you can reach a pretty analog color with low shelf and without exasperating curves

@@edoardocoppola1180 color is about saturation, not about equing

@@79keydet in music when you use the term color you can refer to many things, i said analog color, it means that if you dont make cuts but shelfs its going to sound more like an analog eq since analog eqs are more "bell curve" sounding and are commonly defined as a more "colorful" option than vst parametrics, so it was about emulating the analog result, if we are talking about the aim of every plug in, saturation is used to bring out more harmonics from a sound, if u use alot of it its going to be more like a distortion, the color is the intrinsic sound that every effect(mostly analogs) has regardless the settings, you could notice that simply applying an eq with no settings on in a track the sound changes just a little bit, maybe it becomes more hot or more cold but it is just the sound passing trough the plug that makes a specific change, well that little change is color, there are plugins that specificly adds color but they are most of the times analog emulators (99 percent of real analogs or analog sims are also used just to add color without touching settings)

@@79keydet Also color is the shot term for "tone color" that is a synonym of "timbre", so no, color is not about saturation, color is about everything that can change timbre, saturation can change the timbre like many other instruments but is not meant for it, its meant to bring out harmonics from a sound and make it pop out in the mix without actually increase volume. You cant change the color from a saturator its just going to bring a single timbre related to the saturated channel, nothing to do with color controlling, Obviously you can use any effect as you want for any final result but saturators are litherally about saturation, its just a type of distortion.

@@edoardocoppola1180 so called "analog color" is just analog circuit distortion harmonics which can be reproduced with a saturation effect in digital. Different analog circuits give different circuit distortion enriching sound with different harmonics. Thats what "analog color" is about. Different analog EQs have different analog colors since their circuits are built different thus introducing different sets of harmonics. Most popular among EQ "analog colors" is Pulteq circuit distortion harmonics set.

😂😂

Same. I’m lost

He’s basically fixing the phase and adding attack again and then once again fixing some more phase issues

Yes

So I watched one video talking a bit about this, and if it’s possible to create space, it’s worth trying. Sometimes the writing of a bassline has just as much impact on the way it sounds as anything else. Shortening a few tails can make a dramatic difference 🎉 but that’s just one of many methods

​@@Bittamin yeah, only proper arrangement allow for an awesome mix. Or use side chain, which, imo does not sound as good if bass is written around the kick.

​@@veikster1165 what? You can make sidechaining subtle or aggressive as hell, there's so much freedom in it, if it sounds bad then I've got some news...

Melda Mmultianalyzer 2

i can mix it for you

lemm try on it,FOR FREE !

For real, looks like some good advice but this was advanced. I have no idea wth is going on

He actually goes over that in a few videos.

Different EQs works differently. For example Ableton Live non-linear EQ8 is transparent in oversampling mode and causes no audible phase issues. linear phase EQ is needed when you eq a sample recorded from 2+ mics. It is most often applicable on multimic drum recordings. If you are EQuing samples from downloaded sample packs most often you would have zero difference if using eq correctly - not carpet equing with a high Q values. Also linear phase eq causes pre-ringing artifacts...

But sounds more stable than a locut

@@mirkomarkovic3438 at first i've read "locust" and i thought why tf has a locust something to do with this? 🤣

Asking same

It's the MMultiAnalyser by Meldaproduction

Melda production, m analyser or something like that

oscilloscope plugin

Did you ever find the answer to this? Great question

Ever figure it out I’m wondering the same?

Nah i got a new job, dont have much time anymore for it@@jlaycodzi8071

U can use SPAN in certain config. And it's free

Spectrum2 from Schulz Audio does it well

I think it's from the free Melda plugins bundle...

Melda Mmultianalyzer 2

this is Melda

The bedroom guy telling the Grammy nominated guy what’s what. You go boy 😂

@@alvarezgamers All I did was stated a fact, it doesn't matter who you're nominated by, a fact is a fact.

Yeah man i feel like most successful producers will tell you not to stress all these little things, at least not until you have something really solid then you can go in and start tweaking the small stuff

@@TheLonelyCabbage It's a training process. Tryna teach myself to get tf up an not indulge for 13 hours on my off day making music lol. I have learned to get the hook first.

100% don’t get deep into mixing while writing or tracking. Completely halts the creative flow. Write or track the parts, then do the arrangement and then mix

@@gil6878 indeed man thanks

Isn't side chained as well? So phase doesn't matter.

Ya this video makes no sense to me

​@@ericzmusic it does, but here the polarity flip does nothing. He's talking out his butt

they dont have to line up perfectly. Do you understand phasing issues?

​@@ericzmusic It matters some, as the ducking doesn't 100% remove one from the other.

There is always a crossover of frequency which you need IMO for a natural sound, if it is out of phase you will lose energy and power in your low end

m multianalyzer

@@RufianBeatmaker thank you!

180* phase shift, a low shelf only has a few degrees of phase shift. Resulting in a much punchier kick.

@@NoQualmsTheArtist Thank you very much for the clear answer!

@@felixftp9670 if you need to Highpass, just Highpass both the bass and kick together or at the same frequency then they both have the same phase shift which keeps them in phase. Or try a linear phase EQ. But this usually doesn't matter as the kick and bass waveforms are so wildly different it rarely makes a difference, just use your ears.

@@NoQualmsTheArtist Oh, I've done that in the past like bass and kick lowcut together. Thank you for the good tip!

and after this eq shifts phase even more

😂😭😭😭😭

Kyle beats sucks ass so hopefully he'll be able to produce some day

I think this is for the advanced user - Luca doesn't explain - he just does :)

His goal is actually making you confused and to doubt your own mixing/mastering knowledge, so you buy his bs courses

@@bombaclitt nothing about this is confusing. IF you feel confused after this video see it as a moment to learn about this so that you can watch it again and understand.

@@IngoGarza i’m not confused at all, I understand everything in this video, and I’m saying that the purpose of a lot of these videos is to further confuse beginners with a lot of useless techniques to sell courses.