities and produces a "chuffing" sound along with the bass as the subwoofer creates transients. You're a fantastic saxophone player and I wish I had your alto chops. Good stuff

@CTMusic97 2 жыл бұрын

Interesting video! Can you remind me of the name of the excerpt for the “air attack v tongue attack” section?

@wonkisaxlee 2 жыл бұрын

It’s the 2nd movement of Scaramouche by Darius Milhaud.

@peterpham6288 2 жыл бұрын

Here's a challenge, I would love it if you did Chaconne! (Ciaccona from 3 Partitas book, specifically on soprano)

@wonkisaxlee 2 жыл бұрын

Yes that's a real challenge. I practice the piece time to time but it's not yet at the level for the public display. When it's ready, I will definitely share!