Saturn listens to the low frequency and adds matching "spice" to the higher frequency. Kinda like how meat gets more flavor when u introduce salt

Is this on the overall mix or individual Bass track?

Totally agree.Sound selection is the most important thing, but people somehow try to fix it all in the mix.

Eh

It's not a question of sound by itself. It's a question of global définition.

This is a useful. Always some snarky troll.

I always boost at 130hz because every reference track I've ever used had a lot more 130 than my mixes :D

That's interesting, could you explain more on that on that subject please? :)

It's "The Birds" from Telefon Tel Aviv

That is exactly what I took away from that part of the video. So, yes...reduce that first harmonic a little bit. It does sound like a reasonable plan of action!

Loud frequencies always stack “up” masking the frequencies above so you might as well cut

Listen on good monitors/sub and you can hear exactly what it's doing.

Sounds like it may be sampling “The Birds” by Telefon Tel Aviv? It has more of a EDM sound than the original. I came to the comments to figure this out. Anyone know what track this is?

Mix buss but you can try it on your master.. just use ya ears see what meshes better with the track your working on

@@triplebeam23 "just use your ears". Insightful tip

@vongwynbleidd fair… but saying “this is how you can improve your low end” without saying “in this very specific particular situation”. A lot of people see stuff like this and think I saw *insert famous mastering engineer* make this move so now I should do it too. When they probably shouldn’t. So that’s my objection here really.

In the mix but in the bus section.

On the master bus only

Wait, I thought he ment the bus where kick & bass go in. Tried it myself with the ozone dynamic eq and a normal eq and I got a pretty nice result but I feel like it can also bring a bit of harshness into the kick & bass relationship

same, anything below 20 hz is inaudible and just takes up space

@@dandevito6023 Might be inaudible but you can probably still feel it. So when you’re playing your track on bigger speakers, cars, clubs, festivals, whatever, you’ll feel that extra bass in your chest. I could be wrong though idk for sure

it affects the phase of lowend and alsoo adds even more lowend sometime

@@Ex-fk4nr isnt that with the pultec eq or whatever or just in general

@@Aria-un9iy oh damn thats interesting ill look into it

It could cause phase issues

Because you're creating an unwanted resonance at the start of the low cut

Linear phase on low end low cut

@@gertytheman What will definitely happen is that the phase of the low frequency’s will change. What’s not certain is whether it will be perceived as a good thing, a bad thing, or a neutral thing. There is no reason not to use it. Although keeping phase relationships in tact when you can is generally a good idea. A low shelf does result in a more gentle phase shift.

Shelf Is not aggressive Is more Natural, It Just cuttiny 3 db

if u have the time try putting a low cut on your kick and look at it through an osiloscope usually it ruins the transients I'm guessing that there is simular effect when applied to a track that being said people cut 20-40hrtz all the time on masters so who knows

Low cuts change your phase!!!!

Low cuts mess with the phase of the track, i still do low cut but I wait till the mastering stage and use a linear phase eq

Phase shift and pre ringing

Se siente mas que se oir. poquito mas claro lo bajo

Depende de las bocinas o auriculares que uno tiene.

There is a difference in the punch from bypassed, but you will only hear this on a good set of monitors.