*CHARLIE PARKER* Lee Konitz on meeting & touring with him - JazzHeaven.com Video Excerpt

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JazzHeaven

JazzHeaven

13 жыл бұрын

Go to JazzHeaven.com/lee for more FREE Lee Konitz Videos! This was an excerpt from Lee's “Talking & Playing" instructional video. Jam-packed Jazz Improvisation Lessons: 90-min Lesson, 60-min Interview, Duo Performances with pianist Dan Tepfer (also the interviewer here) and more.
Get a rare look behind the scenes of this master jazz improviser - and experience six (!) decades of Jazz History.
Click on JazzHeaven.com - other killer jazz instructional videos with KENNY WERNER, JERRY BERGONZI, ERIC HARLAND, LAGE LUND, Gilad Hekselman, Geoff Keezer, Walt Weiskopf, Vince Herring, Oz Noy, Ralph Peterson, Ari Hoenig, Ingrid Jensen & more.
Go to JazzHeaven.com to check out the madness!
Lee Konitz (born October 13, 1927) is an American jazz composer and alto saxophonist born in Chicago, Illinois.
Generally considered one of the driving forces of Cool Jazz, Konitz has also performed successfully in bebop and avant-garde settings. Konitz was one of the few altoists to retain a distinctive sound in the 40s, when Charlie Parker exercised a tremendous influence on other players.
Like other students of pianist and theoretician Lennie Tristano, he was noted for improvising long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Paul Desmond and, especially, Art Pepper were strongly influenced by Konitz.
His association with the Cool Jazz movement of the 1940s and 50s, includes participation in Miles Davis' epochal Birth of the Cool sessions, and his work with Lennie Tristano came from the same period. During his long career, Konitz has played with musicians from a wide variety of jazz styles.
Konitz began his professional career in 1945 with the Teddy Powell band as a replacement for Charlie Ventura. The engagement apparently did not start out smoothly, as Ventura is said to have banged his head against a wall when Konitz played. A month later the band parted ways. Between 1945 and 1947 he worked off and on with Jerry Wald. In 1946 he first met pianist Lennie Tristano and worked in a small cocktail bar with him. His next substantial work was done with Claude Thornhill in 1947, with Gil Evans arranging and Gerry Mulligan as a composer in most part.
In 1949 he teamed up with the Miles Davis group for one or two weeks and again in 1950 to record Birth of the Cool. Konitz has stated that he considered the group to belong to Gerry Mulligan, and credits Lennie Tristano as the true forebearer of "the cool". His debut as leader also came in 1949, with the release of Subconscious-Lee on Prestige Records. He also turned down an opportunity to work with Benny Goodman that same year-a decision he is on record as regretting.
In the early 1950s, Konitz recorded and toured with Stan Kenton's orchestra. In 1961, he recorded Motion with Elvin Jones on drums and Sonny Dallas on bass. This spontaneous session, widely regarded as a classic, consisted entirely of standards. The loose trio format aptly featured Konitz's unorthodox phrasing and chromaticism.
Charlie Parker lent him support on the day Konitz's child was being born in Seattle, Washington with him stuck in New York City. The two were actually good friends, and not the rivals some jazz critics once made them out to be.
In 1967, Konitz recorded The Lee Konitz Duets, a series of duets with various musicians. The duo configurations were often unusual for the period (saxophone and trombone, two saxophones). The recordings drew on very nearly the entire history of jazz, from Louis Armstrong's "Struttin' With Some Barbecue" with valve trombonist Marshall Brown to two completely free duos: one with a Duke Ellington associate, violinist Ray Nance, and one with guitarist Jim Hall.
Konitz has been quite prolific, recording dozens of albums as a band leader. He has also recorded or performed with Dave Brubeck, Ornette Coleman, Charles Mingus, Gerry Mulligan, Elvin Jones and others.
Amongst his latest recordings are a pair of trio dates with Brad Mehldau and Charlie Haden released on Blue Note as well a live album recorded in 2009 at Birdland and released by ECM in 2011 featuring the same lineup with the addition of drummer Paul Motian.
Hope you enjoyed this clip on Charlie Parker
• *CHARLIE PARKER* Lee K...

Пікірлер: 24
@theodorenavarro3288
@theodorenavarro3288 11 жыл бұрын
Amen to that. Mingus said it with his drastic title: "If Charlie Parker were a Gunslinger, There'd be a Whole Lot of Dead Copycats" And Lee is still around, and playing. Thanks for the very touching interview.
@lapps22
@lapps22 6 жыл бұрын
So happy Lee is still around, he was my first love of modern jazz back in the50s.Thank you man an good health to you.
@golds04
@golds04 3 жыл бұрын
Just like his playing: original, honest, authentic and succinct. Ty
@holygroove2
@holygroove2 9 жыл бұрын
Bird had that kind of revolutionary approach that everyone uses - of course Konitz knew Bird's music. How else could he go deliberately in his own direction? Very cool to hear it from his own mouth.
@mag1102009
@mag1102009 12 жыл бұрын
I'm amazed at how good Lee looks. I saw him play about thirty years ago in a terrific little jazz club in Ft. Lauderdale called Bubba's. Thank's for the video, it is a wonderful piece of history.
@worsley1000
@worsley1000 8 жыл бұрын
I was fortunate to meet and study with Lee , as a 16 year old kid, back in the late '60's..... That continued , on and off , for several years ... Over that time, we developed a relationship that went beyond, merely, teacher and pupil...We parted ways back in the "70's BUT.... Mr. Konitz' Impression upon me is INDELIBLE ! Thank YOU for these Wonderful Interviews!!!! MUCH to be Learned , Here....
@davidbaise5137
@davidbaise5137 Жыл бұрын
Thanks for this! Very informative. The name “Jazz Heaven” - yes so many of these folks have added the harp to their earthly instruments.
@johnames6946
@johnames6946 11 жыл бұрын
THANK YOU FOR THE POSTING OF THIS VIDEO. I AM A SERIOUS FAN OF LEE KONITZ. I LOVE AND RESPECT CHARLIE PARKER'S GOD GIVEN GIFT, BUT THANK GOD LEE KONITZ DID NOT COPY PARKER'S STYLE.
@Padabig60
@Padabig60 12 жыл бұрын
thanks, this bit helps in clearing up some confusions.
@thisiskc
@thisiskc 12 жыл бұрын
Fantastic! Just interview him for a Warne Marsh doc (one of the all time great Tenor players). Boy I loved it when they played together.
@rjonnz
@rjonnz 12 жыл бұрын
very nice
@acohen1980
@acohen1980 10 жыл бұрын
gr8 post...thanx
@aaronamccoy
@aaronamccoy 11 жыл бұрын
great!
@NiklasFite
@NiklasFite 12 жыл бұрын
Wonderful
@johnames6946
@johnames6946 11 жыл бұрын
THANK YOU FOR YOUR KIND REPLY. I AM ALSO A BIG FAN OF JAZZ TRUMPETER FATS NAVARRO AND HAVE SUBSCRIBED TO YOUR SITE. THANK YOU AGAIN.
@lastknowngood0
@lastknowngood0 3 жыл бұрын
Rest easy Lee. Say hi to Bird!
@lakisdiako1
@lakisdiako1 12 жыл бұрын
Konitz the king of the cool, is one of the 3 best alto players!!! (others? Charlie Parker & Paul Desmond),
@bebopuser
@bebopuser 6 жыл бұрын
that is kinda true fella
@garysoucie5145
@garysoucie5145 6 жыл бұрын
Nope. Bird and Art Papper
@johnf.hebert1409
@johnf.hebert1409 5 жыл бұрын
@@garysoucie5145 lester
@talawa777
@talawa777 4 жыл бұрын
Johnny Hodges!!! Then Bird, Then Eric Dolphy!!! And yeah. The two white cats were cool but come on.
@brucescott4261
@brucescott4261 4 жыл бұрын
@Lunar Orbit ...Why not? Yard was crazy about him.
@thisiskc
@thisiskc 12 жыл бұрын
@thisiskc "interviewED" (past tense) ;)
Mr. Lee Konitz on how it started.
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