Martin Barre recounts the nerve-wracking audition he had for Jethro Tull, which didn't go as planned. From his first encounter with Ian Anderson to the intense atmosphere in the audition room, Martin opens up about the pressure, anxiety, and ultimately, the unexpected turn of events that followed.
For background, Martin reflects on being the only other flautist in England, apart from Ian Anderson, playing in the Roland Kirk style, building anticipation for the fateful meeting with Ian and himself. After supporting Tull with his band, Martin reveals that through Terry Ellis, the manager of Chrysalis Records, he was given the opportunity he had secretly longed for. Martin carefully recounts the nerve-racking audition, where he found himself amidst a sea of guitarists vying for the same role.T he audition went badly, with Ian Anderson initially wanting Tony Iommi to take the role as guitarist. It didn't work out with Tony, who would of course go on to become the riff master in metal gods, Black Sabbath!
VRP Rocks dives into the fascinating dynamics between Martin and Ian, shedding light on their early chemistry and Martin's initial struggle to find acceptance within the band and the audience. Discover the turning point where Martin's exceptional guitar work meshes with the Tull sound, captivating fans, and securing his place as an integral member of the iconic band.
If you are a podcast listener you can hear the interview in full by searching for episode 101 of VRP Rocks. Just search for VRP Rocks on your podcast app of choice and hit subscribe or follow!