Spoiler: this video delivers exactly what the title teased on. Well done, super interesting and helpful!

The best thing practical thing I discovered from this video is the piano roll at the bottom of pro q-3!

The more i learn the less i feel i know...

Great work expanding on those notes! Keep it up!

Another awesome smudging out the "negative frequencies" tutorial! Thank you so much Sage Audio 👑 Definetely gonna join as soon as possible for me!

This video is a winner. You put in a lot of work I hope it continues to grow exponentially 🎉

This channel has made such a better audio engineer. Thank you & I appreciate u.

Always coming with game changing info 👍

Really good video to demonstrate the need to watch phase across different types of instruments.

Awesome insight very helpful and will be utilizing these ideas, kudos!!!

you give some of the best and clearest explanations. thank you sir. and btw guys the course is 🔥

Thank you Sage

Wonderful info. Thanks.

Yeah man. Good Job

Amazing thank you

Thanks for sharing!

Great video! Thanks.

Great teaching as always. I was expecting you to mention side chain just like another useful technique to set separation between kick and bass. Thank you for these precious insights!

Thank you!

Thank you, you are awesome!

I LOVE YOU SAGE AUDIO FROM PHILIPINES, YOU DID HELP ME SIR ❤

Fresh Air on bass and kick! I would have never tried it, I'll see if it's better than Le Petite Excite on them. Thanks.

Ok this was awesome

Right when i bought new monitors to up task my mixing. Perfect

Utter GENIUS! So well explained, which tools to use, when and, for what. Thank you SO very much! Hey, you guys should think about taking this up full-time, like starting an academy or something, I think you “might” be onto something here! 🤔 🤭

1:30 I definitely think this is an over simplification. we can definitely perceive differences in pitches less than 6%. microtonal music and even just pitch bends wouldn't exist if this was the case

thanks this helps alot!

What are, if any, benefits of high pass filter on kick and bass verses just a shelf to achieve both more head room and take away unwanted/ muddy low end frequencies

Guys, I am really considering joining your membership but, please, tell me. Are there private courses, person on person or it is just about having access to some courses that you read alone, you try to apply alone, etc. alone? Is all communication with the teachers done via texting? Because even when listening to your YT videos I have hundreds of questions and there is no one there to answer them for me. In rest, great stuff, thank you for everything.

Great 👍 video.

This is amazing! Thank you for this! Brilliantly explained. I do have a query, though. Kick is going to have a static and fixed fundamental frequency. But if the bass is playing the groove, and it's fundamental keeps changing, doest the same thing apply? As in, if my kick is on E1 which happens to be 41.2 Hz and if the bass hits Eb1 pretty often in the song, which is roughly 38.9 Hz, how is it supposed be processed?

Thoughts on sympathetic vibration?

I have a song in G major. And as of now i thought we sre supposed to keep everything in the same key. But what should I do in this case change key of kick or bass/ and how many semitones up or down!!

mg ure genius :). Love your videos.

One of the best videos why beating f@cks up your low end.....I always shouting at percussion players to tune their instr correc tly!!Also a phase plugin like the SSL helps the low end between kick and bass!!

Where would you place the exciter on your chain

Question: I recently saw another yt tutorial where somebody said, when mixing a sub, in order to make it audible on phone speakers, you just add a second sine wave oscillator which is only playing the third overtone of the fundamental (the fifth). Then you adjust the phase of both oscillators so you get maximum loudness while having minimum voltage basically. And after having tried it out, it does sound pretty good (if you don’t have a texture bass on top). But why do these two signals don‘t cancel each other out then? Is it because it’s an overtone or because the fifth is a large enough interval?

I've always thought that kick should have the same kick as the bass. And then I usually use frequency sidechaining to have a more precise frequency handling

Great knowledge here! I've always been kinda "scared" of removing a portion of the bass like that, but should i be?? It obviously gets the job done without taking away so much from the bass that it makes the bass sound weak.

Speaking of overtones (at around 4:25), personal opinion: Making a perfect 2-octave overtone could sound like an ideal solution... but does it? Fine, the kick's freq is E1, let's make that E3 the first heard overtone! A learner would say "hell yeah, that's it". Before we jump into conclusions, look at the guitar market where the demand for (deviant) tube amps is greatly higher than the need for (perfect) solid-state amps. The sound of tubes is simply warmer, more appealing, preferable. If we reed the overtone spectrum of solid states, it lifts up 1st, 3rd and 5th overtone (all perfect octaves). On the other end, tubes engage all deviant overtones of 2nd, 4th and 6th (those would be 5th, major 3rd, minor 7th). These are all much 'denser' intervals compared to perfect octaves that cohere in subtle dissonances. But we seem to find these 'deviant' sounds much more appealing than the sterile solid-state sound. So, be careful with math in music. Trust your ears!

90 seconds of watching, subbed

1:26 Of course, 1.06 is the rounded ratio (which is fine). The exact ratio is 1.05946309. I mean, there's an uppercase "SCIENCE" in the video title. So let's do some math 😄 If you multiply a frequency 12 times with the ratio r, you would get double the frequency. It has to be like that because you would go up 12 semitones, which is an octave by definition, which is double the frequency by definition. So one octave above 440Hz is 880Hz. 440 • r • r • r • r • r • r • r • r • r • r • r • r = 880 440 • r^12 = 880 1 • r^12 = 2 r^12 = 2 r = 12√2 r = 1.05946309

Always thought you SHOULD tune the kick to the key

So i should consider using different fundamentals in kick and bass so that they not cancel eachother out? I am always using the same key in kick and bass.

3:01 just heads up that some people are watching on systems that can’t pick up 41hz. I know what phase cancellation, and the wobble that comes with it but not everyone does. Just fyi

The other science is to match a kick to your bass in production, try different kicks and have less need for processing. 😀

mmm, David Guetta and Tiesto make these equations to get they powerful squashed master??? 😁😁 Thanks for the info!

Googles homepage recommended me this video lol

WIZ AT WORK!

How could i identify kick fundamentals? I use different kick samles

Is this vanoss?

Nice but what about manually fixing the phase problems,also,you wouldnt be putting the bass an octave up just to fix the phase..and also what is the fundamental of a kick really?a kick that starts from f6 slopes on b3 and ends up on g1 for example

👍👍👍Мне нужно это только на русском

ever heard of sidechain?

Ok, and I'm waiting for Baby Brain's audio engineer to f**ked up this well-explained kick & bass tutorial here in the comments.😅😅

Lol you ripped Nick de Lorenzo's video idea

Hmm … no credit to panorama?

Music is art, not science

Another amazing way to perfectly mix low end is to learn how the frequencies sum up in volume,then Use a Ducker plugin to duck some frequencies something I learnt from Baphometrix clip to zero strategy

Thank's

The thing is for what?