Huey P. Meaux interviewed by Joe Nick Patoski - Part 1 (1987)

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Austin History Center

Austin History Center

Күн бұрын

Part 1 of several tapes of unedited footage featuring Huey P. Meaux (1929 - 2011) known as "The crazy cajun". Interviewed by journalist Joe Nick Patoski on March 12, 1987 in the John A. Lomax Room at the Barker Texas History Center, Austin, Texas. Huey talks about his youth and his early days in the music business and how he learned to produce and sell hit records.
Producer: VidEotic Productions Director: Tim Hamblin
AR.2001.006.000005

Пікірлер: 9
@dollymarinello2573
@dollymarinello2573 5 ай бұрын
Rest In Heavenly Peace Huey. 🙏💖😇
@dcnorthcutt5923
@dcnorthcutt5923 4 жыл бұрын
I'm from winnie texas where Huey started out his music career and lived at for a long time and he is well known in winnie texas even in death. He accomplished a lot in the music business but his accomplishments are forever tainted by the sick things he did with underage girls. Its fucking sad and pathetic cause the guy was a pioneer in the music industry in texas. Even worst he doesn't come from a family that does the sick and nasty things to young girls that he did.
@jamesfoster5628
@jamesfoster5628 7 жыл бұрын
Will we see other parts of this important conversation?
@1ireneaustin
@1ireneaustin 7 ай бұрын
LORD JESUS, give discernment here to see through yiur eyes.Help us as we pick up our cross and follow you.we confess that music is a divine ibstrument and as such should be used to glorify You. Resist the devil and he will flee.
@campocat
@campocat 3 жыл бұрын
Huey produced my records for kapp in Nashville
@humanrights4allinstitution712
@humanrights4allinstitution712 2 жыл бұрын
Good day, Selena Quintanillas story stands as the cornerstone foundation of the present day Human Rights/Anti-Human traffickicking, forced career, and Social Justice movements in a technologically advanced society. The modern day entertainment industry in particular the music industry as well as various communication and communications media have also been largely founded by those present involved in the production of these events which stand as a most severe matter. We see here in every instance the forced nature of the career of every female artist as well as others on hand in the most physically intrusive manners; who appear in this tejano so called racially commercialized and community destroying endeavour. Which has effectively silenced the voices of entire communities and the human rights movement as a whole. This behavior has continued till present day, simultaneously we see those personally accountable for what truly is a human catastrophe for all society as a whole and brazenly promotes complicity to an already at risk population. The abusive tactics used to intimidate persons vulnerable like Selena Quintanilla highlights the need for immediate societal education. Education on forced relationships, which clearly begets the norm here, and crime free atmospheres which are needed in an advanced tech society faced with long term accountability. Even one such instance resembling what we see here such as that of Ariana Grande has been globally lambasted for offensive volatility, why is this still being allowed in global silence here. Do good to be, question id imposition
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