京都橘高等学校のマーチングバンドは凄すぎる！ 素人誰が見てもダンスも演奏も上手いとすぐにわかる。 演奏に感動！

２０２１年１０月３１日別府でのマーチング行進の京都橘高校吹奏楽部は撮影と放映OK出ました。 一年半ぶりの撮影で凄い人が集まりました。別府での京都橘高校吹奏楽部のネットでの反響は凄まじいです。久しぶりに見れて良かったで～す。

フォーメーションは、京都｢橘」の頭文字の｢Ｔ」ですね。🥳🎶 2025年のアメリカでのローズパレードにも出場が決定しました‼️😉👍

2025　roseparade the invitation jas been decided. happy

Were you pleased Thank you for today too‼️ 🤗🍊🎶💖💕💖💖

4:19 It was nice to see the troops slipping through the sousaphone (the largest instrument). 7:35 It's amazing how they jump over not just once, but twice, and how people coming from both sides can pass each other without bumping into each other.

Gracias por Reacción a Kioto Tachibana..me encanta.. saludos cordiales desde Ciudad de México..😍

２０２１年から京都橘高校吹奏楽部だけ撮影投稿禁止になりました。他の学校はマーチング大会でも撮影投稿OKなのに京都橘高校吹奏楽部だけ全て 商店街の行進も撮影投稿全てNGになりました。審査員や協議会や大会がプロは禁止にすべきと言ってました。 余りのも有名になりすぎて競技や審査員が審査を付けるのが大変になった為！？余りのも非道の事になりました。ヒドイ！！

Wow 🇫🇷

最後のVのフォーメーションは”ヴィクトリー”のVなんでしょうね。

Marching, Running And Dancing....And they don't miss a note!!!! (GOAT)

橘に目を付けるとはやりますな( ･́∀･̀)ｸﾞﾍﾍ

Kyoto Tachibana SHS band does their own choreography , dance moves. This is from a website that I will leave at the end of this, it's long so > Present were the five members of the Marching composition team. When working on their choreography, the members sit in the classroom , and listen on their smartphones to a recording of a song they’ve performed together. Everyone tries to come up with their own dance, letting their mental image grow. Then, they form a circle and watch one another’s dances, deciding on the choreography along the way. KT’s traditional moves all have their own names, like “kick,” “side,” “kinoko” (=”mushroom”), and "turn", allowing the discussion to flow as the participants listen to the song. We should put a kick here”, “After we turn around here, we should do a side”. The atmosphere is fun and full of laughter, with no particular leader, and no one person making the decisions. At one point, one person’s moves will be spontaneously adopted without a word. The next moment, everyone is instantly united in doing another person’s dance. It’s as if those five people are communicating telepathically. The group of marching organizers is made up of representatives of the woodwind, brass, and percussion sections, and one from the Color Guard. While they dance, they’re also thinking about their own separate parts of the choreography. After the group has been dancing in a circle for about an hour, three people move to the front and spread out from side to side, and the other two sit across from them and watch as they dance to the song. The two doing the watching also offer views like “At this spot, we should do this”, and the choreography is revised through this process. That the three are standing side-by-side at this time is because at the most basic level, marching bands are organized in three lines, or “files”: the right file, the center file, and the left file. In KT’s choreography, the timing of the moves is often deliberately staggered between the files at the sides, and the center file to add dynamics to the movement. Even at this stage, the three who are lined up to test the new choreography ; already have this in mind as they work it out. This time, when they arrived at a certain part, one of the three called out “Whoo!” without warning, raised her hand, and moved to the front. It was a spontaneous move that had never been suggested , during any of the discussions that had preceded it. Upon seeing it, one of the people who were sitting and watching from the other side nodded approvingly, mitating the “whoo”. Thus, it was decided that a “whoo” would happen at that point. It was then that the filming began. The member of the Color Guard films the three as they dance to the entire song. Then, the three turn around to go through the routine once more, so that they can be filmed from the back. The band members tell me that these front- and back-view videos are sent to Yokoyama-sensei, who then reviews the choreography. When speaking with us adults, the band members are articulate and well-spoken, using standard Japanese. However, when working amongst themselves on choreography, the conversation takes place in the Kyoto dialect, and the words come out at an extremely high rate of speed, making it difficult for anyone else to pick up much of what’s being said. Nevertheless, these young women are able to communicate complex, ideas to one another in an instant, with little more than a word or two. I’m sure that conversations between high schoolers are like that everywhere in the world, but I would also think that if a high schooler from Tokyo, for instance, were to be added to this group, the conversation might be slowed down significantly. In Japanese, the unspoken understanding of thoughts between colleagues, united by a strong shared consciousness,is known as "aun'no kokyu "("a-un breathing") (expression based on the first and last letters of the Sanskrit alphabet). The secret of KT’s choreography was the marshalled powers of five people, who were blessed with talent, diligent in their preparation, and experienced in performance. KT’s choreography really was devised and done by the students themselves. No professional so much as set foot in the room. That is truly an amazing thing. Link to this > kyototachibanashsbandunofficialfanblog.wordpress.com/ < If you are a KT fan , you'll find a lot of interesting things here. Video links , interviews in English print of several KT girls who performed in the 2018 Rose parade and more. Enjoy

Galing nilang Mag perform sabay lahat

konbanwa🤘❤️ It's very difficult to dance while playing.😓

Hi Tim & Vena Adventures, you may notice more often than not. Kyoto Tachibana will end the " Sing! Sing! Sing! " with a Vee or chevron shape formation. This formation represents a plowshare This is an Homage to the farming traditions and Culture of Kyoto.

Could i recomend one video from one of indonesian traditional culture for you are racting it? You just rearching : "Ritual ma'atenu takapita" from molucca culture

何度見ても😢

撮影禁止には撮影する側のマナーの悪さがあまりにも酷いからでしょう。特に橘は狭い場所等での演奏が多いですが、移動しながらの撮影は周りに対しての配慮が欠けていて、纏まった人数での移動撮影によって危険でもあり。自分勝手な撮影行為が多過ぎるからでしょう。 又立ち止まっての撮影に於いてもローアングルとかの、本来の意味する撮影からは非常に外れた目的があるからです。 今後の撮影に於いては橘や主催者側の許可を必要とする形にした方が良いのかと、そして撮影に対しては橘を応援する意味においても、多少なりとも協力金を払う形を取っても良いのかも知れません。 特に橘は他の高校と比べても遠征が多いですし、其れだけ費用もかかります。 関西圏内に関わらず。近年遠い場所まで遠征します。又其の全てが主催側の費用では有りません。 本当に橘を応援したいのならもう少し協力すべきではないでしょうか、