Thanks, I appreciate that!

Glad you enjoyed it!

Awesome! Thanks!

Nice!

Awesome! Thank you!

Awesome! Thanks!

Awesome! Glad it helped!

Glad you enjoyed it

Glad to hear it!

Glad to hear it!

Thanks!!

Perfect!

Thanks

Thanks!

Awesome. I love it for run and gun. What’s the challenge for you?

@@BenSchubert Just getting use to the button placement. My previous camera was mirrorless, so its a little bit of an adjustment. Im thinking about investing in a shoulder rig.

Haha. That’s fair.

@@BenSchubert BTW where did you get those glasses from?

Warby Parker

You're welcome!

Happy to help! Unfortunately the C200 doesn’t output a Raw signal. Only 4K 8bit 4:2:2. It only records raw internally.

Hahaha, Thanks!

That's not a bad choice. I have something similar set up on my EOS R so this would definitely be useful.

I use tracking on the grip button 1 to turn af off and on.. handy if you just to keep the focus on the same point ..

You can only get the waveform through SDI on the C200 so you would need the SDI adapter for the Ninja if you wanted that specific feature of highlighting the Waveform. Otherwise the concept still works with the Ninja waveform as is.

The easy way is to hit the WB button which gives you the option of daylight, tungsten or AWB. In Daylight and tungsten press right on the joystick and it will highlight the Colour Temp, which you can change.

@@BenSchubert Thank Ben! Appreciate it.

can't remember if I said it in the video, but you have 4 channels and you can assign different mics to them.

@@BenSchubert the question i how to have two xlr mics recording at loud and quiet. I think you dont acheive this but manage a very useful pot+auto per channel. for example mic 1 is chan1 via pot, chan 3 at auto?

Got it. You can choose to have channel 3&4 auto or manual. On page 2 of the menu you can choose the settings. You can only adjust Channel 1&2 in the fly but 3&4 I will set to be my lower safety tracks.

There are a lot of things that could be making this happen. On one hand Canon Colour spaces tend to have a higher red channel and it all might be more than you are used to seeing in the footage. In camera you can set your colour space to EOS Neutral which has less red. If it's extreme try a factory reset. Another thing might be how you are converting the footage after. I like to set it to C-Log2 and Canon Cinema-Gammut. Not sure what my current Firmware is, it's been a year since I've updated it. Hope some of this helps.

@@BenSchubert very helpful thanks and ill try

@@BenSchubert great tips thanks in Gamma There's only a Canon log 3 and can log

I leave NR at zero. I tried it before but you lose detail and sharpness and I found that there was ghosting in the image so I stopped playing with it. I think you’d be better off DeNoising in post though I don’t do that either

@@BenSchubert maybe you set it up above 3 ??

No. I leave it at zero. Definitely do some tests to make sure you are getting the image that works for you.

Turn "OSD" off. Look for it in your C200 monitor menu

@@BenSchubert Thank you anyway I already find a solution

To record to Cfast, you need to be recording in 4kRaw, it will only record HDproxies to SD while in RAW mode.

Sorry, it’s not going to work. If you are looking for an inexpensive media for raw look into Solid pods. I don’t use them myself so I can’t really give an opinion on them

@@BenSchubert Thank you for quick response, you saved my time really 👍👍👍👍🙏🏿

@@BenSchubert So does the Ninja V not work with the c200 at all?

It records uncompressed 8bit 422 in prores which is a better quality than the internal 8bit. It just doesn’t output raw. Check out the video I did a video about the 8bit output to the ninja

Thanks!

Glad you enjoyed it