HOW TO PRACTICE FAST PASSAGES IN BOTH HANDS ON THE PIANO // Mozart Concerto No. 21

HOW TO PRACTICE FAST PASSAGES IN BOTH HANDS ON THE PIANO // Mozart Concerto No. 21 - Piano Tutorial

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2 жыл бұрын

Today, I share my practice techniques for uncomfortable fast passages in both hands, especially when they are not playing parallel patterns. Hope you enjoy!
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Пікірлер: 31

@richardforshaw8479 Жыл бұрын

What I love about independent hands in fast passages is that exhilaration experienced by the listener when listening to the performers dexterity. I love it!

@downdog70 Жыл бұрын

As usual, very clear, precise, and helpful instructions! Having the score is great. Thanks Danae

Жыл бұрын

Thank you!

@richardforshaw8479 Жыл бұрын

At 10.44 your pinkie does an incredibly high elevation to start the passage! I love to watch it! Richard.

@richardforshaw8479 Жыл бұрын

Sorry- I should have said BOTH pinkies! Richard.😁

@miffybubbles 2 жыл бұрын

Dear Danae, thank you very much for this video. After half an hour of practice following your instruction, my playing sounded much cleaner already! I was wondering could you please consider making a video about piano accompaniment/chamber music in the future? Thanks again and hope you have an awesome day. 💕🌹🎹

2 жыл бұрын

So glad to hear that and yes, that’s a great topic! I will definitely add it to my list of future videos. Thanks so much for watching!

@richardforshaw8479 2 жыл бұрын

Thankyou very much for demonstrating how separate hands practice cures any unstable ( usually the left hand) passages. Also, the fast/slow system is super-effective in nailing any tricky moments. I used to play hands together frontage start in independent hand passages, but your method has revolutionised my approach. With grateful thanks for yet another superb video.😊

2 жыл бұрын

So glad to hear that!! 🙏🏻🙏🏻

@prokastinatore 2 жыл бұрын

Again a very interesting vid. Thank you so much.....What I will never understand ( of course: this is another issue.....) is that only a very small range of so called "classical musicians" pay attention to jazz. For example "Prof." Joachim Kaiser always mentioned Friedrich Gulda and his style to play Bach or Mozart and furthermore Beethoven. At the very same time Gulda played Jazz and worked also as a composer. Gulda was always open minded and performed on stage with the top of international jazz musicians ( Herbie Hancock, Chic Chorea....). There's also Keith Jarret, who recorded the "Goldberg-variations". All of 'em played for example Mozart piano-concertos with orchestra in their youth. In our times I want to mention Francesco Tristan who playes "Petrouchka" or Bach on the one hand. On the other hand also his own improvised jazz or techno ( like Gulda did). What's about Jacob Collier? Aren't we talking about "music" itself? It's like a universe.....I remember my own education at music conservatory. On my final graduation -concert I performed Bach, Ravel and Mozart-piano concerto in A major. When it came to the cadenza, I improvised, based on the themes of Mozart but in jazz-style. The audience loved it. The professors called it "disrespectful" and " horrible"...I'm pretty sure that they even didn't understand what I did. I wanted to translate music from the past into our times. Finally , a case at the courthouse was filled and after 5 years I won. "Music" is like a "universe " and we should always celebrate it and we should reach out our brains, hearts and souls to touch and to reach people.....Maybe ya guys gonna create a new "lesson" about improvised music. You also need to have good knowledges about composition and tough piano skills. Whatever....again my 2 thumbs up for Mozart! Love it lifelong! Thank you so much!

2 жыл бұрын

Thanks so much! I wholeheartedly agree with you and actually cannot believe the reaction of your professors that you described. Of course, music is a large universe and I admire people that move effortlessly between the genres and even manage to combine them. Personally, I would never frel secure enough in my improvisation skills to play jazz on stage, because it is a completely different approach to piano playing, but I did study it at the university and I absolutely love it.

@callum6660 2 жыл бұрын

Wonderful! Your generosity to share your carefully thought out ideas of many challenging aspects of piano playing are just fantastic. Greetings from Mozarteum Salzburg!

2 жыл бұрын

Thank you so much and many greetings back to Mozarteum Salzburg where I actually also studied for a bit 🤗

@privateprivate22 2 жыл бұрын

Thank you, Danae, I really enjoy your videos. I’m teaching and practicing mostly the same way you do, but Im not able so methodically beautiful to put it all together in one shot like you do.I like that you emphasize the benefit of practicing separate hands, because from listening today’s masterclasses even for youngsters I got an impression that this stage is abandoned. To say more I can mention that some very famous pianists with whom I studied also avoided it , I was listening to them in dorm where we’ve been practicing. To me practicing separately is like a good hygiene. If you are interested find on you tube masterclass of Lazar Berman ( one of greatest in my opinions) , he was teaching in Italy and he showed a new for me pattern to practice which he learned from his great prof. Goldenweiser.

2 жыл бұрын

Thank you very much and thanks for the suggestion - I will definitely have a look at this!

@LorenzoRoccoNaturallyPiano 2 жыл бұрын

Some very useful tips. Thank you so much

2 жыл бұрын

🙏🏻🤗

@robsmithpianoprogress3160 2 жыл бұрын

Invaluable advice; thank you ☺️

2 жыл бұрын

Thank you so glad you liked it!

@williamkircher1430 2 жыл бұрын

❤️❤️ Awesome tutorial Danae!! I find it practical and a useful tool. I will put it in my tool box with your name on it. It's fun and an enjoyable time practicing. We appreciate your time and effort sharing your talent with us. Keep up the good work and looking for future tutorials.❤️🍓❤️

2 жыл бұрын

Thank you so much 🙏🏻🙏🏻