true.

Facts!!!

I was thinking the same thing. This is priceless info.

GARRDEN lol foh

@@thejudgejuror2547 I feel like they not giving the entire picture

For sure..... And waves is like rolls Royce of plugins 😁👍

i wouldn’t say that but if you know how to use your tools they are as good as any other

sauce

Shiiiid...might as well add some tape too for saturation. Imo of course 😎

That’s a lot of processing. I think the most important thing to getting good vocals is to record with compression and eq if needed. Get as close to the sound you want going in.

@seba hara That's your personal opinion. If you have to do all of that your vocal isn't recorded as well as it should of been. I was talking more so in terms of processing power. If you have to do that to every vocal your going to need a nice rig.

wavs is dope

Bikes and Beats it’s mainly layering tbh. Get your melody/chord and CNTRL C&P to boost your sound w switching like a note or 2

Lol no he doesnt tho. He is a pretty minimalist producer and thats what makes him special actually.

@@franmaga28 what makes you say special. I'd say its more common place now

@@MakeBetterMusicNow Whos talking bout now? Pharrel has this production style since the late 90s when he was producing hits for everybody with Chad Hugo. And anybody back then would recognize a Neptune´s tune as soon as they heard it, even if it had like only 4 tracks lol. That actually is something special in production.

@@MakeBetterMusicNow Of course its kinda easy to say its common place now, but you would be ignoring the fact that hes an OG thats been doing it for more than 20 years

It's also Pharrell's tag.

nicodemo lalli it’s all about being able to really hear everything in that sound so you get a better understanding of what needs to be done to it. A lot of people boost the bass and treble in car systems so you want to be able to have your individual sounds as well as mix be able to translate well across different systems

linked in learning is pretty good. but you might have to pay, i think my school offers it free to students.

Pensados Place

RoyalMusicproductions uk good idea bro

You couldn't look HEAR how he did that?

It's Pharrells producer tag

it's the controller for the dangerous monitor st

Will Baker thank you so much

This is a great question, it'd be nice if someone could explain this.

Really, just do what sounds good. Mix to your tastes. Things to note, Spotify compresses the fuck out of records, it’s the reason why I use google play.

it raises the question whether labels pay to have their big hit tracks played louder on youtube than anyone else's. I cannot think of any other reasonable explanation at this point.

I think I found the answer some time ago. Limit around -0.3db, squash as much as you can without ruining the master, then lower the master Channel volume by 5ish db. This should give you around -14 lufs in perceived loudness while still retaining volume. Let me know if this helped

@@anthonypenna476 thanks for reply! I will give it a try and give you some feedback

Ean Verschelden oh thanks

@YonaHoly RTM if you're referring to getting those harsh 's' sounds on your recorded vocals, we would highly recommend checking out Sibilance for this purpose exactly: www.waves.com/plugins/sibilance

@@waves amazed at the reply

You can zoom/resize the waveforms without altering the gain in Pro Tools so you can see stuff better.

I completely missed that the first time watching this video. It could be the way Pharrell sent the trackout? He said from the beginning he tries to stick to the artist's intent. I imagine if Pharrell sent him everything in stereo, he fell in love with those instruments and loops in stereo. I know many vocoders/autotune that only work in studio, but I am unsure about all. Some people like the phase you get from recording in stereo and when taking a minimalist approach (and the right acoustics and equipment) a quality recording in stereo can probably be quite nice to the right ear.

Many sessions are sent with each instrument tracked in "stereo." However, the kicks and 808 kick is probably just a "mono" signal that was "bounced" out of a sequence program such as "Maschine" whereby it's basically the exact same information in the Left and Right sides of the waveform, meaning that if you collapsed the mix from stereo to mono, you'd hear the exact same "sound." You wouldn't hear the stereo spectrum collapse. Because leslie has the ultimate processing power at his disposal, there's no need to split those sounds into a mono signal, but if he didn't have all of that CPU power, he'd more than likely "split" those signals down into a mono signal, using only 1 side of the original signal ( remember that would be no sound difference, except for a volume drop that can be compensated for with a volume boost), which would save on CPU processing power because you'd only need the plugins to handle a single mono signal, instead of 2 signals (left and right stereo.) I've worked with leslie and he's always been a WAVES fan. Even when he was mixing on an SSL desk at Patchwerk Studios in Atlanta, years ago.

@@mykkc.5496 thank you so much

The Fat Boys

Maybe Quincy Jones 🤷🏿‍♂️

"In the 1920s, the process was improved when outputs of the microphones could be mixed before being fed to the disc cutter, allowing greater flexibility in the balance. Modern mixing emerged with the introduction of commercial multi-track tape machines, most notably when 8-track recorders were introduced during the 1960s. The ability to record sounds into separate channels made it possible for recording studios to combine and treat these sounds not only during recording, but afterward during a separate mixing process."

BigBoy Slim you should see a tde session lol

BigBoy Slim A drum kit counts as 1 instrument.

That's not a lot at all. Most EDM songs have 30+ tracks, up to even 80.

Some Singh’s are over 200 tracks